Tag: mothers and daughters

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Features Live Action Movies

The Silent Virgin
(La Virgen Silenciosa)

Director – Xavi Sala – 2025 – Mexico – 127m

*****

A legal secretary frustrated in her job embarks on a relationship with another woman, but her possessive mother does not approve – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

This certainly knows how to grab your attention at the start. An icon of the Blessed Virgin Mary (BVM) hangs on the wall. On the bed, a grown woman pleasures herself until… The earth moves! Everything is shaking, and she quickly recovers her composure as her middle-aged mother runs in to get her out of the house as the earthquake alarm goes off.

After, they eat at the meal table, and her mother (Mercedes Hernández from New Order, Michel Franco, 2020) asks Vale (“Va-lay”; Zamira Franco also from New Order), who she’ll later address as Valeria, to pick up prescriptions while she’s out and makes sure she doesn’t forget her packed lunch. Then it’s train, bus and the walk past colourful stalls to work. Vale’s office with about half a dozen or so people seems to be piled high with paperwork. They are dealing with the cases of people being arrested. One man being interviewed claims that one of them is lying.… Read the rest

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Features Live Action Movies

Round 13
(13ème Round)

Director – Mohamed Ali Nahdi – 2025 – Tunisia, Cyprus, Qatar, Saudi Arabia – 85m

*****

A young boy is diagnosed with a tumour in his arm, and his parents must guide him through his ensuing medical treatment – premieres in the Critics’ Picks Competition of the 29th Tallinn Black Nights Film Festival

My third Critics’ Picks entry is another five star movie. Which is great, but once again, I wonder, for how many more films can this last? What IS true is that this is not another ‘urban unease and finding your way in the world’ movie like China Sea (Jurgis Matulevičius. 2025) or Mo Papa (Eeva Mägi, 2025), it’s something altogether different.

Sabri (Hedi Ben Jabouria) is a very ordinary eight-year-old boy who likes boxing. We first meet him out with his dad in the cinema where the pair are watching a black and white movie about boxing. They return home where Sabri looks at his dad’s old photos of his days as a boxer in Rome.

They are interrupted by Sabri’s mum Semia whose name curiously isn’t spoken until about ten minutes before the end of the movie (Afef Ben Mahmoud) and who wants to know why she can never reach Kamel (Helmi Drid), the boy’s dad, on the phone.… Read the rest

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Features Live Action Movies

Silver Apricot
(Eunbitsalgu,
서울독립영화제)

Director – Jang Man-min – 2024 – South Korea – Cert. 12 – 121m

***1/2

A Seoul woman in need of funds to buy a condo returns to her childhood coastal town to get the alimony payments her estranged father never stumped up – from LKFF, the London Korean Film Festival 2025 which runs in cinemas from Wednesday, November 5th to Tuesday, November 18th

Tormented by dreams set at night in which sometimes she herself and sometimes people she knows are vampires preying on others, which inspires her to draw a webtoon series, 32-year-old Kim Jung-seo (Na Ae-jin) has moved to Seoul and bought into the corporate dream, agreeing to split the cost of a condo, the right to buy for which she won on a lottery, with her fiancé Park Gyeong-hyun (Kang Bong-seong).

The only problem is, she has just been refused a permanent position at the graphic design company which employs her, so doesn’t have the money. So she resolves to visit her estranged father and pick up the alimony he never paid her mother Choi Mi-yeong (Park Hyun-sook) after their divorce. Jung-seo regularly visits the latter, who also lives in Seoul, whereas it’s been years since she was in the coastal town where her father lives with his new family.… Read the rest

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Features Live Action Movies

Kontinental ’25 (Kontinental ’25)

Director – Radu Jude – 2025 – Romania – Cert. 15 – 109m

****

Although operating within the bounds of the law, a bailiff is smitten with guilt and remorse for the effect of her job on a ‘client’– out in UK cinemas on Friday, October 31st

Carrying large bags, he scavenges at the bases of tree trunks in the woodlands, swearing profusely when his foot goes a foot in to the stream when he tries to fill his water bottle. In a bizarre nod to the dinosaurs of Jurassic Park (Steven Spielberg, 1993) – or more likely those briefly seen in The Tree of Life (Terrence Malick, 2011), he rests beside a dimetrodon sculpture then smokes a cigarette by a dilophosaurus. He rides a ski lift, passes a father and small son on their bikes on a footbridge, downs his packed lunch with vodka on a river bridge. He hangs around cafes asking for either work or five lei. He says “fuck you” after the woman offering him an early Sunday morning cleaning job has left. He gets hassled by a robot dog. He returns to his boiler room home.

While he sleeps, the bailiff Mrs Orsolya Ionescu (Eszter Tompa) knocks on his door, gendarmes in tow, to evict him, Ion (Gabriel Spahiu).… Read the rest

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Animation Features Live Action Movies

Avatar:
The Way Of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is back out in cinemas on Friday, October 3rd

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

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Animation Features Movies

The Glassworker
(Sheesha Gar,
شیشہ گ)

Director – Usman Riaz – 2024 – Pakistan, Spain – Cert. 12a – 98m

*****

The son of a pacifist glassblower learning his father’s trade falls for the violin-playing daughter of an army colonel in wartime – complex, animated, anti-war drama is out in UK cinemas on Friday, September 19th

If you knew nothing about this animated film beforehand, you’d assume it to be Japanese. Love it or hate it, most animation made in Japan falls within very distinctive, stylistic, visual parameters. According to the press blurb, director Riaz is an admirer of Studio Ghibli directors Miyazaki and Takahata as well as more recent directors Mamoru Hosoda and Satoshi Kon. Visually, the film feels more like a Miyazaki than anything else, and of comparable quality too. Yet it’s also highly original, and Riaz, here directing his first feature after a number of shorts, clearly has his own voice.

It opens with a frame story about youthful glassblower Vincent Oliver (voice: Sacha Dhawan) who, with the help of his father, is preparing for the opening of his debut glassware exhibition. He rereads a letter from a girl which his father (voice: Art Malik) had told him years ago to destroy in their workshop’s furnace.… Read the rest

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Animation Features Live Action Movies

Can I Get a Witness

Director – Ann Marie Fleming – 2024 – Canada – Cert. 12a – 100m

The subject matter *****

The film itself *

Can I fast-forward through the boring bits? Dystopian SF outing with good intentions may be the least watchable film of the year – out in UK cinemas on Friday, September 19th

Here’s a movie about one of the most important subjects there is which manages to turn itself into mind-numbingly tedious narrative. It’s hard to imagine more of a missed opportunity.

It’s the first day on the job for gifted sketch artist Kiah (Keira Jang), and before her experienced co-worker comes to pick her up, she’s already having misgivings. She doesn’t want to wear the old-fashioned dress her mother Ellie (Sandra Oh) has picked out for her (her mum bigs the item up as ‘vintage’). Her mum, meanwhile, takes delivery of a mysterious (and apparently equally vintage) fridge, plus a bottle of champagne (which she puts straight in the fridge), along with a mysterious wooden box for which she signs the obligatory paperwork without hesitation (she used to work getting people to sign these herself, so she knows the contents backwards).

Kiah is still getting herself ready when her co-worker turns up co-worker Daniel (Joel Oulette) turns up, so while he’s waiting, Ellie treats him to a piece of her special pie, which he finds delicious.… Read the rest

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Features Live Action Movies

The Piano Teacher
(La Pianiste)

Director – Michael Haneke – 2001 – Austria, France – Cert. 18 – 131m

*****

A masochistic piano teacher with an abusive mother embarks on an affair with a young male student – the opening film of Complicit: A Michael Haneke Retrospective, in UK cinemas from Friday, June 6th and on BFI Player from Thursday, September 11th 2025

Warning: NSFW.

This is at once representative of Haneke’s wider body of work and very different from it.

Representative because he is one of those directors whose personal use of cinematic vocabulary has been so honed over his years of making movies that he is able to clearly and precisely articulate problematic, controversial and taboo ideas and subject matter that few directors would be able to handle without descending into exploitation or commercialism. He is a director steeped in cinema, fascinated by how the process of making a movie constructs the narrative or other viewing and listening experience, and how that is perceived and understood by audiences.

Different because although Haneke generally writes as well and directs his own films, they are mostly original pieces whereas this one is an adaptation of a book, The Piano Teacher / Die Klavierspielerin by Elfriede Jelinek.… Read the rest

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Features Live Action Movies

Lollipop

Director – Daisy-May Hudson – 2024 – UK – Cert. 15 – 100m

*****

After four months in prison, a young woman must deal with the UK’s social services to regain custody of her kids – out in UK cinemas on Friday, June 13th

East Londoner Molly (Posy Sterling) leaves prison following a four-month sentence to discover that her two kids Ava, 11 (Tegan-Mia Stanley Rhoads) and Leo, 5 (Luke Howitt) have been taken into care because her alcoholic mum Sylvie (TeriAnne Cousins from Silver Haze, Sasha Polak, 2023) couldn’t cope with them. This means the kids have been taken into care by social services, and in order to get them back, Molly has to have a roof over her head. Alas, while she was detained, the council have taken her home off her.

She finds herself trapped between the devil and the deep blue sea – she can’t get her kids back until she has a suitable home, and she can’t get a suitable home because, until she gets her kids back, she will only be offered accommodation suitable for a single homeless woman. For the time being, she lives out of a tent.

The impulsive Molly worsens her own situation when, during a supervised visit, she abducts her kids and flees with them on the train to the wilds of the countryside.… Read the rest

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Dance Documentary Features Live Action Movies Music

The Extraordinary
Miss Flower

Directors – Iain Forsyth, Jane Pollard – 2024 – UK – Cert. 12a – 73m

****

A suitcase containing love letters, telexes and photographs found after her death, which inspired songs from singer Emilíana Torrini, becomes the key to a woman’s interior life – out in UK cinemas on Friday, May 9th

Every so often, a feature film turns up that doesn’t really fit the obvious categories, and this is one of those. It might be described as a cross between a documentary, a music promo and a home movie. Yet, none of those makeshift, pressed-into-service labels quite do it justice.

It’s a documentary because its starting point is a collection of personal items – love letters, telexes and photographs – kept in a suitcase by a woman named Geraldine Flower and subsequently found by her daughter Zoe some time after Geraldine’s death. Which is to say, found by her daughter Zoe, Zoe’s musician husband Simon Byrd and their friend the singer Emilíana Torrini. The latter had recorded some four albums and had come to a sort of creative impasse where she wanted to make another album but just couldn’t find the right creative spark. And then, the contents of Geraldine’s rediscovered case provided that impetus.… Read the rest