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Features Live Action Movies

Opponent
(Motståndaren)

Director – Milad Alami – 2023 – Sweden, Norway – Cert. 15 – 119m

***1/2

Two asylum seekers – an Iranian pro-wrestler and his pianist wife – are confronted with inhospitable Scandiniavian hotel accommodation and state bureaucracy – out in UK cinemas on Friday, April 12th.

An ominous pulsing, thumping soundtrack. Wearing training kit, an Iranian man runs until stopped in his tracks by the sight of men on the nearby road searching for someone. There is a man hiding from their sight behind a parked car. The first man goes down to the parked car and demands of him, why couldn’t you keep your mouth shut?

Hoping it will help him be seen as contributing positively to the cultural life of Sweden, thus enhancing his and the family’s chances as being accepted into citizenship, Imam joins a local wrestling team. He is clearly glad to be once again participating in the sport that was his life back in Iran, but his wife is less than happy to see him taking it up again, especially since he sometimes comes back to the hotel with a bloodied nose. Imam befriends Thomas (Björn Elgerd) at the club, who invites him out to parties where Imam spends the night rather than going home to his wife.… Read the rest

Categories
Animation Features Live Action Movies

Tokyo Fist
(東京フィスト)

Director – Shinya Tsukamoto – 1995 – Japan – Cert. 18 – 87m

*****

Shinya Tsukamoto ventures outside his Tetsuo trappings to deliver further explorations of the ‘New Flesh’ in boxing movie garb.

On Arrow Channel from Friday, September 22nd.

This review is an amalgam of my reviews for What’s On In London and Manga Mania.

Right from its opening angled camera of gym sparring partners, everything about apparent boxing movie Tokyo Fist is relentless. Apparent because this is the latest highly idiosyncratic offering from Japanese filmmaker Shinya Tsukamoto, the crazed genius behind the brilliant if unhinged Tetsuo films. Don’t be fooled by the boxing gloves – this is another round in the director’s ongoing engagement with the ‘New Flesh’, minus the science-fictional surface trappings.

Underpinned by another memorable Chu Ishikawa score, it opens in typically bravura fashion with slanted tracking camera shots of sparring partners in a gym, morphing moments later into a visual wipe in the manner of a knockout punch as a fist hurtles towards the viewer and the images disintegrates via a stop-motion iris constructed of offal.

The plot has an insurance salesman whose career is foundering run into an old school friend who is now a professional boxer.… Read the rest