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Features Live Action Movies

Hellboy
The Crooked Man

Director – Brian Taylor – 2023 – US – Cert. 15 – 99m

**1/2

Hellboy must confront a dark labyrinth of hills, the Crooked Man who tricks people out of their souls, and some unresolved family matter from his own past– latest franchise reboot is out in UK cinemas on Friday, September 13th

1959. Hellboy (Jack Kesy), his assistant Jo (Adeline Rudolph) and an FBI man are transporting a deadly spider in a boxcar across the Appalachians to a lab where Jo can subject it to further study when the creature goes berserk, busts out of its crate, precipitating a terrible struggle in which the FBI man is killed and their boxcar is thrown down a steep embankment. They have arrived in a place where, we later learn in dialogue, a network of mining tunnels acts like veins to the living creature that is the hills, and the authorities have built a church atop the hills in the exact place where a portal used to connect a world of demonic forces with our own world.

The area is frequently visited by the Crooked Man (Martin Bassindale), who carries with him numerous coins, each one representing a soul he has tricked into selling him- or herself to the Devil.… Read the rest

Categories
Features Live Action Movies

Eileen

Director – William Oldroyd – 2023 – US – Cert. 15 – 97 m

***** Most of the film

* The last five minutes

NSFW

In the 1960s, the life of a young woman working in a Boston boys’ correctional facility is turned on its head by the arrival of a radical, young woman prison psychologist from New York – out in UK cinemas on Friday, December 1st.

I don’t usually start with the ending of the film – and I’m not about to deliver a spoiler – but the ending of Oldroyd’s otherwise enthralling drama (if that’s the right term – I’m not sure it is) takes everything that has gone before which appeared to be building up to something and unceremoniously dumps it, as if there were another twenty minutes that had been written but not shot and an unsatisfactory ending had been tacked on.

There’s always that feeling with a truly extraordinary movie when you watch it for the first time that you don’t want the filmmakers to screw up and let go of whatever it is that’s working. Well, this one is extraordinary right up to the last five minutes, when it completely loses it. Prior to that, it starts out as one thing, turns into something else then swerves and moves about all over the place, taking the viewer with it on a strange, unpredictable journey.… Read the rest