Category: Animation

Categories
Animation Movies Shorts

The Big Snit

Director – Richard Condie – 1985 – Canada – 10 mins

*****

Both sweet and funny. The first five minutes look like exactly where we are now under the COVID-19 lockdown. It’s basically the story of an old married couple who not only love each other dearly but also get on one another’s nerves. He looks at her Scrabble tiles while she’s out of the room. He is obsessed with sawing and tunes in to the TV Show, ‘Sawing For Teens’. She, meanwhile, compulsively removes her eyes from her face and shakes them.

Five minutes in, neither of them are watching when an emergency announcement interrupts regular TV programming. If the first five minutes are about a couple isolated in their home, the second five are an end of the world scenario with nuclear missiles flying through the sky and people panicking outside in the streets. Our central couple are, however, blissfully unaware of this, caught up as they are in their own domestic squabble. Richard Condie’s drawings, colour and overall visual sense are an absolute delight and the film is hilarious. Ten minutes well spent.

Nominated for Best Animated Short at the 1985 (58th) Oscars.

Free to watch on the National Film Board of Canada’s (NFB) channel.… Read the rest

Categories
Animation Live Action Movies Shorts

La Jetée

Director – Chris Marker – 1962 – France – Cert. PG – 28m

*****

This movie has been resonating around my head these last weeks of the COVID-19 crisis as pertinent to where we are at present.

La Jetée / The Pier remains unlike anything else I’ve ever seen, black and white still images with voice over (which means that the English language dub, excerpted below, works just as well as the French language original). Little bits of it are really tough to watch in our current situation. For me, watching it again helps me deal with where we are right now. It’s about grief, about a world we’ve lost, to which we can never go back. It’s a film that regularly and rightly crops up on critics’ lists of the best films ever made. At the time of writing this, the film reads differently from the way it did three months previously. Not for everyone at the present time, but if you’re up for it, highly recommended.

Watch the opening minute below:

Categories
Animation Features Live Action Movies

First Love
(Hatsukoi,
初恋)

Director – Takashi Miike – 2019 – Japan – Cert. 15 – 108m

*****

A boxer with no fear of death. Japanese yakuza, Chinese triads. A bag of drugs. A girl sold into prostitution. Miike orchestrates his potent cocktail with pace, panache and energy – cinemas Friday, February 14th, home video Monday, February 24th

And yet, as its release date implies, First Love is also a Valentine’s Day-friendly date movie. Not, admittedly, your average date, but Miike has never been your average director. High-profile titles released in the West like Dead or Alive, Ichi the Killer and Yakuza Apocalypse give an certain idea of what he’s about – life, death and gangsters. This is only one facet of a career which also boasts samurai epics and a musical. If you count his made-for-video features of the early 1990s, Miike has now made over a hundred films. Many are highly entertaining and one or two, such as Audition, the sweet romantic film that turns into a terrifying horror thriller, might justifiably be termed great. First Love may not quite be Audition, but it’s arguably his best film for years… [Read more]

Full review at All The Anime.

Categories
Animation Art Books Features Live Action Movies

Harryhausen
The Lost Movies

There’s nothing else quite like the filmography of stop-frame animator and special effects maestro Ray Harryhausen (1920-2013). A new book, Harryhausen The Lost Movies, is an undeniable treasure trove for those familiar with his films, which include such gems as Jason and the Argonauts and One Million Years B.C. and incorporate fantastical, stop-frame animated creatures and additional bravura special effects into live-action movie narratives.

Compiled by documentary film maker and author John Walsh from over 50,000 items in the Ray and Diana Harryhausen Foundation archive, this coffee-table book sets out to provide an overview of the film maker’s oeuvre through his various unmade projects, lavishly illustrated with photographs and drawings.

I review Harryhausen The Lost Movies for All The Anime.

Categories
Animation Features Movies

I Lost My Body
(J’ai Perdu
Mon Corps)

Director – Jérémy Clapin – 2019 – France – Cert. 12a – 81m

****1/2
A severed hand searches for its body while a boy searches for the girl who he only knows from the sound of her voice in this French animated feature – from the BFI London Film Festival then in cinemas on Friday, November 22nd and on Netflix from Friday, November 29th

This unique 2D animation opens with a discussion about how to catch a fly before splitting into two parallel narratives. In one, a severed hand goes on a quest in search of the body from which it has become detached. In the other, boy meets girl. This is the boy who at a later point in the film will lose his hand in an accident. The opening fly discussion turns out to be a flashback of the boy.

The hand shows great ingenuity as it escapes rats in a subway, climbs medical skeletons in a storage room and duels with an aggressive pigeon in a roof gutter. It has a pretty hard time of it physically. And when it eventually finds its body, reuniting with it proves far from simple.

The boy, Naoufel (voiced by Hakim Faris in the seen French version and Dev Patel in the upcoming English dub), is working as a pizza delivery boy, a job to which he isn’t particularly suited.… Read the rest

Categories
Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival

Categories
Animation Art Movies Shorts

Memorable
(Mémorable)

Director – Bruno Collet – 2019 – France – 12m

*****

The techniques used in this remarkable short include both computer and puppet animation, with all the surfaces of both the puppets and the sets resembling that of a canvas painted with oils. It’s the perfect artistic form in which to express the story the film wishes to tell.

Louis is a painter suffering from dementia. Neither he nor his wife and model Michelle are coping well. He struggles to recognise different items of food by name at the dinner table – a bit of a problem when Michelle asks him to pass the pepper – and attempts to eat a banana without taking the skin off it first… [read more]

Nominated for Best Animated Short at the 2019 (92nd) Oscars.

As part of my Annecy 2019 coverage, I review Memorable (Mémorable) for DMovies.org.

Categories
Animation Features Live Action Movies

Ready Player One

Director – Steven Spielberg – 2018 – US – 12a – 140m

*****

Get your game on. Spielberg heads back to the future using Tye Sheridan as his avatar inside a visually lavish virtual world stuffed with 80s pop culture references and dirtylicious resonances – now on Netflix

Spielberg has long been happy to move between big-budget spectaculars like Jurassic Park (1993) which push the boundaries of what’s possible in film and culturally significant stories like Schindler’s List (1993) which rely less on special effects or reshaping the blockbuster medium. Following Bridge Of Spies (2015) and The Post (2017), Spielberg now brings audiences Ready Player One which represents something he’s been trying to make for years – a movie which gets into the heads of gamers.

Among his earlier forays, The Lost World: Jurassic Park (1997) felt like a funny mixture of a sequel and an attempt at realising the gamer world (think: racing through fields in vehicles surrounded by numerous running dinosaurs). Subsequent films A.I. (2001) and Minority Report (2002) both boast futuristic environments that might not look out of place in a state of the art video game. Further, the experience of watching The Adventures Of Tintin (2011) recalls the process of actually playing a computer game.… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

The story functions as an effective fable about adulthood and life. Michaël Dudok De Wit and his team brilliantly develop the character of the man through the various challenges he must face… [Read the rest]

Review originally published in DMovies.org, May 2017, to coincide with the film’s UK theatrical release.

Categories
Animation Documentary Features Live Action Movies

Camp 14:
Total Control Zone

Director – Marc Weise – Cert. 12 – 2012 – Germany, South Korea – 106m

*****

Utterly devastating documentary built around interviews with (mainly) a man who was born into and as an adult escaped from a North Korean Death Camp and (with less material) a former guard at one such camp. It being impossible to film inside such camps, the film makers brilliantly deploy bleak, grey toned animation to put images of camp life (classrooms, public executions) on the screen. Be horrified as humans grow and develop in an environment devoid of moral goodness. One of the most unsettling films you’ll ever see.

Here’s the trailer:

This review originally appeared in Film Review Annual.