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Happyend
(HAPPYEND) 

Director – Neo Sora – 2024 – Japan – Cert. 12A – 113m

***

Two schoolboys play a prank on their despotic principal, who turns it into an excuse to introduce a high tech surveillance system – out in UK and Irish cinemas on Friday, September 19th

In a future dystopian Kobe, Japan, that looks remarkably like the present day Kobe, Japan, a group of highschoolers fail to get past the tough, power-dressed, Chinese lady bouncer to a club because they’re underage. A couple of the boys, Yuta (Hayato Kurihara) and Kou (Yukito Hidaka), wandering down a nearby back alley, notice a man in a dark vest taking a crate of beer into the building, strip off their white shirts to reveal similar dark vests underneath, and use crates of beer to gain back door access. Inside, the DJ is electrifying, the beat is strong and the gig is everything they had hoped. There is a police raid, but Kou can’t get Yuta to leave. Somehow, they and the DJ end up being the only ones there, and he gives them a talisman as a mark of respect and tells them to come back for the second set, which is better. But they don’t chance their luck.… Read the rest

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Shark Skin Man
and Peach Hip Girl
(Samehada Otoko
to Momojiri Onna,
鮫肌男と桃尻女)

Director – Katsuhito Ishii – 1998 – Japan – Cert. 15 – 108m

*****

Arresting and highly inventive thriller is out as a standalone Blu-ray release in the UK from Monday, April 14th 2025, also on digital, having previously appeared as the first disc of the three disc release Katsuhito Ishii Collection from Third Window Films just over a year ago (when the following piece was written for All the Anime).

Deriving its odd title from a literal translation of the leads’ surnames, Katsuhito Ishii’s highly original gangster movie from 1998 is based on a familiar plot: a man runs off with the mob’s money, and a lady companion. Or, as pioneering French New Wave director Jean-Luc Godard once put it: all you need to make a movie is a girl and a gun.

Shark Skin Man and Peach Hip Girl has much the same strengths as Godard when he’s on form. Ishii demonstrates a similar flair for taking actors or actresses and having them do what they do on camera so that it’s completely absorbing to watch: look no further than the extraordinary title sequence which starts about five minutes in and consists of little more than names and images of all the major cast members against a white background with overlaid black line animation images.… Read the rest

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Dreaming of Lions
(Sonhar com Leões)

Director – Paolo Marinou-Blanco – 2024 – Portugal, Brazil, Spain – 85m

****

A woman diagnosed with terminal cancer signs up with a corporate programme allegedly aimed at helping people in her situation to humanely end their own lives – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

“Chemo never worked. So I decided to beat the fucker to the punch.” Thus says Gilda (Denise Fraga) at the start of this tale about voluntary euthanasia. Gilda has cancer and a year and a half left to live. She exasperates her husband when he hilariously stumbles into the bathroom as she’s trying to shoot herself in the head, both of them winding up in hospital as a result.

She is determined to kill herself. If she does nothing, the condition will take its course and the end of the process won’t be pleasant. In the hospital, she picks up a leaflet of a company which might provide some help for those considering voluntary euthanasia. So Gildagoes for an interview with Joy Transition International and finds herself facing a panel of three: Isa (Joana Rebeiro), Eva (Sandra Faleiro), and Bruno (Alexander Tuji Nam).

Isa has her mouth fixed in a somewhat ingratiating, permanently lipstick-painted smile.… Read the rest

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Cadejo Blanco

Director – Justin Lerner – 2023 – Guatemala, US, Mexico – Cert. 15 – 125m

*****

A young woman infiltrates a drugs gang in order to find out what happened to her elder sister, who never came back from a night out – out in UK cinemas on and on demand Friday, August 23rd

This opens with a deceptively simple sequence of two young women getting ready to go out for an evening. The older one, who apparently goes out a lot, and we’ll later learn is called Bea (newcomer Pamela Martínez), is pressurising the younger one Sarita (Karen Martínez from The Golden Dream, Diego Quemada-Diez, 2014), who has never been out to a club before. They might be flatmates, but as the scene plays out, it emerges that they are sisters. Bea helps Sarita dress up.

While this may sound banal, it’s shot in a long take, and there’s something utterly compelling about it. Perhaps it’s the script, which appears to do everything it needs to with no flab or wastage. Perhaps it’s the casting: you absolutely come to believe these two are sisters (as far as I can tell, despite having the same surname and looking quite similar, the two actresses are not real life sisters).… Read the rest

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Let it Ghost
(Meng Gui 3 Bao,
猛鬼3寶)

Director – Wong Hoi – 2022 – Hong Kong – 100m

***

Three unlikely ghost stories from Hong Kong: an actor shoots a ghost scene with a real ghost, a young man’s girlfriend is possessed by a ‘horny ghost’, and a sweet romance develops as a cute little girl haunts a shopping mall – plays at the NFT on Friday, July 14th at 8.30pm as part of Focus Hong Kong 2023 at BFI Southbank which runs from Wednesday, July 12th to Saturday, July 15th

A ghost story shot anywhere else would probably set out to scare and unsettle, but in Hong Kong they have never hesitated to mix up their horror with other, seemingly incompatible genres. The first entry in this compendium of three ghost stories plays with notions of truth, reality and artifice through the time worn device of a film within the film, the second is a lightweight, gender-fluid, sex comedy while the third is a sentimental tale about a cute child and the passing of the era of the 1990s shopping mall.

In the first story, Scary Prison, a real ghost gets involved in the shooting of a TV series episode involving a ghost. The series is The Incarcerated Detective, set in a prison where the eponymous policeman investigates and apprehends evildoers among the inmates with his catchphrase, “Justice… always stands on the side of… Justice.”… Read the rest

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Over My Dead Body
(Seisi Seisi Seisapsei,
死屍死時四十四)

Director – Ho Cheuk Tin – 2022 – Hong Kong – Cert. 15 – 119m

**

Confronted with a naked corpse, the residents of three separate flats in a tower block try to get shot of it before its discovery can reduce their apartments’ selling prices – out in UK cinemas on Friday, April 21st

One of two films about living in a high rise released this week.

Hong Kong movies have a long tradition of knockabout and very silly comedy which are something of an acquired taste. Many of them are enjoyable enough. This particular entry, however, doesn’t travel outside the Hong Kong Chinese culture very well. To an English, non-Cantonese speaker, it doesn’t really work, coming over largely as irritating. (I suspect that, for Cantonese speakers, it may well play far more successfully.)

Half watching a TV show on his dashboard phone about the problems Hong Kongers face around ever-escalating real estate prices, Ming To (Wong You Nam from Ip Man, Wilson Yip, 2008) makes the journey in his VW van through gridlocked traffic, past the building’s SG (security guard) Lee (Sheung-ching Lee) of the tower block Seaside Heights to Flat 14A and the bedroom of sexy air stewardess Yana Chung (Jennifer Yu Heung-Ying from Shadows, Glenn Chan, Bure Li, 2020; Tracey, Jun Li, 2018) for some horizontal refreshment under the sheets.… Read the rest

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The Good Boss
(El Buen Patrón)

Director – Fernando León de Aranoa – 2021 – Spain – Cert. 15 – 116m

***1/2

With a prestigious business competition coming up, a factory boss must keep the judges from stumbling upon his personal and corporate dirty laundry – out in cinemas on Curzon Home Cinema on Friday, July 15th

Any day now, the local committee will descend upon the Blanco Scales factory to see if the business should receive the prize money for an upcoming good business award. No-one knows exactly when they are likely to turn up, though, least of all Blanco (Javier Bardem) himself. So, clearly everything needs to be in good order to impress the judges when they turn up. Which should be fine, because Blanco prides himself in looking out for his work force and the company is one big, benevolent, happy family.

Except that it isn’t, because although Blanco sees it that way, the reality is that he only cares for his workforce insofar as doing so will enhance their productivity. He fires dissatisfied employee Jose (Óscar de la Fuente) who promptly sets up camp outside the factory gates – on land Blanco doesn’t own so he can’t evict him – and proceeds to chant anti-Blanco slogans on a daily basis.… Read the rest

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Live Action Movies Shorts

Old Man
And A Dog
(老人與狗)

Director – Ryan Chan Hon-yan – 2019 – Hong Kong – Cert. N/C 15+ – 30m

*****

A security guard nearing the end of his life is given an ageing, dying dog by his grandson – online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

When they’re in the hospital waiting for grandpa while he sees the doctor, Ka Chun (Karson Chan Ka Hei) asks his mum (Ivy PangTracey, Li Jun, 2018), “how come grandpa doesn’t have a dog?” There follows a huge row between Ms. Chan and the medical staff when she learns they’re not operating on her father because he’s signed ‘Do Not Resuscitate’ papers. The boy, meanwhile, stands beside his grandpa’s bedside. His grandpa (Paul Carr) is on a ventilator.

The elder Mr. Chan visits the hospital on his own. The clock that’s fallen off the wall in the doctor’s office seems to presage his own demise. His boss (Toby Cheng) at the security firm tells him not to come in, he’s too ill. The firm will compensate him, so there are no financial issues.

Ka Chun visits grandpa at home – bringing with him a dog called (somewhat hilariously to English ears) Ah-fuk.… Read the rest