Tag: blood

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China Sea
(Kinų Jūra)

Director – Jurgis Matulevičius – 2025 – Lithuania, Taiwan, Poland, Czechia – 96m

*****

A former champion kickboxer whose career has been destroyed by his poor anger management attempts to find direction in life – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

World champion kickboxer Osvald Gurevicious (Marius Rapsys) has it all, but unfortunately is a bit too full of himself, accidentally clobbering a woman who is standing in the wrong place during a bar room brawl. We see him at the height of his success, playing an opponent in a tournament in Japan, but we never see the incident which destroys his career. Instead, he goes on TV back in Lithuania explaining that it was all a terrible accident which he regrets, but sadly that doesn’t seem to cut any ice.

Discussing the situation with his coach (Marius Misiūnas), he resolves to make the best of the situation by opening his own gym; his coach, however, isn’t sure that Osvald has what it takes and suggests he work at the gym as an assistant to see if he has a feel for coaching. Among Osvald’s new kickboxing charges is the promising Angelika (Samantha Drilingate), who he helps to learn how to defend herself in the ring when she comes in one day with a massive torso bruise from a bar fight that got out of hand.… Read the rest

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Hard Boiled
(Lat Sau San Taam,
辣手神探)

Director – John Woo –1992 – Hong Kong – Cert. 18 – 128m

*****

One of the greatest action pictures ever made – back in a 4K Restoration for the Opening Gala screening of  LEAFF10 (London East Asia Film Festival 2025) on Thursday, October 23rd 2025

Woo’s directorial valediction to Hong Kong, at least for a time as he attempted to break Hollywood, rehashes his now familiar territory of brotherhood, loyalty and betrayal, etched in trademark bullets and blood with grander and greater operatic flourish than his earlier efforts. On-screen alter-ego Chow Yun-fat (The Killer, John Woo, 1989; An Autumn‘s Tale, Mabel Cheung, 1987) is cast for the first time in Woo not as gangster but cop, bonding with a ruthless triad hit man Alan (Tony Leung Chiu-wai from Bullet In The Head, John Woo, 1990, In The Mood For Love, Wong Kar-wai, 2000; Lust Caution, Ang Lee, 2007; Shang-Chi And The Legend Of The Ten Rings, Destin Daniel Cretton, 2021). For good measure, Woo throws in therising, young gangster killing the old leader to take over the mob from A Better Tomorrow (John Woo, 1986) (here played by Anthony Wong and Kwan Hui-sang respectively).… Read the rest

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The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest

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Funny Games
(1997)

Director – Michael Haneke – 1997 – Austria – Cert.18 – 103m

*****

Two young men turn up at a family’s holiday home to humiliate and torture them via a series of controlling exchanges (or games) – plays in Complicit: A Michael Haneke Retrospective, in UK cinemas from Saturday, June 21st and on BFI Player from Thursday, September 11th 2025

Review originally published in Shivers around the time of the film’s 1997 London Film Festival premiere

With Hollywood currently rediscovering the profitability of slick, fun horror movies in the blockbusting wake of Scream (Wes Craven, 1996), Europe proves itself well capable of delivering work at the other end of the spectrum. Funny Games is the latest brainchild of Austrian-born Michael Haneke (Benny’s Video, 1992).

Like Scream, Funny Games never misses a trick on the technical level. Unlike Scream, its intention is not a non-stop, mass-consumption, vicarious thrill-laden roller coaster ride (which Funny Games certainly isn’t) but a rigorous and unrelenting, one way descent into madness, fear and despair depicting violence, mutilation, torture and – above all – amoral manipulation of one’s fellow human beings – as truly horrific.

To dismiss Funny Games as either moral lecture or morality play would do it great disservice.… Read the rest

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Sister Midnight

Director – Karan Kandhari – 2024 – UK, Sweden, India – Cert. 15 – 110m

***1/2

A young woman in an arranged marriage discovers herself to be a creature of the night… and one of the undead – genre-bender is out on UK digital from Wednesday, June 18th

A young woman travels cross-country by train, face veiled by beaded hangings, to join the arranged marriage husband she has (presumably) never met in their new, urban home. Uma (Radikha Apte) and Gopal (Ashok Pathak best known here from The Second Best Exotic Marigold Hotel, John Madden, 2015) don’t seem to know what to do with each other. Certainly not any sort of sexual congress as they unveil sitting beside one another for the first time. As the tale proceeds, sleeping with him comes to consist of curling up on her own on the other side of the bed from him. Later, her sleeping patterns will start to shift…

Theirs is a pretty basic home – a room with a mattress and a door out onto the bustling, main street outside. Her husband has a job, so goes out in the morning and comes back in the evening, although sometimes he goes out drinking after work and comes back later.… Read the rest

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Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

***

Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest

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Fishgirl
(Alucina)

Fishgirl - Critics' Picks Special Mention

Director – Javier Cutrona – 2024 – Ecuador – 105m

**

Enter the surreal world of a young woman beset by bizarre visions who believes herself followed and protected by a giant fish – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Fairly early on, in a tender, conversational, post-coital scene, her boyfriend José (Lucas Ortiz) draws an additional face on the side of that of Camila (Jessica Barahona). Visually this suggests Cubism, in which a subject’s faces would be painted from different angles simultaneously, but the dialogue between the two swiftly moves on to the subject of a god with two faces possessing the ability to look into the past and the future. (This sounds like the Roman god Janus, but if anyone name-checked him here, I must have missed it.).

The motif is echoed later when her landlord Edmundo (Pablo Aguirre), who runs (owns?) the hotel where she rents a room, is attending to the doll’s house of their rooms and maquettes of all the hotel’s residents he has made. For the maquette of Camila, he grafts an extra face onto the side of hers so that she has two. And towards the end, a shot of Camila cinematographically superimposes a second face on her, a very neat visual trick.… Read the rest

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Escape
(Talju,
탈주)

Director – Lee Jong-Pil – 2024 – South Korea – LEAFF Cert. 18 – 94m

*****

An army sergeant is caught attempting to escape from North to South Korea, but then a second chance presents itself – played as the Opening Gala at the 2024 London East Asia Film Festival (LEAFF) which runs from Wednesday, October 23rd to Sunday, November 3rd

North Korea. Sgt. Lim Kyu-nam (Lee Je-hoon) is stationed at the edge of the Korean Demilitarized Zone (DMZ) separating North from South Korea, a smart but frustrated soldier who knows he’s never going to rise up the chain of command riddled as it is with nepotism and privilege. Nights, when the rest of his unit is asleep, and inspired by his treasured book of the explorer Edmund Amundsen, he sneaks out of the barracks to map a section of the minefield in the DMZ.

His plan is to escape through that minefield and reach South Korea to defect before the monsoon arrives in four days time and the water moves all the mines around, making his map useless. Then he learns that the bad weather is coming two days earlier than expected. So he must move the date of his escape forward.… Read the rest

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Starve Acre

Director – Daniel Kokotajlo – 2023 – UK – Cert. 15 – 98m

***

As a couple become mired in grief following the death of their son, their behaviour turns increasingly obsessive, erratic and violent – terrifying and unsettling folk horror is out in UK cinemas on Friday, September 6th and on Blu-ray, DVD and BFI Player from Monday, October 21st

Thinking the fresh air of the countryside will benefit their son’s health, the family of Richard (Matt Smith), Juliette (Morfydd Clark), and their young son Owen (Arthur Shaw) move from their urban home to the wilds of the Yorkshire countryside and the house, named Starve Acre, in which Richard grew up. Owen doesn’t respond too well to the new environment. An unfortunate incident occurs offscreen at a village event, in which an animal gets stabbed in the eye and Owen’s clothing is stained with blood.

His understandably concerned parents take him to Dr. Monk (Roger Barclay) for advice. It isn’t immediately obvious as to what exactly is wrong, and the situation is set to worsen for the couple.

In Richard’s opinion, it doesn’t help that their hardened, elderly neighbour Gordon (Sean Gilder) visits quite often to fill the boy’s head with tales of a mysterious Jack Grey.… Read the rest

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Sleep
(Jam, 잠)

Director – Jason Yu – 2023 – South Korea – Cert. 15 – 95m

***1/2

A pregnant woman becomes convinced that her husband is possessed when he starts sleepwalking and otherwise behaving oddly in his sleep at night – out in UK cinemas on Friday, July 12th

One night, a wife wakes up and looks at her husband. He’s sitting on the end of the bed and says, calmly, “someone’s inside”. She hears banging. She gets up, and we see she is pregnant. Fearing an intruder, she goes into the next room, household drill in hand. It’s the door to the verandah banging, wedged open with his flip-flop. She finds their dog, Pepper, a Pomeranian, hiding behind the box container with the laundry liquid. Returning to the bedroom, she sees him wearing one flip-flop.

Sleep is a horror thriller about both a sleep disorder and intermittent possession by a ghost. The wife Soo-jin (Jung Yu-mi) is a former film executive, the husband Hyun-Su (Lee Sun-kyun) a struggling actor in whose career she believes. On their wall, a wooden plaque proclaims, “Together, we can overcome anything”. Their new downstairs neighbour Min-jung (Kim Guk-hee), who moved in after the difficult old man who used to complain to the couple about the noise moved out, pops round to say hello and complain about the banging that’s been going on for the last week.… Read the rest