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Miroirs No.3
(Miroirs No.3)

Director – Christian Petzold – 2025 – Germany – Cert. 15 – 86m

**1/2

A traumatised woman who survives a car crash moves in with a woman living near the crash site, unaware that the second woman is not what she seems – out in UK cinemas on Friday, April 17th

She stares out from a bridge, watches the water go by from underneath it. Returning home, she’s lost her bag. Her partner wants to know where she’s been. Anyway, Debbi (Victoire Laly) and Roger (Marcel Heupermann) are waiting. The four go off in the car. While her partner and Roger swap notes on the song playing on the car sound system, Laura (Paula Beer from Afire, Christian Petzold, 2023; Transit, Christian Petzold, 2019; Never Look Away, Florian Henckel von Donnersmarck, 2018, Frantz, François Ozon, 2016) is distracted, noticing a woman standing in her driveway as they pass. When they stop to check their itinerary, Laura just stands there. She wants to go home, telling partner Jakob (Philip Froissant) she isn’t feeling well.

Driving Laura to the station in the other couple’s car, so she can go home while the other three carry on as planned, Jakob nearly collides with the woman on the drive.… Read the rest

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Dongji Rescue
(Dong Ji Dao,
東吉 嶼)

Director – Fei Zhenxiang, Guan Hu – 2025 – China – Cert. 15 – 133m

The first hour and a half **1/2

The last half hour ****1/2

Chinese islanders under Japanese Occupation in WW2 set out to rescue a thousand plus British prisoners from a sinking, torpedoed ship – streaming on UK VoD from Friday, April 17th

An announcement in English on the BBC, from October 1st, 1942: “On September 27th 1942, the Japanese transport ship Lisbon Maru carrying 1,816 British prisoners of war departed Hong Kong for Japan. On October 1st, she was struck by a torpedo from American submarine USS Grouper and began to sink off the Eastern coast of China. Just two miles South West of the site lies a small island known to the Chinese as Dongji Island… This information comes overwhelmingly fast at the start, accompanied by CG images of the incident. Anyway, you get the drift.

And then, as if to suggest at least one of the directors’ true interests lie somewhere else altogether, there follow breathtaking images of an island, vast spaces with grasses blowing in the wind. And more verbal exposition: two young boys were rescued from the sea by Old Wu, but then the Northern islanders banished the boys to the Southern part of the island, believing them to have “pirate blood”.… Read the rest

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Features Live Action Movies

Kung Fu Hustle
(Kung Fu,
功夫)

Director – Stephen Chow Sing Chi – 2004 – China – Cert. 15 – 99m

*****

Set in the 1940s, this is at once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values – out in UK cinemas on Friday, June 24th, 2005

An hilarious treat from start to finish, Kung Fu Hustle foregrounds Hong Kong’s ability to bend genres. At once a comedy, a romance, an effects fest, an action movie, a violent gangster thriller and a treatise on Buddhist values, it also manages to throw in a hugely enjoyable, first reel dance sequence and a speeded up chase sequence reminiscent of Warner Bros. classic Roadrunner cartoon shorts (Chuck Jones, 1949-1962) and The Wizard Of Speed And Time (Mike Jittlov, 1988). Which summary doesn’t even begin to do it justice.

Columbia gave director/star Stephen Chow Sing Chi a mega-budget for Kung Fu Hustle but have commendably neither pruned nor dubbed as Miramax (Disney) did on his previous outing Shaolin Soccer (Stephen Chow, 2001). Chow’s extraordinary vision is thus allowed full rein in his native Cantonese tongue to side-splitting effect.

The 1940’s plot involves landlord, landlady and tenants of down and out Pig Sty Alley confronted by the fearsome Axe Gang after low life hustler and loose cannon Sing (Chow) turns up there and throws his weight around pretending to be a Gang member.… Read the rest

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Animation Features Live Action Movies

Terminator 2
Judgement Day

Director – James Cameron – 1991 – US – Cert. 15 – 127m

*****

A second Terminator is sent from the future to kill the future leader of the war against the machines – opening film in Film Tottenham’s upcoming programme celebrating female action heroes, plays Sunday, April 12th 2026, 6.30 for 7pm start

In the 1984 original, a Terminator robot (Arnold Schwarznegger) is sent back in time to kill Sarah Connor (Linda Hamilton), the mother-to-be of the leader of the war in the future against the machines, who are exterminating humanity.

This sequel sees a more advanced T-1000 robot (Robert Patrick) sent back in time to kill Sarah’s now-ten-year-old son John (Ed Furlong). Another Terminator (Schwarzengger) is also running around in the present (i.e. 1991).

Sarah’s recurring nightmare pictures the coming apocalypse when the machines unleash nuclear missiles on humanity. That aside, this is basically an essay on mothers and sons – and fathers and sons – wrapped up in the best chase movie you’ve ever seen.

What makes the film work is the mother and son element. Sarah is a believer in Terminators, the coming war against the machines, and humanity’s fightback in a world where such beliefs are dismissed as delusions.… Read the rest

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Father Mother
Sister Brother

Director – Jim Jarmusch – 2025 – US – Cert. 12a – 110m

*****

Three separate stories follow visits by three separate sets of adult siblings torespectively, an elderly father, an elderly mother, and a deceased parents’ cleared home – out in UK cinemas on Friday, April 10th

This harks back to a couple of earlier Jarmusch movies which similarly consist of a small number of stories: Night on Earth (1991) with five cabbies on one night in different cities and Mystery Train (1989) with its three linked stories set during one night in Memphis. There’s no suggestion that the three stories in Father Mother Sister Brother – set in rural North America, Dublin and Paris – are taking place simultaneously, international time differences notwithstanding, but they could well be, because all three take place in similarly good weather conditions. The first is rural, with snow on the ground, while the latter two are urban.

All three of FMSB’s stories feature similarities which link them beyond the overall siblings / parent(s) theme. These are both expected – car journeys to the home of the parent or parents, time spent in their presence or absence – and unexpected – skateboarders seen from the can en route, a Rolex watch.… Read the rest

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The Stranger
(L’Étranger)
(2025)

Director – François Ozon – 2025 – France – Cert. 15 – 120m

*****

A Frenchman living in French Algiers with an attitude of detachment is arrested following a violent incident with an Arab – adaptation of Albert Camus’ existentialist novella is in UK and Ireland cinemas on Friday, April 10th

Albert Camus’ 1942 novella is a character study of a non-conformist to the widely held ideals of the day. Ozon’s film adaptation roughly follows its template, making some subtle changes which alter its overall stance and meaning. 

The following synopsis contains spoilers, but, to be honest, given that this is an adaption of a significant work of French literature, and that you’ll get just as much if not more out of it if you read the book beforehand, I’m not convinced that knowing the plot in advance is a bad thing.

The novella has a two-part structure. First, it follows the life of its main, French Algiers-based protagonist Meursault from his receiving news of his mother’s death and taking time off work to attend her funeral, through his embarking on a relationship with the besotted Maria, to his involvement with his friend the local pimp Raymond Sintès and Meursault’s fatal shooting of an Arab, who has been following Raymond with murderous intent after Raymond mistreated his sister.… Read the rest

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Undertone

Director – Ian Tuason – 2025 – Canada – Cert. 15 – 94m

**

The co-host of a paranormal podcast is disturbed by ten mysterious sound files even as her elderly mother is nearing death in her bedroom upstairs – out in UK and Ireland cinemas on Friday, April 10th

A two person paranormal podcast comprises Evy Babic (Nina Kiri) and Justin (voice: Adam DiMarco) in a good cop / bad cop routine. Adam’s good cop is always willing to believe – or at least hoping – that the incident or phenomena underlying the latest episode is real, however strange or unlikely it might be. Evy’s bad cop always assumes the phenomena are fake or a hoax, until or unless she has incontrovertible evidence that suggests otherwise.

We never see Justin since the movie focuses on Evy living in her house and Justin only appears (on the soundtrack) as her co-host when they go live on air or in conversation with her on the phone outside of that recording / broadcasting process. You might think that focusing on the subject of the paranormal would drive someone off the deep end, but for Evy, doing the podcast with Justin is the one thing that keeps her sane.… Read the rest

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Documentary Features Live Action Movies

Kim Novak’s Vertigo

Director – Alexandre O. Philippe – 2025 – UK – Cert. uncertificated – 76m

*****

An essential addition to the canon of work surrounding and helping audiences to understand the power of one of the cinema’s greatest works– out in UK cinemas on Friday, April 3rd

The opening black and white scene features actress Kim Novak, probably shot in the 1950s, as if through a peephole. This recalls Norman and his peephole in Psycho (Alfred Hitchcock, 1960). Novak here seems to know she is being watched, looks directly at the camera, then rolls her head so her eyes go into the darkness of shadow. Then, colour footage of present day, images that could be out of Spellbound (Hitchcock, 1945): a gate opening, a passage along a country roadway, a wooden memorial to someone. All this accompanied by the voice of Kim Novak, now in her twilight years, talking about her life on the soundtrack – her present difficulty in getting breath, how awful it must be to gasp for breath prior to dying.

All this has a Hitchcock connection. Novak is familiar to us from her twin roles in Vertigo (Hitchcock, 1958), the favourite film of director Philippe (and also, as it happens, of this critic) who specialises in documentaries about movies and made the definitive documentary about Psycho’s shower scene 78/52 (2017).… Read the rest

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Animation Documentary Features Live Action Movies

D is for Distance

Director – Chris Petit, Emma Mathews – 2025 – Finland – Cert. 12A – 88m

****

A diary film about a boy with epilepsy, his interior world, and parenting – out in UK cinemas on Friday, April 3rd

Opening and closing, more or less, with one of the quieter themes from Once Upon a Time in the West (Sergio Leone, composer: Ennio Morricone, 1968), and images first of a boy / young man clambering over coastal rocks and finally of the same young man and his father looking out from atop rock formations near “the top of the world”, this fits into the personal diary school of documentary filmmaking.

The two co-directors are life partners Chris Petit (Radio On, 1979) and Emma Matthews; the subject their son Louis, who started having epileptic fits around age 12. Following various NHS misdiagnoses, the family moved to the Netherlands where they could legally get hold of medical cannabis which, it turned out, cured Louis as long as he kept taking it. 

In former times, notes the unseen narrator (Jodhi May from Dune: Prophecy, TV series, 2024; The Last of the Mohicans, Michael Mann, 1992, A World Apart, Chris Menges, 1988), people with this condition would be taken as demon-possessed and burned at the stake, or (under the Nazis) forcibly exterminated.… Read the rest

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Animation Features Live Action Movies

The Last Blossom
(Housenka,
ホウセンカ)

Director – Baku Kinoshita – 2025 – Japan – Cert. 15 – 90m

*****

A man lives with his wife and child… only they are not really his wife and child – out in UK cinemas on Friday, March 27th

Here’s a movie that breaks all the moulds. I could (and will) tell you several things about it, any of which would (and will) immediately spark preconceptions about what it is. And those preconceptions would (and will) be wrong.

If we start off with it as a drama about family life, which it arguably is, that doesn’t quite give you the full idea. This is a pretty strange family: it’s effectively a single parent mum Nana (voice: Hikari Mitsushima) and her baby son Kensuke who have been taken in by the kindly Minoru Akutsu (voice: Junki Tozuka) who wants to help them. Akutsu is in love with Nana, but he’s the quiet type and can’t bring himself to verbally express his love for her. (Which, I guess, makes this into a romantic drama of sorts. Certainly a tale of unrequited love, albeit an odd one.) And over the years, as the boy grows, the man comes to think of the boy as his own son.… Read the rest