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Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

Perfumes
(Les Parfums)

Director – Grégory Magne – 2019 – France – Cert. tbc – 100m

****

In Cinemas and on Curzon Home Cinema from Friday, August 21st

GuGuillaume (Grégory Montel) is a chauffeur. His boss Arsène (Gustave Kervern) is thoroughly fed up with him, so gives him a job with a known difficult customer Mademoiselle Walberg. Guillaume is currently trying to get 50/50 custody of his daughter, so needs his job. And must put up with any nonsense his client comes up with. Like throwing his cigarette packet out of the car window. Or insisting he help her change the hotel bedsheets because she doesn’t like the smell of the chambermaid’s perfume.

The reclusive Anne Walberg (Emmanuelle Devos) is a ‘nose’. She combines smells to create perfumes and had a stint with the Dior company before her career took a wrong turn. These days, all her agent can get her is recreating the smells of caves or making the fumes from unpleasant factories smell nice. But she longs to make perfumes again.

This is a stylish and charming movie with unusual, olfactory subject matter. You can’t smell in movies, so this element is instead conjured by verbal description. In a trip to a cave – the real cave, not the duplicate nearer the highway for which she must compose the smells, Anne feels, rubs and sniffs cave interior surfaces, getting Guillaume to write everything she says in a notebook.… Read the rest