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Animation Features Movies

LUPIN THE IIIRD
The Movie
The Immortal Bloodline
(RUPAN SANSEI ZA MUBÎ
Fujimi no Ketsuzoku,
LUPIN THE IIIRD
THE MOVIE
不死身の血族)

Director – Takeshi Koike – 2025 – Japan – Cert. 15 – 93m

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Lupin and his friends are lured to a zombie-populated island run by an immortal being where a toxic gas kills people after 24 hours – out in UK cinemas on Saturday, February 21st

Lupin III (or LUPIN THE IIIRD as he’s called here) has been around in Japan a very long time, first in the manga created by artist Monkey Punch in 1967 and later in live action movies, animated TV series, animated features and various other media formats.

© MP / T

You be forgiven for thinking that makes the franchise inaccessible for the newcomer, but this latest instalment opens with a burst of fuzz guitar and black and white images of ink clouds in liquid and drawings of the five main characters, who are helpfully introduced one by one, invaluable to the newcomer but equally, given the stylish drawings and the rapid pace at which they are introduced, a pleasure also for the viewer already familiar. Thus, we meet master thief (and narrator) Arsène Lupin III (voice: Kenichi Kurita) (“the cops are always after me”), his gunslinging partner Daisuke Jigen (voice: Akio Otsuka), his friend Goemon the swordsman (voice: Daisuke Namikawa), his friendly rival the curvaceous Fujiko Mine (voice: Miyuki Sawashiro), briefly zipping up cleavage that appears have been considerably enlarged for this particular film, and his nemesis Inspector Zenigata (voice: Koichi Yamadira) who has failed to apprehend him for decades, here introduced as an ace even though elsewhere in the franchise he’s pretty hapless.… Read the rest

Categories
Features Live Action Movies

Tornado

Director – John Maclean – 2025 – UK – Cert. 15 – 91m

*****

A bereaved Japanese in Britain in 1790 must prove herself as a samurai to survive – unique coming of age historical drama is out in UK cinemas on Friday, June 13th

A 16-year-old Japanese girl (Koki) flees over the moors, through the wood, towards a large mansion. So does a young boy. Their male pursuers walk relentlessly in her direction, but they haven’t seen her. Woe betide her if they do, because their leader (Tim Roth from Pulp Fiction, 1994; Reservoir Dogs, 1992, both Quentin Tarantino; The Hit, Stephen Frears, 1984) addresses one of their number by name then slits his throat. She gets to the house, opens the door, the sudden draught inside causing papers to blow around, but she shuts it pretty fast, sensing the woman inside. A little later, she opens the door, gingerly enters the house. A hiding place, but she must be sure the occupants don’t spot her.

No such hesitancy for the gang following her; they step inside confidently as if they own the place, pushing over and kicking the male occupant while he’s down. They spread out, and a younger man in the party, who we will later come to know as Little Sugar (Jack Lowden frrom Benediction, Terence Davies, 2021; Dunkirk, Christopher Nolan, 2017; ’71, Yann Demange, 2014), son of the gang leader Sugarman (Roth), finds her at the end of an upper corridor whose floor has given way beneath another gang member.… Read the rest