Tag: performance

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Features Live Action Movies

Get Carter
(1971)

Director – Mike Hodges – 1971 – UK – Cert. 18 – 111m

*****

A London gangster takes the train to Newcastle to find out who killed his brother… and why… in a defining film for both Michael Caine and British cinema – back out in cinemas on Friday, May 27th

Fifty years old, Hodges’ first feature has aged well in the main. Viewed today, this gangster film has a lot going for it. It reduces London to seedy, windowless rooms where men watch pornographic slide shows or their unfaithful wives service their lovers’ sexual fantasies over long distance phone calls. After the opening London to Newcastle train journey to the strains of Roy Budd’s memorable score, It quickly settles into its Newcastle milieu of pub interiors, terraced houses, rented rooms, back to back streets, pedestrians, cars, harbours and ferries. It has a memorable finale in which one man pursues another across a beach to a coal heap.

There’s a background about prostitution which turns out to be highly significant to the plot, with histories of men luring girls into pornographic movies. Few of the women (Britt Ekland, Rosemary Dunham, Petra Markham) seem happy – they are sex objects to service the men, or prostitutes, or victims of male trickery.… Read the rest

Categories
Animation Features Live Action Movies

a-ha The Movie

Directors – Thomas Robsahm, Aslaug Holm – 2021 – Norway, Germany – Cert. 12a – 108m

***

The rise and career of the enduring, three-piece, Norwegian band a-ha – out in cinemas on Friday, May 20th

Norwegian trio a-ha are arguably best known for two songs. They swept to fame on the strength of their first hit Take On Me, which features extensively in this documentary. They were later asked to do the title for Bond movie The Living Daylights (John Glen, 1987), which gets only a few minutes screen time somewhere in the middle here, so I’ll get that out of the way first. The band write their own material and found themselves having to work with legendary Bond composer John Barry as their producer on this gig who, as they saw it, was used to having musical input and getting his own way. They talk about recording the song in such a way as to get round him.

Perhaps what this best illustrates is that musicians (artists, composers, bands) often work and operate within their own sealed worlds and if they have to work with rivals, sometimes it works, sometimes it doesn’t. In this instance, it doesn’t sound a good experience for either party.… Read the rest

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Features Live Action Movies

Sideshow

Sideshow

Director – Adam Oldroyd – 2020 – UK – Cert. 15 – 94m

**

Two thieves break in to the house of a washed-up showbiz psychic entertainer and medium – out in cinemas on Friday, March 11th and on all major digital download platforms on Monday, March 21st

Stuart Pendrick a.k.a. The All-Seeing Stupendo (Les Dennis) is a touring, one-man theatre act psychic and medium specialising in mind-reading and contacting the dead. He’s also a compulsive pickpocket with a mind like a sewer, hardly a great combination for wholesome entertainment. After attempting to ingratiate himself with the woman best dressed to show off her cleavage in the front row, he manages none too surprisingly to say the wrong thing and offend the mostly elderly audience.

He rows with his agent Gerald (Anthony Head) about this, insisting the latter pick up his fee for the performance and get it over to him as soon as possible, then drives away from the theatre unaware he’s being tailed by Eva (April Pearson from Tucked, Jamie Patterson, 2018) and the gun-carrying Dom (Nathan Clarke) who follow him to his house, wait for the lights to go out then break in to find the stash of money Eva is certain is in his possession.… Read the rest

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Documentary Features Live Action Movies

Mifune
The Last Samurai

Director Steven Okazaki – 2015 – US – Cert. 12 – 80m

*****

Currently streaming on BFI Player as part of Japan 2020.

Toshiro Mifune (1920-1997) is director Akira Kurosawa’s iconic star of his samurai movies Rashomon, Seven Samurai and Yojimbo. He’s the subject of three time Oscar-nominated documentary film maker Steven Okazaki’s useful documentary Mifune The Last Samurai (2015). As narrator Keanu Reeves says in voice-over, without Mifune there would have been no Magnificent Seven, Eastwood would not have had A Few Dollars More and Darth Vader would not have been a samurai.

The documentary spends a good twenty minutes on background Japanese history, early Japanese film and Mifune’s life before his career in movies began.

He got into movie acting by accident, having originally applied to work at Toho Studios as a camera assistant. Kurosawa spotted him there, immediately recognised a unique quality and decided he wanted to work with him as an actor. The pair would go on to make sixteen films together.

I review Mifune The Last Samurai for All The Anime.

You can watch the film on BFI Player as part of Japan 2020.

Categories
Documentary Features Live Action Movies

Sound Of Nomad:
Koryo Arirang

Director – Kim So-young (as Kim Jeong) – 2017 – South Korea – 87m

****

How an indigenous theatre company kept the culture of the Koryo people alive after they were deported by the Soviet authorities from Far East Russia to Kazakhstan in 1937 – in the documentary season: Korean Film Nights: In Transit presented by LKFF, the London Korean Film Festival

The Beijing Treaty (of 1860 although the date isn’t mentioned) ceded to Russia the so-called Maritime Province – an area of land stretching down to Vladivostock. The territory bordered on the Northwestern tip of Choson (Joseon), today’s Korea, and Chosons stated migrating into the Maritime Province, calling themselves the Koryo people. In late 1937, the Soviet authorities decided that the Koryos could potentially be Japanese spies and deported them in boarded up trains to Ushtobei, Kazakhstan, Central Asia.

The journey took two days and many children died, their corpses thrown unceremoniously out of the train at night. After the journey, the deportees faced a harsh winter, the eventual death toll rising to 40 000.

This story has been documented in Korea, but little else about the Koryos has. The first Kazakhstan Koryo settlement in Ushtobei is today marked by a memorial.… Read the rest

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Features Live Action Movies

One Cut Of The Dead
In Hollywood
(Kamera
Wo Tomeruna!,
supin-ofu:
Hariuddo Daisakusen,
カメラ
を止めるな！
スピンオフ
ハリウッド大作戦)

Director – Yuya Nakaizumi – 2019 – Japan – Cert. 15 – 57m

The first 16 minutes **1/2; the rest ***1/2

A zombie film being shot in one long, single take and set in a restaurant in Hollywood is attacked by zombies… or is it? – out as an extra on a One Cut Of The Dead Hollywood Edition Blu-ray on Monday, May 31st

Spoiler alert. The film is basically a copy of the first film, slightly tweaked but not really adding anything much to it. Similarly, this review is basically a copy of the review of the first film.

With a title that translates literally as “Don’t Stop The Camera! Spin-off: a great strategy for Hollywood!”, this is another loving homage to both the movie shot in one take and to the zombie movie. Or so it appears for its first 16 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 16 minutes. “6 Months after the tragedy, Chinatsu is a waitress in Hollywood. Struck dumb, she died her hair blond (sic) and renamed herself Holly.” Thus reads the opening title as waitress Holly / Chinatsu (Yuzuki Akiyama) ignores customer comments about her inability to speak.… Read the rest

Categories
Features Live Action Movies

One Cut Of The Dead
(Kamera
Wo Tomeruna!,
カメラ
を止めるな！)

Director – Shinichiro Ueda – 2017 – Japan – Cert. 15 – 96m

The first 37 minutes *****; the rest ***1/2

A zombie film being shot in one long, single take and set in an abandoned warehouse is attacked by zombies… or is it? – on a Hollywood Edition Blu-ray on Monday, May 31st

With a title that translates literally as “Don’t Stop The Camera!”, this is a loving homage to both the movie shot in one take and the zombie movie. Or so it appears for its first 37 minutes, after which it turns into a comic drama about film making.

Let’s start where the film does, with its first 37 minutes. Chinatsu (Yuzuki Akiyama) is defending herself with an axe from her boyfriend Ko (Kazuaki Nagaya) who has turned into a zombie. However, like the girl facing a knife-wielding maniac at the start of Blow Out (Brian De Palma, 1981) the actress playing her is not very good and the illusion of the film collapses much as the illusion of Blow Out does when the actress delivers the most pathetic scream you’ve ever heard.

As the film delivers its first revelation – that this is not a woman defending herself against a zombie but the shooting of a movie scene of an actress portraying a woman defending herself against an actor playing a zombie – director Higurashi (Takayuki Hamatsu) storms into the scene to berate her for her shortcomings.… Read the rest

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Features Live Action Movies Music

Stardust

Director – Gabriel Range – 2020 – UK – Cert. 15 – 109m

****

In 1971, an unknown David Bowie tours America to promote his new album The Man Who Sold The World – on VoD from Friday, January 15th

The late David Bowie remains one of the most significant and iconic musicians, artists or stars of the last century. Aside from numerous clips of him performing music or being interviewed of radio or TV, he has a presence in a number of films, among them science fiction adventure The Man Who Fell to Earth (Nicholas Roeg, 1976) and Japanese POW outing Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983). So if you’re going to try and recreate Bowie on film, you’d better be sure of what you’re doing.

On paper, Stardust seems to be doing everything right. Director Range is first and foremost a Bowie admirer familiar with the music, the albums, the wider body of work, the man. You’d have to be in order to make a film like this. And he’s honed in on a particular episode of Bowie’s life – a very interesting one too, the period in the early seventies when he was known for little more than two seeming novelty records, The Laughing Gnome and Space Oddity, the latter now widely regarded as one of his finest songs.… Read the rest

Categories
Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

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Music

Raf And O
as
The Kick Inside
play
the songs
of Kate Bush

Bar & Co, Temple Pier, Embankment, opposite Temple tube between Blackfriars and Waterloo Bridges, London.

2018.02.25

*****

This article was originally written as a post on Facebook 2018.02.26.

Raf And O’s debut appearance as The Kick Inside to play the songs of Kate Bush, now relaunched as online gigs, 12.00, 20.00 hrs on Saturdays from September 26th. Booking info here.

This was an amazing evening in which Raf Mantelli and O Richard Smith (aka Raf And O) performed the songs of Kate Bush under the moniker The Kick Inside launch: The Kick Inside play the songs of Kate Bush.

I can’t honestly say I really got Kate Bush back in the day when EMI first pumped lots of money into her career: I remember enjoying the Hounds Of Love album (her fifth) when it came out but I only really clicked some years later when I was given an unexpected copy of Aerial for Christmas (thanks again Sue), a fantastic (double) album.

That’s a long time after the songs represented here which covered, I think, the first five albums. The early stuff. (If there was anything later than Hounds Of Love, someone can correct me.)

Anyway, the gig itself: the venue was London’s Bar & Co.,… Read the rest