Tag: anime

Categories
Animation Features Movies

Spirited Away
(Sen
To Chihiro
No Kamikakushi,
千と千尋の神隠し)

Director – Hayao Miyazaki – 2001 – Japan – Cert. PG – 125m

****1/2

A shorter version of this review was originally published in Third Way for UK release date 12/09/2002. At which point, hardly anyone in the UK outside of anime fandom knew who Miyazaki was.

In director Hayao Miyazaki’s Spirited Away, a ten-year-old girl must survive a bathhouse run by demons after her parents are turned into pigs – now showing on Netflix (subtitled / dubbed) and can also be seen in the Anime season April / May 2022 at BFI Southbank (subtitled / dubbed for family screenings)

To discover the films of Hayao Miyazaki – and those of his company Studio Ghibli (pronounced “Jib-Lee”) – is like suddenly being exposed to those of Disney without prior knowledge of their sheer number or quality. In Miyazaki’s native Japan, Spirited Away shattered box office records to succeed Titanic (James Cameron, 1997) as the most lucrative movie of all time. In the US, it won the Oscar for Best Animated Feature while making only modest inroads into the marketplace. Britain, however, is not the US, and it may well fare better here than it did there.

Previous Miyazaki outings have covered children’s experience of the countryside (My Neighbour Totoro, 1988; one of this writer’s favourite films of all time), a young girl’s learning to find her way in the world (Kiki’s Delivery Service, 1989) and conflicting loyalties among pilots in interwar Europe (Porco Rosso, 1992).… Read the rest

Categories
Animation Features Movies

Maquia:
When
The Promised
Flower Blooms
(Sayonara
No Asa
Ni Yakusoku
No Hana
O Kazaro,
さよなら
の朝に約束
の花を
かざろう)

Director – Mari Okada – 2018 – Japan – Cert. 15 – 115m

***

Like a virgin. A refugee girl from an immortal race adopts an orphaned human baby to raise as her own until he leaves her as an adult – plays in the Anime season April / May 2022 at BFI Southbank

The Iolph are the Clan Of The Separate: they live for hundreds of years but remain in their isolated enclave cut off from the rest of humanity. They weave fabric called the Hibiol on looms; the Hibiol contains within it the storylines of their lives which the Iolph can feel and read.

Maquia and Leilia are friends. Leilia is the tomboy, getting into trouble. One day, Mezarte riders on dragons called the Renato attack and decimate the Iolph colony. Leilia is taken prisoner to be married off to the invading Mezarte prince while Maquia escapes on a Renato which goes beserk infected with the disease Red Eye, literally crashing and burning in a forest miles from home. She takes refuge in a village which has similarly been attacked and finds a baby which she prises free from the rigor mortis grip of its mother’s corpse and names the boy Erial.… Read the rest

Categories
Animation Features Movies

Lupin III
The First
(Rupan Sansei
Za Fasuto,
ルパン三世
THE FIRST)

Director – Takashi Yamazaki – 2019 – Japan – Cert. 12a – 93m

****

Master thief Lupin III sets out to steal a diary protected by a lock with a fiendishly complex mechanism and becomes embroiled in an occult, Nazi plot to take over the world – screening in Scotland Loves Anime, Edinburgh on Monday, October 11th at 18.00 and Online (ten titles for only £4!!!) October 1st – November 1st

A character with a long history in Japan in anime, manga artist Monkey Punch’s celebrated gentleman thief Arsène Lupin III is a descendant of Frenchman Maurice LeBlanc‘s Arsène Lupin character. LeBlanc’s bona fide character recently featured in the French live action Netflix series Lupin (creator: George Kay, 2021). 

For this Japanese reboot, Lupin III and his fellow franchise characters are back on the big screen, now lovingly animated in state of the art 3D animation which has never looked quite like this. The nimble movements of Lupin as he typically evades the grasp of Interpol’s Inspector Zenigata by firing a climbing line at a ceiling, outwits an ingénue girl thief on Paris rooftops and finally has his stolen object taken off his hands by the shapely Fujiko Mine as she dangles from a helicopter rope ladder would look good in drawn animation – for similar antics look no further than earlier Lupin III outing The Castle Of Cagliostro (Hayao Miyazaki, 1980) – but they look considerably better rendered in full 3D CG here. … Read the rest

Categories
Animation Features Movies

Josee,
The Tiger
And The Fish
(Joze
To Tora
To Sakanatachi,
ジョゼ
と虎
と魚たち)

Director – Kotaru Tamura – 2020 – Japan – Cert. PG – 99m

****1/2

A college student obsessed with fish and diving gets a job looking after a girl confined to a wheelchair – out in cinemas from Wednesday, August 11th

A disorienting opening for an anime. Bubbles. Underwater. Fish swimming. Frogmen. A male college student Tsuneo is working at a diving shop over the Summer. He dreams of going to Mexico, having plenty of time to dive and seeing the rare Clarion Angel fish.

Then, out walking late one night, the entire course of his life changes as a girl in an out-of-control wheelchair comes hurtling at him down a narrow street on a hill, flying out of the wheelchair and crashing into his arms in a frozen time special effect moment straight out of The Matrix (Larry and Andy Wachowski, 1999). Her horrified grandmother turns up seconds later asking the young man if he saved her.

The girl immediately accuses the boy of being a pervert who’s groping her, then that he’s following them (because his house is in the same direction they’re going). The grandmother invites him in for a meal with her grandaughter Kumiko who immediately objects to the name, preferring to be called Josee.… Read the rest

Categories
Animation Documentary Features Live Action Movies

The Witches
Of The Orient
(Les Sorcières
De L’Orient)

Director – Julien Faraut – 2021 – France, Japan – Cert. U – 100m

*****

A look through a prism of anime and archive footage at the Japanese women’s volleyball team that won the 1964 Olympics – out in cinemas and online in the UK and Ireland on Friday, July 16th

You don’t really expect a documentary about a women’s volleyball team to open with a scene from the anime short Danemon’s Monster Hunt At Shojiji (Yoshitaro Kataoka, 1935) in which the hero, trying to save the damsel in distress from the web of the evil spider witch, learns too late that the damsel is the evil spider witch and has lured him to his fate. Even if the team in question has become known as ‘the Witches of the Orient’. “To refer to people as witches is not very kind,” says Katsumi Matsumura, a surviving member of the team. “But then, witches have supernatural powers. So that suited us fine.”

The nickname originated in the Russian newspaper Pravda when the Japanese women’s team faced the Russians in the 1962 volleyball championships… [Read the rest]

Full review at All The Anime.

The Witches Of The Orient is out in cinemas and virtual cinemas in the UK and Ireland from Friday, July 16th 2021.… Read the rest

Categories
Animation Features Movies

Violet Evergarden
The Movie
(Gekijouban
Violet Evergarden,
劇場版 ヴァイオレット
・エヴァーガーデン)

Director – Taichi Ishidate – 2020 – Japan – Cert. 12a – 139m

***1/2

Violet Evergarden struggles to come to terms with the loss of the man she loved in the war… then discovers that he may still be alive – in cinemas for six days from Thursday, July 1st

Being a companion piece / coda to a long-running anime series, it’s possible this may leave the newcomer feeling somewhat adrift, at least for the first reel or so. Young girl Daisy’s grandmother Ann has just died. We learn very little about Ann beyond the fact that she used to regularly receive letters from her own mother beyond her mother’s death.

This was accomplished by Auto Memory Dolls, not as you might suppose some sort of animate toys but rather girl employees of the CH Postal Service who wrote letters for people close to death for their loved ones to receive and read afterwards. That business is on the verge of disappearing as the new technology of the telephone takes hold, wiping out the market for the Dolls’ services.

One such Auto Memory Doll was Violet Evergarden who had previously worked in the war where she was weaponised by Major Gilbert.… Read the rest

Categories
Animation Features Movies

Hello World
(ハロー・ワールド)

Director – Tomohiko Ito – 2019 – Japan – 97m

****

A social misfit schoolboy must rescue a girl classmate from the rogue software underpinning a virtual, future version of Kyoto with the help of his time travelling, ten years older self who is in love with her – plays online in the Japan Foundation Touring Film Programme 2021 in the UK, 48 hour rental window from 6pm, Monday, March 1st

Kyoto, 2027. Bookwormish Naomi Katagaki (voice: Takumi Kitamura) doesn’t really fit in at his Kyoto school. When he walks there in the morning, the fact of his head being buried in a self-improvement book seems the perfect metaphor for his complete lack of social skills. Asked by a bright, pretty classmate if he’d like to join her and a bunch of others for karaoke after school, he doesn’t really know how to respond and before we know it, she and the group have gone.

He doesn’t really pay attention to those around him, so he gets ignored. While he’s working out what food to select in the canteen lunch queue, everyone has dived in and taken everything but the one option no-one wants. Only when the subject of who is to volunteer for the library duty comes up do his fellow students take any interest in him – by recommending him for the post to which he agrees more out of an inability to say no than from any real desire to take it on.… Read the rest

Categories
Live Action Movies Shorts

Being Someone Else

Director – Øyvind Aamli – 2020 – UK – 9m

****

A 13 year old autistic girl makes preparations for a cosplay event – available to watch for free online (pay what you can) as part of the Raindance Film Festival 2020 until 23.59 this Saturday, October 7th.

At its heart, this film is a piece of portraiture. There are films, documentary or otherwise, that are often described as ‘character study’ but for Being Someone Else, the term ‘portraiture’ seems to fit better. In painting, that would be about recreating someone’s likeness on, say, canvas. (That’s obviously a simplification and one could talk at great length about what that actually means.) Film is a different medium. Like painting does with a static image, so a moving picture camera can preserve a moving image of a person in time. On top of that the film maker has a whole other arsenal of tools at their disposal. Sound. Editing. And so on.

Imogen, 13, is autistic and suffers, like many of us, from stress. In her case and in the immediate context observed by this film, she’s preparing for an upcoming Cosplay event. A contraction of the words Costume Play, this involves dressing up as a character from popular culture, often anime.… Read the rest

Categories
Animation Features Movies

Roujin Z
(老人Ｚ)

Director – Hiroyuki Kitakubo – 1991 – Japan – Cert. 15 – 80m

***1/2

Robot beds deal with the major Japanese social problem of caring for their burgeoning elderly populous – in cinemas

Touted as manga artist / anime director Katsuhiro Otomo’s follow up to the phenomenally successful Akira (Katsuhiro Otomo, 1988), Roujin Z was actually directed by one Hiroyuki Kitakubo. Otomo’s contribution runs to no more than original story credit and machine design. Ostensibly it’s a different type of tale which deals with the major Japanese social problem of caring for their burgeoning elderly populous.

Young, female nurse Haruko is alarmed when suits arrive to remove her aged, barely conscious and incontinent patient Mr. Takazawa from his home. Designated first subject of the government’s new ‘Roujin Z’ (Old Man Z) project – Takazawa is wired by his nerve endings into a computer-driven, mechanised bed designed to meet his every need, from vigorous walking exercise, bathing and urinating to communicating with his peers via TV screens (which also run regular network programmes) and playing Go or Chess with the computer.

Before long, Haruko starts to pick up “help” messages on her terminal sent from the Z-incarcerated Takazawa – and tries to talk back with the help of elderly hospitalized hackers using a photo of Takazawa’s late wife.… Read the rest

Categories
Animation Features Live Action Movies

First Love
(Hatsukoi,
初恋)

Director – Takashi Miike – 2019 – Japan – Cert. 15 – 108m

*****

A boxer with no fear of death. Japanese yakuza, Chinese triads. A bag of drugs. A girl sold into prostitution. Miike orchestrates his potent cocktail with pace, panache and energy – cinemas Friday, February 14th, home video Monday, February 24th

And yet, as its release date implies, First Love is also a Valentine’s Day-friendly date movie. Not, admittedly, your average date, but Miike has never been your average director. High-profile titles released in the West like Dead or Alive, Ichi the Killer and Yakuza Apocalypse give an certain idea of what he’s about – life, death and gangsters. This is only one facet of a career which also boasts samurai epics and a musical. If you count his made-for-video features of the early 1990s, Miike has now made over a hundred films. Many are highly entertaining and one or two, such as Audition, the sweet romantic film that turns into a terrifying horror thriller, might justifiably be termed great. First Love may not quite be Audition, but it’s arguably his best film for years… [Read more]

Full review at All The Anime.