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Small, Slow But Steady
(Keiko,
Me Wo Sumasete,
ケイコ目を澄ませて)

Director – Sho Miyake – 2022 – Japan, France – Cert. 12 – 99m

The first half hour ****

The rest ***1/2

A completely deaf, young woman trains in the boxing ring at the local gym and turns professional, but when the gym’s closure is announced, she loses the focus needed to carry on – out in UK cinemas and on Curzon Home Cinema from Friday, June 30th

Young woman Keiko (Yukino Kishii from Foreboding, Kiyoshi Kurosawa, 2017) has suffered since birth (a title tells us at the start) from sensorineural hearing loss. She and her younger brother (Himi Sato) rent a flat in Tokyo’s Arakawa neighbourhood, where she has taken up boxing at the local gym. While her brother plays music on an electric guitar for his girlfriend Hana, in the next room, Keiko scribbles obsessively writing down her progress at the gym in her notebook.

She beats an opponent by the narrowest of margins. As the old chairman of the boxing club (Tomokazu Miura from Detective Chinatown 3, Chen Sicheng, 2021; The Outrage, Takeshi Kitano, 2010; Arietty, Hiromasa Yonebayashi, 2010; The Taste Of Tea, Katsuhiro Ishii, 2004) explains to a journalist interviewing him later at the gym, Keiko can’t hear either the bell or anything the ref says.… Read the rest

Categories
Features Live Action Movies

Detective Chinatown 3
(Tang Ren
Jie Tan An 3,
唐人街探案3)

Director – Chen Sicheng – 2021 – China – Cert. 15 – 136m

****

The Chinese franchise’s super-sleuth and bumbling sidekick join forces with their Japanese and Thai counterparts in Japan – out in cinemas on Tuesday, January 25th and 26th only

No sooner have the brilliant crime-solving sleuth Qin Feng (Liu Haoran) and his likeable if barely competent sidekick Tang Ren (Wang Baoqiang) flown in to Tokyo and met their contact there, the sharp and colourful Hiroshi Noda (Satoshi Tsumabuki), than they find themselves embroiled in one of the most seriously bonkers action sequences in the movies in recent years when members of (at least) two gangs suddenly attack in the airport to the inspired accompaniment of the pop song ‘Welcome To Tokyo’ (which gets rolled out again for a cheerful, cast of thousands, song and dance routine accompanying the end credits). Extensive mayhem ensures. A man rolls down a long flight of steps in an oil drum. Two groups of smartly uniformed and skirted women do battle (one group in red, one in blue – stewardesses from rival airlines, perhaps?). Workmen in hard hats and overalls descend from scaffolding to join the melee.

Knowing this will be an impossible act to follow, the film then throws in a pursuer Jack Jaa (Thai martial arts sensation Tony Jaa from Ong-bak, Prachya Pinkaew, 2003) on the Tokyo subway before having the trio flee him on go-karts while he comes unstoppably and hilariously after them by stealing a child’s bicycle with tiny wheels.… Read the rest