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Under
The Open Sky
(Subarashiki Sekai,
すばらしき世界)

Director – Miwa Nishikawa – 2020 – Japan – 126m

***1/2

A former yakuza killer having served his sentence for murder comes out of prison and attempts to go straight – plays UK cinemas in the Japan Foundation Touring Film Programme 2023 between Friday, 3rd February and Friday, 31st March

Masao Mikami (Koji Yakusho) completes his prison sentence and comes out on good terms with the prison staff, who helpfully advise him, in an almost friendly manner, of not returning to his former ways. While it is indeed the convict’s intention to live within the law from here on in, there remains a gulf between him and those charged with guarding him. He thinks the courts should have given him a lesser sentence for the killing he committed, i.e. manslaughter motivated by self-defence not murder. However, he doesn’t appear to bear grudges about this. He seems to have a problem with losing his temper and controlling his anger, something he’s going to have to work on if he is to survive as a law-abiding citizen.

The Shojis (Isao Hashizume and Meiko Kaji), a sympathetic couple of around his age, provide him with free bed and board until he can find a job and get back on his feet.… Read the rest

Categories
Features Live Action Movies

Death,
Desire
And Rat Poison

An introduction to the films of Korea’s late and, lamentably, largely unknown director Kim Ki‑young – originally published in Manga Max, Number 8, July 1999. Reprinted here to coincide with London East Asia Film Festival (LEAFF)’s screening of Woman Of Fire (1971) on Friday, October 29th. If you missed it, the restoration screens again on Friday, November 5th as part of a strand dedicated to actress Youn Yuh-jung at London Korean Film Festival (LKFF) which runs from Thursday, November 4th to Friday, November 19th

Kim Ki-young

It seems unthinkable that the world could have failed to recognise a director whose 2.35:1 widescreen visuals compare favourably with Seijun Suzuki and John Boorman and whose marriage of technique with subject matter is as terrifying as anything by Dario Argento or Alfred Hitchcock. Nevertheless, when 1997’s Pusan International Film Festival (PIFF) ran a retrospective season of films by Kim Ki-young (the first of a proposed series of annual events showcasing Korean directors) it quickly became clear to astonished audiences that the unthinkable had indeed happened. Sadly, on February 4th 1998 – within six months of his new-found international acclaim – Kim and his wife died in a fire in Korean capital Seoul.… Read the rest