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Wife Of A Spy (Supai no Tsuma, スパイの妻)

Director – Kiyoshi Kurosawa – 2020 – Japan – 115m

****1/2

A Japanese businessman’s wife decides to help her husband after discovering he is passing inflammatory state secrets to the Americans – out on MUBI in the UK and Ireland on Wednesday, September 8th

1940, Kobe, Japan. British silk trader John Fitzgerald Drummond is arrested by the Kenpetai then released thanks in part to his friend and business associate Yusaku Fukuhara (Issey Takahashi from Shin Godzilla, Hideaki Anno, 2014; Kill Bill Vols 1 & 2, Quentin Tarantino, 2003 & 4; Whisper Of The Heart, Yoshifumi Kondo, 1995), who defends him against Officer Taiji Tsumori (Masahiro Higashide from Foreboding, 2017; Before We Vanish, 2017; Creepy, 2016 – all Kiyoshi Kurosawa), a childhood friend of Yusaku’s wife Satoko (Yu Aoi from Killing, Shinya Tsukamoto, 2018; Journey To The Shore, Kurosawa, 2015 and much else). (Europeans are systematically being arrested, with the exception of Axis power nationals Germans and Italians.)

As Fukuhara and his nephew Fumio Takeshita (Ryota Bando) travel abroad to Manchuria, Satako invites Taiji to her house for a whisky, but once there he berates her for the drink being Western- not Japanese-made and suggests she should wear traditional Japanese clothes rather than Western dresses.… Read the rest

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Features Live Action Movies

Foreboding (Yocho, 予兆 散歩する侵略者)

Director – Kiyoshi Kurosawa – 2017 – Japan – 140m

*****

Loving the alien. Again. Japanese director reshapes his earlier Before We Vanish into an effective drama which plays out as an edge of the seat, sci-fi alien invasion thriller – from the London East Asia Film Festival (LEAFF) 2018

This is not exactly a remake, not exactly a reboot, not exactly a sequel. Most definitely a companion piece, though, and arguably the more effective of the two movies. And apparently, an edit of the director’s five-part series for Japanese satellite station Wowow, although it feels like a (well over two hours long) standalone feature. Kiyoshi Kurosawa revisits Before We Vanish / Sanpo Suru Shinryakusha (2017) for another story about the aliens clad in human bodies who steal concepts from people’s minds by touching a finger to a forehead E.T. (Steven Spielberg, 1982) style prior to a full scale invasion of Earth.

Where previously the director took the material and threw a cornucopia of different elements at it, this time round his efforts feel much more thought through and the resultant film far more consistent overall – a creepy and unsettling sci-fi paranoia thriller grounded in compelling, character-driven human drama.

Kurosawa builds his reinvented narrative round shop floor worker Etsuko (Kaho) whose friend Miyuki is going mad because of the strange presence in her home.… Read the rest