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La Chimera
(La Chimera)

Director – Alice Rohrwacher – 2023 – Italy – Cert. 15 – 133m

***

In an attempt to come to terms with his past, an ex-con returns to his home town, where he previously used to rob ancient artefacts from burial sites and graves – out in UK cinemas on Friday, May 10th

I wasn’t exactly sure what I was going to get in La Chimera, and after watching it, I was none the wiser. Arthur (Josh O’Connor) comes out of prison and gets the train back to Tuscany. He meets some girls on a train, and the profile of one of them reminds him of decorative Etruscan art. He has a run in with a sock salesman, who tells him he smells.

Getting off the train, he tries hard not to be picked up by an old mate, who wants to take him to see a bunch of friends. He’s been in prison for grave-robbing and doesn’t want to get back into that game. Instead, he returns to the house of his deceased (or at least presumed deceased|) girlfriend Beniamina, where her mother Flora (an unrecognisable Isabella Rossellini) refuses to believe that Beniamina has gone. While Flora welcomes him with open arms, and introduces him to her maid and singing pupil Italia (Carole Duarte), she’s happy to be there.… Read the rest

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Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest

Categories
Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review of the UK DVD was originally published in What DVD. See also my review for the Arts Centre Group’s member’s newsletter.

Sold as a sex and car crash (and by implication action) movie, Crash is in reality something very different: intelligent, grown-up science fiction. The former description being an easy sell, especially with the added (ridiculous) controversy surrounding the film’s (eventual) UK release, the inevitable resultant popcorn sensation‑seeking mass audience was largely disappointed.

That said, for those viewers prepared to engage brain, deal with tough subject matter and go the distance, it’s a masterpiece. But if you’re someone to whom the concept of sex scene as narrative device sounds too much like hard work, you probably shouldn’t touch it.

On the other hand, admirers of director Cronenberg (The Brood, Scanners, Dead Ringers, eXistenZ) or novelist J.G.Ballard (Empire of the Sun) will appreciate the film’s uncompromising vision. Although Crash is not especially unnerving by Cronenberg standards, it’s extremely shocking by those of mainstream movies and has the potential to confuse or overwhelm an average audience.

While it brims with sex scenes, they’re not particularly arousing in tone being close to the emotionally cold experience of watching laboratory experiments.… Read the rest