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Features Live Action Movies

Luminous Woman
(Hikaru Onna,
光る女)

Director – Shinji Somai – 1987 – Japan – Cert. 15 – 118m

*****

A Hokkaido farmer comes to Tokyo in search of his vanished fiancée but finds a world he has not expected – on Blu-ray from Monday, Monday, May 20th

At a rubbish tip on the outskirts of Tokyo, a barefoot man (Takeiji Muto) in cheap trousers and top encounters a suave-looking sophisticate (Kei Suma) and a woman opera singer (Michiru Akiyoshi), the latter performing gracefully atop the rubbish heap. The woman is dependent on the sophisticate. The barefoot man has travelled from Hokkaido to find his fiancée Kuriko Sakura, who was supposed to return after studying accounting to help him run a farm.

The sophisticate knows someone of that name, and drives the barefoot man into the city. In his nightclub, he offers the outsider a deal – if he’ll fight the club’s pro-wrestler for ¥100 000, the other will tell him where to find Kuriko. However, she may not be the person he seeks. Out of her boss’ earshot, the woman warns the outsider that the wrestling may be to the death.

In the club she plays the piano while another woman sings opera and, on the circular dias bordered by a water pool, a challenger fights the incumbent wrestler and loses.… Read the rest

Categories
Animation Movies Shorts

Drive
(Pulsión)

Director – Pedro Casavecchia – 2019 – Argentina – 7m

*****

A series of disturbing vignettes brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch – available to watch on YouTube (see below) from Wednesday, September 1st 2021

This Argentinan short, although computer generated, has the feel of stop-motion. It brings to mind work by Lars von Trier, the Brothers Quay, Alfred Hitchcock and David Lynch. A narrative conveyed by a series of disturbing vignettes (think: the opening minutes of Melancholia (Lars von Trier, 2011) is put together with the same kind of fastidious technical attention to detail you find in the Quay Brothers’ films. A couple of scenes borrow directly from one of the murders in Psycho (Alfred Hitchcock, 1960), but in a clever way that shocks you much as those scenes in Psycho originally did. There’s a Lynchian feel about the whole thing – not just in the strange, quasi-industrial sounds recalling Eraserhead (David Lynch, 1977) or the weird lighting and heavily controlled mise-en-scène, but also in the overall feel of strange and terrible things happening within families and local communities, people adrift within the darkness of human existence.

One single viewing is not enough for this film which really only reveals itself on repeated viewings.… Read the rest