Category: Live Action

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Features Live Action Movies

Parasite
(Gisaengchung,
기생충)

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Poor family, rich family

Parasite
Directed by Bong Joon Ho
Certificate 15, 132 minutes
Released 7 February

With income inequality on the rise in the UK, this Oscar-winning, edge-of-the seat thriller from South Korea couldn’t be more pertinent. A poor family struggling to survive at the bottom of the country’s economic food chain stumbles on an opportunity to work for an obscenely rich family who pay very well. The poor family secure themselves this work through a series of deceits and scams, stealing existing positions from the family’s chauffeur and housekeeper in the process.

The characters are engaging. The poor family fervently want to better their economic lot and leave no stone unturned to do so. Their resourcefulness is impressive, their morality less so – and yet we find ourselves liking them. The rich family are likeable too, with no suggestion whatsoever that their income has derived from dishonest or dubious sources.

With Parasite (Black & White Edition) due out, I reviewed the colour version for Reform. Read my All The Anime review too.

Winner of Best Foreign Language Film at the 2019 (92nd) Oscars.… Read the rest

Categories
Features Live Action Movies

Green Snake
(Ching Se,
青蛇,
lit. The Blue /
Green Snake)

Director – Tsui Hark – 1993 – Hong Kong – Cert. 12 – 99m

****1/2

Two sister snake spirits, the white snake and the green snake, enter our world to discover the mystery of human sexual love – from the London East Asia Film Festival (LEAFF)

China’s White Snake legend has spawned numerous adaptations including the recent, animated White Snake / Baishe: Yuanqi (Amp Wong, Ji Zhao, 2019) which boasts fast paced action and state of the art CG visuals. Tsui Hark is from another era: the legendary Hong Kong director who almost single-handedly bought Hollywood-style special effects to Hong Kong movie production in such epics as Zu Warriors From The Magic Mountain (1983) and the Once Upon A Time In China films (1991 onwards) alongside period romps like Peking Opera Blues (1986). For Green Snake, Tsui turned to Lillian Lee’s novel based on the White Snake legend which she adapted into a screenplay for him. Rather than tell the story from the perspective of the white snake as the original legend does, Lee shifts her narrative to the perspective of the younger, less experienced green snake.

In appearance, the two spirits start off as female humans down to the waist and snakes below, not dissimilar to Harryhausen’s half woman/half snake Medusa in Clash Of The Titans (producer and effects: Ray Harryhausen, 1981) but using full size puppetry/animatronic effects rather than stop frame animation.… Read the rest

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Features Live Action Movies

Wet Season
(Redai Yu,
热带雨)

Director – Anthony Chen – 2019 – Singapore – 103m

****1/2

A Singaporean schoolboy becomes obsessed with his Mandarin language teacher – from the BFI London Film Festival and the London East Asia Film Festival (LEAFF) 2019.

It seems to be constantly raining in urban Singapore. Ling (Yeo Yann Yann) is forever sitting in her parked car injecting insulin. She has a job teaching Mandarin to a class in a local boys secondary school. Half a dozen of them are such poor students that she sets up a remedial class after hours to get them up to speed, but while they’re made to attend, they really aren’t interested. With one exception.

Wei-lun (Koh Jia Ler) will be in trouble with his parents if he doesn’t do well in Mandarin. As the other boys bunk off the remedial class with the slightest excuse, it pretty quickly develops into Ling teaching Wei-lun on a one-on-one basis. He doesn’t live that far from her home, so she often gives him a ride home in the car afterwards, unaware that behind her back he has for a long time been taking pictures of her with his mobile phone in class.

Ling has been trying to have a baby with her husband Andrew (Christopher Lee Ming-Shun) for some eight years.… Read the rest

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Dance Features Live Action Movies

Climax

Director – Gaspar Noé – 2018 – France – Cert. 18 – 97m

*****

Uppers and downers – either way blood flows. Arthouse enfant terrible Noé combines technical skill and singular focus with some of the most spectacular dancing ever put on film to produce a dark and challenging vision of hell on earth – now available on VoD

Cinema at its purest. Bright white on a screen. A woman starts crawling from the top of the screen. Extreme audience disorientation. We realise she’s crawling through snow. She appears to be in a bad way. Traces of blood. The camera follows her forward movement down the screen. Slowly a tree comes into shot from the bottom. We are watching the same overhead camera movement.

A series of vox pops on a television screen with shelves of books on one side and piles of DVDs on the other. Dancers answer questions on why dance is important to them. Would they do anything in order to make it big? What would they do if they weren’t able to dance?

Then the narrative proper begins. It’s 1996. We’re inside a building with a dance floor watching the most amazing dance routines we’ve ever seen.… Read the rest

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Documentary Features Live Action Movies

Memory:
The Origins Of Alien

Director – Alexandre O. Philippe – 2019 – US – Cert. 15 – 95m

**** 1/2

A detailed examination of the ideas and personalities behind Dan O’Bannon, H.R.Giger and Ridley Scott’s classic 1979 SF shocker Alien – in cinemas on Friday, August 30th 2019, and then on VoD the following Monday, September 2nd 2019

When Alien (Ridley Scott, 1979) first came out, no one knew about its most notorious scene. These days it’s been so referenced in films, television and popular culture that everyone, it seems, does so. If you’ve never actually seen Alien, watch it before seeing this documentary or reading this review.

You’d be forgiven, as this new documentary starts, for thinking you’d wandered into a different film. Spiders on sun-drenched stone surfaces. Footage of Greek temples. But then, visuals clearly inspired by Alien show three Furies waking up on the floor of a spaceship interior and advancing towards camera. The voice-over invokes the myth of Clytemnestra and the Furies, although… [Read more…]

Memory: The Origins Of Alien is out in the UK on Friday, August 30th 2019, and then on VoD the following Monday, September 2nd 2019.

Review originally published in DMovies.org.

Trailer:

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Animation Art Documentary Features Live Action Movies

Buñuel
in the Labyrinth
of the Turtles
(Buñuel
en el Laberinto
de las Tortugas)

Director – Salvador Simo – 2018 – Netherlands – 80m

***1/2

Streaming on BFI Player (extended free trial offer here) from Thursday, July 16th 2020 – with more Buñuel movies here.

Following the success of his surrealist film L’Age D’Or / The Age Of Gold (1930), film director Luis Buñuel finds his main source of funding cut off when the strongly Catholic mother of his primary investor puts pressure in the latter. At the same time, a stranger named Eli Lotar strikes up a post-premiere conversation with the director, saying he saw no influence of Dali in the film and presses a book Las Hurdes into Buñuel’s hands.

Frustrated at the lack of funding for his films, Luis decides to film the book, which details the appalling living conditions of poor people in a remote village in rural Spain.

As part of my Annecy 2019 coverage, I review Buñuel in the Labyrinth of the Turtles for DMovies.org.

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Features Live Action Movies

Default
(Gukgabudo-ui Nal,
국가부도의 날)

Director – Choi Kook-Hee – 2018 – South Korea – Cert. 12 – 114m

****

Drama fictionalises the economic crisis of mid to late 1990s South Korea and the role played by banking, government and speculators – teaser screening from the London Korean Film Festival (LKFF) 2019

The year is 1996. The news media are championing South Korea’s economy as it seemingly goes from strength to strength, never questioning whether financial institutions might in fact be pursuing practices which are sooner or later going to have disastrous economic results. Ms. Han Si-hyun (Kim Hye-su) who runs a fiscal policy unit at the Bank of Korea submits a devastating report to the Bank’s governor, explaining that she and her small department have procedures set in place to save the economy and protect ordinary Koreans from disaster.

The politicians have a very different agenda, however, specifically the smarmy Vice-Minister of Finance (Jo Woo-jin) who views financial collapse as a way to weaken the rights of the working class and restructure the economy in favour of large business interests. Although it’s not name checked, there are echoes here of Naomi Klein’s book The Shock Doctrine and the film based upon it.… Read the rest

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Features Live Action Movies

The Keeper
(Trautmann)

Director – Marcus H. Rosenmüller – 2018 – Germany / Austria – Cert. 15 – 120m

*****

The (not-so-) beautiful game. A WW2 PoW who becomes Manchester City’s goalkeeper is faced with anti-German prejudice both on and off the pitch – in cinemas from Friday, April 5th 2019

Set in WW2 and its aftermath in Britain, this looks at first sight like a football movie. However, it becomes something else altogether by taking a long hard look at the plight of a person living in another country that’s heavily prejudiced against his own. Sadly one doesn’t have to look very far in present day, hostile environment Britain to see that such attitudes are currently very real and out in the open.

German infantryman Bert Trautmann (David Kross) is captured by the British and sent to a PoW camp just outside Manchester. Despite the presence of a few hardcore Nazis among the prisoners, most including Bert are ordinary Germans caught up in the conflict. Nevertheless, the English sergeant who runs the camp would have all of them shot were the decision his and makes their lives as difficult as possible.

However Bert has something specific in his favour: for as long as he can remember, he’s loved playing football… [read more]

Full review published in DMovies.org… Read the rest

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Features Live Action Movies

Shoplifters
(Manbiki Kazoku,
万引き家族)

Director – Hirokazu Kore-eda – 2018 – Japan – Cert. 15 – 121m – Palme d’Or winner

*****

Sleight of hand. A family of small-time criminals takes a little girl into their care – now out on VoD

The nuclear family. Dad Osamu (Lily Franky) takes son Shota (Jyo Kairi) shoplifting at a local convenience store. Mum Nobuyo (Sakura Ando), a former sex worker, dispenses advice to her younger sister Aki (Mayu Matsuoka). Grandma (Kirin Kiki) lives with the family, making a total of five persons in one small living space.

Father and son spot a little girl (Miyu Sasaki) sitting on the street. She’s hungry, so they take to theirs and give her a meal. Taking her home, it’s clear that neither father nor mother wants the child currently nor ever did. So the family decides to take Yuri in as its newest member.

Shota takes Yuri on a shoplifting trip but it doesn’t go so well… [Read the rest]

Out on Thunderbird Video. Also currently on Amazon Prime, BFI Player and Curzon Home Cinema (all rental). This review originally appeared in DMovies.org.

Trailer:

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Features Live Action Movies

Foreboding
(Yocho,
予兆 散歩する侵略者)

Director – Kiyoshi Kurosawa – 2017 – Japan – 140m

*****

Loving the alien. Again. Japanese director reshapes his earlier Before We Vanish into an effective drama which plays out as an edge of the seat, sci-fi alien invasion thriller – from the London East Asia Film Festival (LEAFF) 2018

This is not exactly a remake, not exactly a reboot, not exactly a sequel. Most definitely a companion piece, though, and arguably the more effective of the two movies. And apparently, an edit of the director’s five-part series for Japanese satellite station Wowow, although it feels like a (well over two hours long) standalone feature. Kiyoshi Kurosawa revisits Before We Vanish / Sanpo Suru Shinryakusha (2017) for another story about the aliens clad in human bodies who steal concepts from people’s minds by touching a finger to a forehead E.T. (Steven Spielberg, 1982) style prior to a full scale invasion of Earth.

Where previously the director took the material and threw a cornucopia of different elements at it, this time round his efforts feel much more thought through and the resultant film far more consistent overall – a creepy and unsettling sci-fi paranoia thriller grounded in compelling, character-driven human drama.

Kurosawa builds his reinvented narrative round shop floor worker Etsuko (Kaho) whose friend Miyuki is going mad because of the strange presence in her home.… Read the rest