Tag: parents and children

The Housemaid
(Hanyo,
하녀)
(2010)

Post author By Jeremy Clarke
Post date 4 November 2021
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(Hanyo,
하녀)
(2010)
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Director – Im Sang-soo – 2010 – South Korea – Cert. 18 – 110m

****

The husband of a well-heeled family has an affair with the new maid, arousing the ire of his loyal housekeeper and ruthless mother – screening on Saturday, October 22nd, 17.15 at Odeon Luxe West End 2 as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) at London East Asia Film Festival (LEAFF) which runs in cinemas from Wednesday, October 19th to Sunday, October 30th; the film is also showing on BFI Player subscription

It’s inevitable that a South Korean film with this title invites comparisons with Kim Ki-young’s 1960 film of the same name, a watershed in Korean cinema. Whatever its virtues, Im Sang-Soo’s film can’t similarly be a watershed. If it’s based on that film as its end credits claim, it abandons the original’s central thesis. The housemaid here is not a social climber intent on seducing the husband. Rather, the family are part of the pampered super-rich elite, a small girl Nami (Ahn Seo-hyun, star of Okja, Bong Joon Ho, 2017) who takes having a maid for granted, a heavily pregnant wife Hae-ra (Woo Seo) who thinks the difficulties of having to raise children yourself are “for common people” and a husband Hoon Go (Lee Jung-jae from TV mini-series Squid Game, Hwang Dong-hyuk, 2021) who, unable to get full sexual services from his pregnant wife, seeks his pleasures with the new maid Li Eun-yi (Jeon Do-youn) who appears, initially at least, somewhat uncomfortable with the idea, but then goes with the flow.… Read the rest

Features Live Action Movies

Emily

Post author By Jeremy Clarke
Post date 12 October 2022
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Director – Frances O’Connor – 2022 – UK – Cert. 15 – 130m

varies between ** and ****

An imagined account of how Emily Brontë wrote Wuthering Heights – out in UK cinemas on Friday, October 14th

The three Brontë sisters Charlotte (Alexandra Dowling), Emily (Emma Mackey), and Anne (Amelia Gething) live with their brother Branwell (Fionn Whitehead) and their chapel minister father Patrick (Adrian Dunbar) in the large parsonage in the West Riding of Yorkshire’s village of Haworth. The three girls have a lively, literary imagination, make up numerous stories for their own amusement, and spend much time outside in the landscape of the moors. A young curate Weightman (Oliver Jackson-Cohen) arrives in the village, piquing the girls’ interest, and Charlotte soon departs for a distant teaching post. Emily likes her own company and spends much time alone on the moors.

Branwell is accepted by the Royal Academy to study painting, but drops out and returns to the village, where he and Emily get into mischief together, chiefly by spying on one of the neighbours at night through their window and getting chased off the premises several times by dogs before Branwell eventually gets caught and has to endure punishment from father.… Read the rest

Documentary Features Live Action Movies

Doctor Who Am I

Directed by Matthew Jacobs & Vanessa Yuille
Certificate 12a, 80 minutes
Released in cinemas 27 October and
DVD & Digital 28 November

What is a church, and why do people attend it? This is a documentary about Doctor Who fandom and conventions. At no point does it suggest, at least not in so many words, that such gatherings might be churches. Hold that word, ‘gathering’. It’s one that those of us who are religious often employ to describe ‘church’.

Screenwriter Matthew Jacobs has, for many years, avoided attending such gatherings… [Read the full review in Reform Magazine.]

Doctor Who Am I is out in cinemas in the UK on Thursday, October 27th and DVD & Digital Download Monday, 28th November.

Read a longer review elsewhere on this site.

Trailer:

Features Live Action Movies

After Yang

Post author By Jeremy Clarke
Post date 22 September 2022
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Director – Kogonada – 2022 – US – Cert. PG – 96m

****1/2

In the distant future, a couple must come to terms with the loss of the eldest child, actually an A.I. purchased as an ethnically programmed companion for their adopted South East Asian daughter – SF mystery drama is on Sky Cinema from Thursday, September 22nd

Memory is one of the great themes of cinema because when you point a moving image camera at someone, you capture and preserve their moving image for posterity. (Something similar happens when you record the sound of someone’s voice. Or even if you write down their words on paper, a simpler, more primitive form of recording.) Memory is also one of the elements which defines us as human beings.

Full marks, then, to director (actually writer, director, editor) Kogonada for taking the short story Saying Goodbye To Yang by Alexander Weinstein and expanding it into a feature. As described in the parlance of the distant future world in which this is set, Yang is a technosapien (i.e. a robot), a purchased elder sibling of a family comprising father Jake (Colin Farrell), mother Kyra (Jodie Turner-Smith) and daughter Mika (Malea Emma Tjandrawidjaja).

Mika is adopted, and her ever so Hollywood liberal parents – he a white man who has built a business around his passion for tea, she a black woman who is a hard-working, highly motivated high-flier in a demanding corporate business that’s never really defined – are concerned that she connect with her South East Asian heritage.… Read the rest

Tags A.I., academic, Alexander Weinstein, artificial intelligence, audiovisual memory, brothers and sisters, budget, business, car journey, charge, charge fee, charge sum, Clifton Collins Jr., Colin Farrell, computer tech, conspiracy theory, core, corporate business, corporation, cultural heritage, disaster, ecological collapse, ecology, electric car, ethnicity, exhibition space, family, family portrait, future, garden, GIFs, Haley Lu Richardson, high-flier, home, home computer, image, Jodie Turner-Smith, Kogonada, law, legal, Malea Emma Tjandrawidjaja, memory, moving image, museum, next door neighbour, owner, parents and children, park, policy, post-disaster, reboot, recorded voice, refurbish, resolve issue, retail outlet, Ritchie Coster, robot, Sarita Choudhury, school run, sci-fi, science fiction, self-driving car, SF, shut down, sibling, software, software reader, South East Asia, spyware, tea, tech, technician, technosapien, upward mobility, won’t reboot, workbench, workshop

Animation Features Live Action Movies

Where Is Anne Frank

Post author By Jeremy Clarke
Post date 7 August 2022
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Director – Ari Folman – 2021 – Belgium, France, Luxembourg, Netherlands, Israel – Cert. PG – 99m

*****

In Amsterdam, a year from now, her imaginary friend Kitty sets out to discover what happened to Anne Frank – out in cinemas on Friday, August 12th

Amsterdam, Holland, about a year from now. Early in the morning, the usual tourist queues are assembling outside the Anne Frank House, passing a tent housing refugees on the pavement. Inside, something strange happens as a glass case shatters and the original copy of Anne’s diary is exposed to ink from a pen, affecting the ink writing on the pages and materialising Kitty (voice: Ruby Stokes), the imaginary pen-friend to whom Anne addressed her diary.

The materialised Kitty is perplexed. Where is Anne Frank? What has happened to her, to the house? The staff, too, are perplexed. They can’t let the waiting crowds in with the case broken, but those people have been queueing for hours and it seems wrong not to open up for them. After a brief debate a solution is found and the diary moved to Anne’s room where it is placed on the desk where it naturally sits. The concerns of the house staff seem trivial compared to those of Kitty.… Read the rest

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Andrew Woodall, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, Clark Gable, crowds, defeat, dentist, dissolve, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, German soldier, glass case, Greek mythology, Greek underworld, handbags, hidden, hidden attic hideout, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, Margot Frank, Michael Moloney, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, Nell Barlow, Otto Frank, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Samantha Spiro, Sebastian Croft, Second World War, sheltering, siblings, sisters, Skye Bennett, squat, Stuart Miligan, tent, the Allies, The Third Reich, thief, tourists, Tracy-Ann Oberman, trial, Tristan Oliver, UK, Van Daan, Veronica Lake, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Animation Documentary Features Live Action Movies

Free Chol Soo Lee

Post author By Jeremy Clarke
Post date 19 August 2022
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Directors – Julia Ha, Eugene Yi – 2022 – US – Cert. 12a – 83m

****

Imprisoned for a murder he did not commit, Korean American Chol Soo Lee became a figurehead for a protest movement, something he felt unable to live up to – out in UK cinemas on Friday, August 19th

In San Francisco’s Chinatown in 1973, Korean loner Chol Soo Lee was arrested and subsequently convicted for a gang murder. While it’s true he had foolishly borrowed a gun off a work colleague a few days previously and accidentally discharged it into his apartment wall giving himself a police record, he was not the murderer. He was identified on the flimsiest of premises by unreliable witnesses, possibly not helped by white cops who wanted to convict a felon for the crime and consign the case to history.

On what was to be his last journey through the outside world before many years in prison, he heard the Tower of Power song “You’re still a young man” on a car radio crossing the Golden Gate Bridge. It resonated. As the years passed in prison, his mother abandoned him. He had fallen for a Japanese American girl he’d met Jean Ranko who subsequently told him in a letter that she had no romantic interest in him.… Read the rest

Movies

Where Is Anne Frank

Hiding from deportation

Where Is Anne Frank
Directed by Ari Folman
Certificate PG, 99 minutes
Released 12 August

Amsterdam, about a year from now. Inside the Anne Frank House, Anne’s imaginary pen-friend Kitty (voiced by Ruby Stokes) materialises out of the ink from the pages of Anne’s diary. The perplexed Kitty wants to know what happened to Anne, and starts reading her diary to find out, taking it with her when she leaves the premises where she is invisible. Outside the house, she becomes visible.

Asking police ‘Where is Anne Frank?’ she is shown the bridge, hospital, school and theatre bearing Anne Frank’s name and is told, Anne Frank is all around you. [Read the rest at Reform magazine…]

[Read my longer review…]

Trailer:

Tags 1945, 2D animation, 3D model sets, Aardman, Albert Dussel, Amsterdam, Anne Frank, Anne Frank House, Anne Frank’s diary, Ari Folman, attic, attic hideout, Auschwitz, authority figure, capture, crowds, defeat, dentist, Edith Frank, Emily Carey, execution, fathers and daughters, German Occupation, hidden, hide, hiding, Holland, Holocaust, illegal immigrants, imaginary friend, imaginary pen-friend, immigrants, ink writing, invisibility, it can’t happen here, Jew, Jewish, Jewish ethnicity, Jews, migrants, mothers and daughters, museum, Nazi Occupation, Nazis, parents and children, pavement, pen and ink, pen-friend, Peter Van Daan, pickpocket, Ralph Prosser, refugees, Ruby Stokes, Sebastian Croft, Second World War, sheltering, siblings, sisters, squat, the Allies, The Third Reich, thief, tourists, trial, UK, Van Daan, visibility, visitors, war crimes, war zone, World War 2, World War II, World War Two, WW2

Features Live Action Movies

The Feast
(Gwledd)

Post author By Jeremy Clarke
Post date 15 August 2022
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(Gwledd)
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Director – Lee Haven Jones – 2021 – UK (Wales) – Cert. 18 – 93m

The well-heeled wife of a local MP hires a maid to serve a meal for guests, but then things go horribly wrong – shot in the Welsh language and out in cinemas on Friday, August 19th

It’s unusual to see a film executed completely in the Welsh language, and for pulling that off, the makers of The Feast are to be congratulated. Unfortunately, apart from that element and its striking visual palette, this fails to engage.

In rural Wales, well-heeled Glenda (Nia Roberts) is preparing to have guests over for the evening. Unfortunately, the girl she usually hires from the pub is unavailable, so she’s taken a replacement, Cadi (Annes Elwy), another girl who works there and comes highly recommended. However, Cadi is an unknown quantity and the woman doesn’t really trust her – and won’t do so unless Cadi can do something to earn that trust.

The woman and her family don’t feel like the sort of people you’d want to have anything to do with if you could avoid them. From Cadi’s point of view, she is most definitely not trusted by the woman who hired her, and feels most definitely an outsider.… Read the rest

Features Live Action Movies

Never Look Away
(Werk Ohne Autor)

Post author By Jeremy Clarke
Post date 2 July 2019
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(Werk Ohne Autor)

Director – Florian Henckel von Donnersmarck – 2018 – Germany – Cert. 15 – 189m

*****

A German boy wishes to become an artist, but his desire is affected by the events of WW2 and its aftermath, in possibly the best narrative piece you will see this year – twice Oscar-nominated film is now available on VoD

What is art? Why do artists make art? These questions lie behind Florian Henckel von Donnersmarck’s latest film, like his earlier The Lives Of Others (2006) a German story exploring that country’s history and identity. It clocks in at over three hours, but don’t let that put you off because it needs that time to cover the considerable ground it does. Never Look Away spans the bombing of Dresden by the Allies in WW2, the liquidation of people considered by the Nazis inferior and therefore unfit to live and the very different worlds of post-war art schools in first East and later West Germany. This means it also spans two generations: those who were adults during the war, and those who were children at that time and became adults in post-war Germany… [Read the rest at DMovies.org…]

Never Look Away is out in UK cinemas on Friday, July 5th 2019.… Read the rest

Tags Academy Awards, Academy Awards 2018-19, Academy Awards 2019, ambulance, art, art school, art student, artist, Berlin, Berlin Wall is built, bombing of Dresden, Cai Cohrs, Caleb Deschanel, children and adults, cinematography, couple, defection, degenerate, degenerate art, doctor, Dresden, Dresden art school, Düsseldorf, Düsseldorf Kunstakademie, East Berlin, East Germany, fall in love, father, fathers and daughters, Florian Henckel von Donnersmarck, foreign language, generations, Gerhard Richter, German history, Germany, gynaecologist, history, hospital, hospital system, incarceration, Joseph Beuys, Kunstakademie, love, mental illness, modern art, mural, Nazi doctor, nude, nudity, Oscars, Oscars 2018-19, Oscars 2019, painting, parents and children, partition, patients, Paula Beer, photographs, photography, piano, post-war, post-war Germany, power of life or death, radio communication, razed to the ground, relationship, romance, Saskia Rosenthal, Sebastian Koch, sign painting, six-year-old, Socialist Realism, Stasi, student, the Allies, Third Reich, Tom Schilling, wartime, West Berlin, West Germany, World War 2, World War II, World War Two, WW2

Features Live Action Movies

Paris, Texas

Post author By Jeremy Clarke
Post date 28 July 2022
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Director – Wim Wenders – 1984 – US – Cert. 15 – 145m

*****

A constantly inventive movie in which a man returns after four years’ absence to bond with his seven-year-old son and seek out his disappeared wife – back out in cinemas on Friday, July 29th

Travis (Harry Dean Stanton) stumbles out of the desert in Southern Texas having disappeared to Mexico for four years following the collapse of his marriage. During this time, the estranged couple’s seven-year-old son Hunter (Hunter Carson) has been living with Travis’ brother Walt (Dean Stockwell) and wife Anne (Aurore Clement) who he understandably thinks of as his parents. Walt coaxes Travis into re-establishing his paternal relationship with the boy. When Travis decides to track down disappeared wife Jane (Nastassja Kinski), who has been sending Walt and Anne money for the child from a bank in Houston, the child talks him into letting him tag along.

Although it starts with Travis walking, and much of the early part of the film takes place in and around Walt and Anne’s home, it’s very much a road movie with a great deal of the narrative taking place in cars and pickup trucks.

The film caused a sensation when it came out in the UK over 35 years ago.… Read the rest