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Daughter
Of Shanghai

Directors – Michelle Chen Miao, Hilla Medalia – 2019 – China – Cert. N/C 15+ – 90m

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A chronicle of the life and on-off career of Chinese-born, RADA-trained actress and screen legend Tsai Chin – available to rent online until Wednesday, May 12th in the UK & Ireland in the Chinese Cinema Season 2021 as part of the Approaching Reality documentary strand

“I was born in a trunk when my parents were on tour in Tianjin.” The daughter of legendary Peking Opera star Zhou Xinfang, Tsai Chin came to London towards the end of her seventeenth year when she was the first Chinese person to be accepted at RADA where she found herself alongside the likes of high-born, Welsh socialite Elizabeth Rees-Williams who in footage alongside her now husband Jonathan Aitken is one of the main interview subjects here. As well as a recent interview with Tsai Chin herself, the other main interviewee is the late lawyer Carlo Colombotti, a personal friend and a wealthy lawyer who moved in the same London circles in the sixties.

Her story, although it contains specific international and cross-cultural reference points, is, basically, an actor’s life: early success on stage and screen through the fifties and sixties, followed by a period in the seventies and eighties in relative obscurity and a later period when her rediscovery by Hollywood in the nineties restarted her career.… Read the rest

Stardust

Director – Gabriel Range – 2020 – UK – Cert. 15 – 109m

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In 1971, an unknown David Bowie tours America to promote his new album The Man Who Sold The World – on VoD from Friday, January 15th

The late David Bowie remains one of the most significant and iconic musicians, artists or stars of the last century. Aside from numerous clips of him performing music or being interviewed of radio or TV, he has a presence in a number of films, among them science fiction adventure The Man Who Fell to Earth (Nicholas Roeg, 1976) and Japanese POW outing Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983). So if you’re going to try and recreate Bowie on film, you’d better be sure of what you’re doing.

On paper, Stardust seems to be doing everything right. Director Range is first and foremost a Bowie admirer familiar with the music, the albums, the wider body of work, the man. You’d have to be in order to make a film like this. And he’s honed in on a particular episode of Bowie’s life – a very interesting one too, the period in the early seventies when he was known for little more than two seeming novelty records, The Laughing Gnome and Space Oddity, the latter now widely regarded as one of his finest songs.… Read the rest