Categories
Animation Features Movies

All You Need is Kill
(Oru Yu Nido izu Kiru)

Directors – Kenichiro Akimoto, Yukinori Yakamura – 2025 – Japan – Cert. 15 – 86m

***1/2

A woman trapped in a repeating time loop dies fighting alien plant monsters, joins forces with a man in a similar time loop – animated science fiction tale is out in UK cinemas on Friday, February 27th

This began as a science fiction novel first published in Japan in 2004. Ten years later, as is the way of things in Japan, it appeared as a manga. It also formed the basis of the Tom Cruise / Emily Blunt vehicle Edge of Tomorrow (Doug Liman, 2014). The novel is about a cowardly military man killed in a skirmish with unexpected invading aliens who wakes up and realises he’s reliving that first day of the alien invasion. He gets killed over and over again, and wakes up and relives the same day over and over again. Similarly trapped in a time loop is a brave military woman fighting the aliens. It’s a military hardware alien action movie using the looped repeating day structure of Groundhog Day (Harold Ramis, 1993).

While I recommend the 2014 movie, and have no issue mentioning it in terms of contextualising the new film, I also recommend you put it firmly to one side and don’t try and base whatever expectations you might have about the new film on it.… Read the rest

Categories
Features Live Action Movies

Foreboding
(Yocho,
予兆 散歩する侵略者)

Director – Kiyoshi Kurosawa – 2017 – Japan – 140m

*****

Loving the alien. Again. Japanese director reshapes his earlier Before We Vanish into an effective drama which plays out as an edge of the seat, sci-fi alien invasion thriller – from the London East Asia Film Festival (LEAFF) 2018

This is not exactly a remake, not exactly a reboot, not exactly a sequel. Most definitely a companion piece, though, and arguably the more effective of the two movies. And apparently, an edit of the director’s five-part series for Japanese satellite station Wowow, although it feels like a (well over two hours long) standalone feature. Kiyoshi Kurosawa revisits Before We Vanish / Sanpo Suru Shinryakusha (2017) for another story about the aliens clad in human bodies who steal concepts from people’s minds by touching a finger to a forehead E.T. (Steven Spielberg, 1982) style prior to a full scale invasion of Earth.

Where previously the director took the material and threw a cornucopia of different elements at it, this time round his efforts feel much more thought through and the resultant film far more consistent overall – a creepy and unsettling sci-fi paranoia thriller grounded in compelling, character-driven human drama.

Kurosawa builds his reinvented narrative round shop floor worker Etsuko (Kaho) whose friend Miyuki is going mad because of the strange presence in her home.… Read the rest