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Film Festivals

Click the links below for coverage of:

2023

Tallinn Black Nights Film Festival (PÖFF)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

Cinema Unbound: The Creative Worlds Of Powell + Pressburger

BFI London Film Festival (LFF)

Annecy

Focus Hong Kong

Japan Foundation (JPF) Touring Film Programme

2022

Tallinn Black Nights Film Festival (PÖFF)

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Annecy

Focus Hong Kong Making Waves

BFI Anime 2022

Japan Foundation (JPF) Touring Film Programme

Yamagata International Documentary Film Festival (YIDFF)

Focus Hong Kong Chinese New Year

2021

BFI Japan 2021

MUBI New South Korean Cinema season

London Korean Film Festival (LKFF)

London East Asia Film Festival (LEAFF)

BFI London Film Festival (LFF)

Scotland Loves Anime

Annecy

Japan Foundation (JPF) Touring Film Programme

Or click any of these tags:

Categories
Animation Features Movies

Inu-Oh
(Inu-Oh,
犬王)

Director – Masaaki Yuasa – 2021 – Japan – Cert. – 98m

***1/2

In fourteenth century Japan, a blind musician and a deformed, masked dancer shake up the culturally staid world of Noh theatre by forming a hugely popular rock band – out in UK cinemas on Wednesday, September 28th

You never quite know what you’re going to get with an animated feature by Masaaki Yuasa (Ride Your Wave,2019; Lu Over the Wall, 2017; Mind Game, 2004) as he has a tendency to break with tradition. Here, he takes on periods of Japanese history but rather than go with power struggles as to who rules Japan, he focuses on two outcasts, an orphaned musician and a deformed dancer, who join together to form a rock band with an emphasis on theatrical showmanship to upend the artistic conventions of the day and become an overnight sensation until the ascendant ruler, determined to control the historical narrative, has the musician killed, and the dancer emasculated, forbidden to perform anything but state-approved material, and that only in the Imperial court.

It’s a triptych, one long story split into three sections. In the first section, after a prologue detailing the decisive Battle of Dan-No-Ura towards the end of the twelfth century, in which the Heiji clan were defeated by the Genji and the formers warriors threw themselves into the sea and perished, two centuries later in the period of the Northern and Southern Courts, Northern would be Kyoto-based, shogunate emperor Ashitaka decides that the power to rule demands he acquire three sacred treasures, one of which is a sword buried in the lake at Dan-No-Ura.… Read the rest

Categories
Animation Features Movies

Belle
(Ryu
To Sobakasu
No Hime,
竜とそばかすの姫)

Director – Mamoru Hosoda – 2021 – Japan – Cert. PG tbc – 121m

*****

A bereaved, teenage girl starts to emerge from her shell when she signs up for a virtual world on her smartphone – out on Blu-ray and DVD from Monday, June 27th and 4K UHD Blu-ray including the soundtrack from Thursday, July 7th

‘U’ is an internet, virtual world of high tech, futuristic architecture. When you sign up, you receive your own personalised avatar built from your biometrics. You have the chance to start over in a new world.

Teenager Suzu (voice: Kaho Nakamura) could do with that chance. She lives with her dad (voice: Koji Yakusho from Mirai, Mamoru Hosoda, 2018; The Third Murder, Hirokazu Kore-eda, 2017; Pulse, Kiyoshi Kurosawa, 2001; Shall We Dance, Masayuki Suo, 1996; Tampopo, Juzo Itami, 1985) in a small town somewhere in the East of Japan. She doesn’t really communicate with people at her school – not Luka (Tina Tamashiro), the sax player in the school band, not Kamishin (Shota Sometani from To The Ends Of The Earth, Kiyoshi Kurosawa, 2019; First Love, Takashi Miike, 2019; Foreboding, Kiyoshi Kurosawa, 2017; The Boy And The Beast, Mamoru Hosoda, 2015; Himizu, Sion Sono, 2011) who set up the canoe club but hasn’t been able to attract any members, not Shinobu (Ryo Narita) who proposed to her – well, told her he wanted to protect her – when she was six.… Read the rest

Categories
Animation Features Movies

Lupin III
The First
(Rupan Sansei
Za Fasuto,
ルパン三世
THE FIRST)

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – screening in Scotland Loves Anime, Edinburgh on Monday, October 11th at 18.00 and Online (ten titles for only £4!!!) October 1st – November 1st

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III is a descendant of Frenchman Maurice LeBlanc‘s Arsène Lupin character. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingénue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing The Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest

Categories
Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival