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Animation Art Exhibitions Movies

LAIKA
FRAME x FRAME

*****

Exhibition shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by the Stop Motion animation season including all five LAIKA feature films and much, much more

In the best part of two decades, US-based Laika Studios – named after the first dog in space – has carved itself a niche as arguably the foremost producer of stop-motion animation puppet films. That’s distinctly different from the other leading company in the stop-motion field, UK-based Aardman Animations, who specialise in plasticine animation. The difference is that plasticine is a malleable substance that can be reworked and remodelled one frame at a time, whereas although puppets can be moved a frame at a time, they can’t be remodelled.

Laika have consistently (and deservedly, in this writer’s opinion) picked up Oscar nominations for each of their five features, a remarkable achievement that speaks of the high quality of their work. Their five features (with a sixth forthcoming) are:

  • Coraline (2009): A young girl is lured into a darker, parallel world.
  • Paranorman (2012): A boy who can speak with the dead, ostracised by his local community, must save his town from dark forces by righting centuries-old wrongs.
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Categories
Animation Features Movies

Coraline (3D)

Director – Henry Selick – 2009 – US – Cert. PG – 100m

UK release date 08/05/2009

Originally reviewed for Third Way in 2009; republished to coincide with not only the 15th anniversary cinema reissue of the film on Thursday, 15th August 2024, but also the LAIKA: Frame x Frame exhibition which shows at BFI Southbank from Monday, 12th August to Tuesday 1st October 2024 (free to visit, but booking essential – click here) accompanied by a stop-frame animation season including all five LAIKA feature films and much, much more

Selick has successfully positioned himself as Hollywood’s stop-frame puppet animation film-maker (as distinct from plasticine animation film-makers Nick Park and Aardman). His The Nightmare Before Christmas suggested leanings towards horror and the macabre; Coraline goes further in the sense that one’s immediate reaction after viewing was to question whether this was a film suitable for children (on reflection this may be a grown-up reaction and kids may in fact love the film, in much the same way that as a child I enjoyed hiding behind the sofa during the scary bits of Dr. Who.) The source material is an acclaimed children’s book by Neil Gaiman. Anyway, you have been warned.… Read the rest