Categories
Animation Documentary Features Live Action Movies

Flee
(Flugt)

On being a refugee

Flee
Directed by Jonas Poher Rasmussen
Certificate 15, 83 minutes
Released 11 February

Review for Reform magazine, February 2022.

There have been animated films about life under the Taliban in Afghanistan before, including The Breadwinner (reviewed in Reform, June 2018), but Flee is different. It covers not only the experience of fleeing your home country, but also the psychological aftermath once you successfully settle in another country. And although animated, it’s a documentary based on a real person. Amin (not his real name), a gay Danish citizen due shortly to marry his long-time partner Kasper, is persuaded by a radio journalist to give a series of interviews about his history as a refugee. His experiences have taken their toll and now threaten to undermine his relationship with Kasper.

Amin’s fond memories of childhood are very different from the way we now think of Afghanistan. As a young boy… [Read more…]

Full review in Reform magazine, February 2022.

Read my alternative review here.

Trailer:

Categories
Animation Features Movies

Lupin III
The First
(Rupan Sansei
Za Fasuto,
ルパン三世
THE FIRST)

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – screening in Scotland Loves Anime, Edinburgh on Monday, October 11th at 18.00 and Online (ten titles for only £4!!!) October 1st – November 1st

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III is a descendant of Frenchman Maurice LeBlanc‘s Arsène Lupin character. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingénue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing The Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest

Categories
Animation Movies Shorts

Drive
(Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

A series of disturbing vignettes brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch – available to watch on YouTube (see below) from Wednesday, September 1st 2021

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

One single viewing is not enough for this film which really only reveals itself on repeated viewings.… Read the rest

Categories
Animation Art Features Movies

Son
Of The White Mare
(Fehérlófia)

Director – Marcell Jankovics – 1981 – Hungary – Cert. 12 – 86m

*****

Based on Hungarian folk legends, tells the story of three sons of the white mare who must free three princesses from their dragon husbands and restore the kingdom from chaos – from the Annecy 2021 Animation Festival in the Special Screenings – Annecy Classics section

This has a script sourced from Hungarian folk tales. While it’s very cinematic, the writing is similar to religious texts like the Bible or mythological stories like the Iliad where events are related in a paired down, straightforward way no matter how far removed from everyday experience they might be. Thus, there’s a prologue about three princes begging their father for their inheritance so they can marry, only for their foolish new brides to disobey the patriarch and explore all the castle’s locked doors until they unwittingly unleash a dragon and are sucked into its domain.

In the ensuing chaos, the only hope comes when the white mare births two sons then escapes into the woods pregnant with a third. She weans him for eight years until her milk makes him strong enough to uproot a tree. Drained of milk, she dies.… Read the rest

Categories
Animation Art Movies Shorts

Opera

Director – Erick Oh – 2020 – South Korea – 9m

*****

Compelling, Oscar-nominated schematic of a self-contained society’s infrastructure behaviour and movement of groups of people within it over a day and a night – from the Annecy 2021 Animation Festival in the Short Films In Competition section – Official 4

This feels like it ought to exist as an art exhibit in a gallery playing over and over again. Watching it online, I went back and immediately rewatched bits of it until I’d seen the whole thing about five times. It’s like a massive moving painting where the camera starts at the top and slowly works its way down to the bottom before slowly panning up again. It makes me wonder if an installation version exists without the panning where visitor can just watch the whole thing on repeat until they’ve taken it all in.

It’s a picture of a self-contained society with the ruler at the top (and a deity above him/her), an elite, the workers at the bottom and several strata in between. In the space of nine minutes, we watch the sun come up and the society go through its daily ritual from morning to night then daily renewal in the morning.… Read the rest

Categories
Animation Features Movies

Marona’s Fantastic Tale
(L’Extraordinaire Voyage
De Marona)

Director – Anca Damian – 2019 – France – 92m

****

Winner of the André-Martin Award for a French Feature Film at Annecy 2021.

Marona’s Fantastic Tale opens with a device straight out of film noir. The main character has been hit by a car and is dying in the arms of an old friend who got to him a few seconds too late to prevent disaster. Him isn’t correct though: both characters are female. Marona is a dog while late teenager Solange is her owner.

The narrative flies in the face of the idea that people take on pets and everything is hunky dory thereafter. Marona never has a stable life. She’s the last of nine puppies in the litter, so her mother names her Nine as if knowing that her daughter may not be around long and that a new owner will likely give her a new name.

The last to be born is the first to be given away as Marona is placed with her father, a haughty Argentianian mastiff of high birth. Marona only lasts about a day there and ends up walking the streets.

As part of my Annecy 2019 coverage, I review Marona’s Fantastic Tale for DMovies.orgRead the rest

Categories
Animation Movies Shorts

Black Barbie

Director – Comfort Arthur – 2016 – Ghana – 3m 36s

*****

In the programme Today, African Animation – A Tribute To The African Continent from the Annecy 2021 Animation Festival hybrid and online editions

This is structured around a reading of a poem by a girl whose mother gives her a Black Barbie doll for her birthday. She hates it – “I want the white one”. Using a variety of 2D animation styles and the occasional bit of human pixilation, Arthur produces simple, arresting images of black girls alienated from the physical basics of their existence by a society that constantly tells them white skin colour is significant and black skin and curly hair is something to deny. The film maker lifts all this above the level of mere polemic by making her images, some of which are no more complex than animated child’s drawings, constantly arresting, doing both her cause and the medium in which she’s expressing it proud.

This film is not suitable for children.

Festivals

2021

Annecy Animation Festival special hybrid and online editions:

Monday, June 14th to Saturday, June 19th.

Festival Trailer:

2020

Annecy Animation Festival special online edition:

Monday, June 15th to Tuesday, June 30th.… Read the rest

Categories
Animation Features Movies

Lamya’s Poem

Director – Alex Kronemer – 2021 – US, Canada – 88m

****1/2

A young Syrian girl becomes a refugee at the same time as she explores the writings of 13th century poet Rumi in her dreams – from the Annecy 2021 Animation Festival in the Official Competition section

Lamya (Millie Davis) is a young girl living with her mum (Aya Bryn) in a city in Syria, her dad having been killed when he went out on a protest. Her tutor Mr. Habadani (Raoul Bhaneja) lends her a thick book of selected poetry by Rumi knowing her to be a voracious reader who will both get much out of the book and take good care of it.

Distant bombing raids seem to come closer every day until one day everyone needs to evacuate the locality. The day in question, Lamya has begged her mum to let her go to the shops with friends. Buying treats, she puts her backpack containing the poetry book on the floor only to find it gone seconds later.

The thief, a young boy named Bassam (Nissae Isen), is reprimanded by his mother and told to return the bag. A bomb raid turns the locality upside down. Unaware of Bassam and what’s been happening with him, Lamya finds the returned bag in the wreckage.… Read the rest

Categories
Animation Art Features Movies

Snotty Boy
(Rotzbub)

Directors – Santiago Lopez Jover, Marcus H. Rosenmüller – 2021 – Austria, Germany – 95m

*****

A young artist with a predilection for large ladies with large breasts finds himself in confrontation with closet Nazi racists – from the Annecy 2021 Animation Festival in the Official Competition section

1968, the small, rural Austrian town of Siegheilkirchen. Teenage schoolboy Snotty Boy (voice: Markus Freistätter) is obsessed with members of the opposite sex. He is equally obsessed with drawing. He combines the two passions in making a flick book of newly arrived in town, large-breasted girl next door Trude (Katharina Straßer) in her underwear so he can watch her remove her bra whenever he wants.

Two boys at school, the enterpreneurial and duplicitous Spotface (Mario Canedo) and his side-kick Grasberger (Maurice Ernst) discover the book and befriend him so he can draw them pictures for sale to the town’s boys. Class swot and tell-tale Fridolin shows a purchased Trude drawing to his mother and gets Snotty Boy in trouble.

Such activities run counter to the way the authorities would have things. The school is run by a repressive priest (Juergen Maurer) who is first seen teaching his bored class of boys St. Paul’s admonition against fornication.… Read the rest

Categories
Animation Movies Shorts

A Mind Sang
(A Mãe
De Sangue)

Director – Vier Nev – 2019 – Portugal – 6m 11s

****

In the programme Annecy Awards 2020 – 8 Short Films #2 from the Annecy 2021 Animation Festival hybrid and online editions

This is not a film to watch once. It’s a film to watch over and over and over again. It comprises a series of hugely affecting double images, double meanings. Am I looking at an eye or a person swimming / drowning? A man descending from the sky of a hand pulling a pencil out of water? The profile of a face with eyes and nose of the full length figure of a man sleeping, his head on a pillow?

Double images like this have always worked well in static art or illustration (there’s a famous one of Sigmund Freud’s face which can be read equally easily as a naked woman) while animation – in this case, 2D animation, but it applies to other forms of the medium as well – has a long tradition of portraying transformation of one object or physical state into another. This clever and subtle little film combines the two legacies.

A woman’s hand drawing becomes a person sitting in a bathtub becomes a woman lying prone (in water?… Read the rest