in car listening Archives - Jeremy C. Processing

Only the River Flows
(He Bian de Cuo Wu,
河边的错误,
lit. Mistake (or Mistakes)
By the River)

Director – Wei Shujun – 2023 – China – Cert. 15 – 101m

A cop must solve a complex murder mystery his chief believes to be an open and shut case – out in UK cinemas on Friday, August 16th

A small boy with a toy gun plays cops and robbers in a deserted building, He opens doors like the protagonist of a Hollywood cop movie, looking for an armed criminal. And then he opens the door at the end of the corridor to reveal… a drop. The edge of a half demolished building, a building site with diggers.

This bravura opening is the high point of a film that combines a number of disparate elements in an attempt to construct a gritty police procedural murder mystery. However, it gets rather too caught up in many of these elements, and they swamp the narrative, which becomes incredibly tough to follow as a result. (This reviewer went back a second time to see if he liked it more on second viewing. He didn’t.)

A police chief (Tianlai Hou), who is also a keen table tennis player, encourages his force to get their merit recommendations in. This offers a fascinating glimpse into Communist China’s concept of community – you point out those who are making a useful contribution so that they can be rewarded.… Read the rest

Orphée

Director – Jean Cocteau – 1950 – France – Cert. PG – 112m

*****

Acquitted by mirrors! Rereleased two thirds of a century on, Cocteau’s reimagining of the Greek legend of Orpheus remains as magical as ever – out in the UK on Friday, October 19th, 2018

Jean Cocteau (1889-1963) was a self-styled ‘poet’, a versatile, avant-garde French artist who worked across a number of different media – novels, visual art, design, theatre, cinema as well as poetry. 1950’s Orphée is one of his most celebrated films. And rightly so.

Famed poet Orphée (Jean Marais) is going through a bad creative patch when newcomer rival Cégeste (Edouard Dermithe) is killed by two speeding, leather-clad motorcycle riders. Orphée becomes obsessed with messages transmitted over the radio of the car belonging to Cégeste’s patron the Princess (Maria Casarès) which seem to him better than any lines he’s written recently.

So obsessed with these broadcasts does Orphée become that he fails to pay enough attention to his wife Eurydice (Marie Déa) who becomes increasingly restless. Every night as he sleeps, the Princess – who a voiceover (read by Jean Cocteau himself) informs us is actually Orphée’s death – visits his room through his wardrobe mirror to watch over him.… Read the rest