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Nobody 2

Director – Timo Tjahjanto – 2025 – US – Cert. 15 – 89m

**

A professional hitman takes his family on holiday to rebuild their trust, embracing and revelling in the violence that erupts around him – out in UK cinemas on Friday, August 15th

“Who are you people?”, asks one of two investigating officers of a man (Bob Odenkirk) and his dog in an interrogation room in the bookend device that opens and closes this sequel. Flashback: he is a married man Hutch with a wife Becca (Connie Nielsen) and two teenage kids Brady (Gage Munroe), 17, and Sammy (Paisley Cadorath), 12. As the days of the week go by – Monday, Tuesday, Wednesday, Thursday, Friday – mum gets the kids fed and off to their school (which we never see) and she drives off to her demanding real estate job (which, again, we never see).

We do see his work, though. Some days, he lies in, his head flashing back to disturbing and violent memories. Some days, he works: for instance, the day when he enters a hotel lift and brutally fights to the death with the three bodyguards protecting a suited convention guest who has in his possession the Card which our man has been instructed to retrieve.… Read the rest

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Jurassic World Rebirth

Director – Gareth Edwards – 2025 – US – Cert. – 134m

***

A group of mercenary hunters and a traumatised family find themselves on an equatorial island populated by mutant dinosaurs – out in UK cinemas on Wednesday, July 2nd

The difficult seventh movie, made on a shorter production schedule than its predecessors – according to the production notes – and probably made too quickly for its own good. First there were three Jurassic Park movies, then there were three Jurassic World movies, and now there’s a seventh Jurassic. What to call it? Jurassic Beyond? Jurassic Outside? Jurassic Environment? Jurassic Habitat? Jurassic Equator? Jurassic Island? Jurassic Laboratory? Jurassic Lab? Jurassic Experiment? Jurassic Mutation? (Those took me a mere five minutes.) No: unable to think of a word to replace Park or World, this one is saddled with the marketing-led Jurassic World Rebirth. Which no doubt will do the job, but when Michael Crichton coined Jurassic Park for his novel’s title and Spielberg ran with it, no-one outside of palaeontologists and dinosaur-geeks (I number myself among the latter) knew what ‘Jurassic’ was. It didn’t matter: it was Spielberg and dinosaurs, that sold it, and the film more than lived up to the lure and the promise.… Read the rest

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Ballerina
(2025)

Director – Len Wiseman – 2025 – US – Cert. 15 – 125m

*****

A young, female assassin seeks out the man behind the organisation that killed her father – John Wick franchise spin-off is out in UK cinemas on Friday, June 6th

While the Bond movie No Time To Die (Cary Joji Fukunaga, 2021) divided viewers, there seemed to be a widespread consensus that Ana de Armas’ scene as a kickboxing 007 sidekick was something special, crying out for her to be given her own action film. In the interim, the actress’ high profile career has burgeoned – her portrait of Marilyn Monroe in Blonde (Andrew Dominik, 2002) proved that she can act just as well as she can do stunt action.

Meanwhile, writer Shay Hatten’s spec screenplay about a ballerina bent on revenge found its way to John Wick franchise originator and director Chad Stahelski, who thought it might fit into John Wick’s world. As they worked out exactly where that might be, Hatten was put to work on the scripts for John Wick: Chapter 3 – Parabellum (2019) and John Wick: Chapter 4 (2023). It was eventually decided that the events in Ballerina would take place at the same time as those in John Wick: Chapter 3 – Parabellum, and an early scene has John Wick (Keanu Reeves) passing on a staircase in the Ruska Roma Ballet School in New York.… Read the rest

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Animation Features Movies

Giants of La Mancha
(Argentina: Gigantes;
Germany: Das Geheimnis
von La Mancha;
Spain: Los Exploradores;
US: Storm Crashers)

Director – Gonzalo Gutiérrez – 2024 – Argentina, Germany, Spain – Cert. U – 88m

***1/2

The young, present day descendants of Don Quixote and Sancho Panza must save La Mancha from a villainous property developer – animated children’s adventure is out in UK cinemas on Friday, March 7th

(UK cinemas are showing the English language version: further voice credits are given for Spanish and German language versions, where available.)

Alfonso (voice: English: Micke Alejandro Morena Lamprea; Spanish: Patricio Lago; German: Julian Jansson) the great, great, great, great, great-grandson of Don Quixote, lives with his parents in the small Spanish village of La Mancha which is under threat of terrible storms that the occupants attribute to climate change. Like his ancestor, Alfonso misreads things, such as an impending storm which he believes to be a storm monster.

He and his dad Dan Quixote (voice: English: Bradley Krupsaw), who alone among all the characters here speaks in rhyming couplets, and his mum (voice: English: Jennifer Moule; Spanish: Carla Petersen) are both idealists, to the extent that Dan is the one person in the village who has refused to sign his home over to besuited property developer Mr. Carrasco (voice: English: Thomas Harris), whose snake oil salesman charms seem to have convinced all the other villagers to sell up and move out to his development “with children in mind” of Carascoland, towards which they are currently heading in their cars en masse, despite Alfonso’s hurtling around on his bicycle warning everybody of the storm monster heading in their direction.… Read the rest

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Animation Features Live Action Movies

Godzilla Minus One
(Gojira -1.0,
ゴジラ -1.0)

Director – Takashi Yamazaki – 2023 – Japan – Cert. 12a – 124m

*****

Japan, defeated and demoralised after World War Two, must somehow defeat the seemingly unstoppable menace of Godzilla when it rises from the depths of the ocean – out on 4K, Blu-ray & DVD from Monday, December 2nd

World War Two, Pacific theatre. Unwilling Kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki) feigns engine trouble and lands on an island for aircraft maintenance, where he is grounded. While there, he notices deep sea fish curiously floating on the surface of the surrounding ocean: they presage the arrival of a huge monster, named Godzilla by the locals. With Koichi failing to fire his 20mm aircraft guns at the creature to kill it, almost everyone else on the small island is killed. (Whether his guns would have had any effect in halting the creature’s advance is debatable. They probably wouldn’t have had any effect whatsoever.) The only other survivor, who had previously congratulated Koichi for a near impossible landing on a tiny runway, blames him for the multiple deaths because he didn’t pull the trigger.

In 1945, in the ruins of post-war Tokyo, Shikishima is accused by a survivor – a woman whose children have died – of being a disgrace.… Read the rest

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Features Live Action Movies

Face/Off

Director – John Woo – 1997 – US – Cert. 18 – 138m

*****

John Woo’s third US film, his strongest to date, has FBI agent John Travolta switching faces with villain Nic Cage – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

When screenwriters Mike Werb and Michael Colleary collaborated on original screenplay Face/Off, they had in mind such classic films as post-war gangster tale White Heat (Raoul Walsh, 1949)and identity change outing Seconds (John Frankenheimer, 1966). Only after completing an initial draft did Colleary see a John Woo movie – The Killer (1989) – at which point he immediately knew the pair had found the perfect director for their material.

This was clearly reciprocal – if Woo had already astounded Hong Kong audiences with A Better Tomorrow (1986) and crossed over internationally with The Killer and Hard Boiled (1992), he had yet to win comparable critical acclaim in America, even though his modest budget American debut Hard Target (1993) had had its admirers and his first blockbusting actioner Broken Arrow (1996) had impressed Hollywood with its box office.

These films both felt like the work of a director for hire not an auteur, and while Woo, like numerous Hollywood immigrants before him, could probably have continued in similar vein, the Face/Off script contained exactly the elements the director needed to take up in Hollywood where he’d left off in Hong Kong.… Read the rest

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Broken Arrow
(1996)

Director – John Woo – 1996 – US – Cert. 15 – 108m

***

Woo’s second US outing pits Christian Slater against nuclear stealth bomber co-pilot turned bad John Travolta in the Arizona desert – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

The first project to see the light of day from WCG Entertainment, whose initials stand for Woo Chang Godsick. This triumvirate of names belongs to respectively the director of A Better Tomorrow (1986), The Killer (1989), and Hard Boiled (1992), his longstanding Hong Kong producer Terence Chang, and former agent Christopher Godsick – whose William Morris client list had included Woo himself and the director’s onscreen alter-ego Chow Yun‑fat.

Like his earlier successful action blockbuster Speed (Jan de Bont, 1991), Graham Yost’s script was initially written for producer Mark Gordon. After Woo’s more modestly budgeted US debut Hard Target (1993) was followed by disappointing setbacks on other American projects; Yost’s screenplay was exactly the entry into the US blockbuster market Woo needed. While the resultant film may be ultimately less satisfying than Woo’s best work, it quickly established him as a top Hollywood A-list director.… Read the rest

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Hard Target

Director – John Woo – 1993 – US – Cert. 18 – 100m (UK version), 86m (US version)

****

John Woo’s US debut is a New Orleans remake of The Most Dangerous Game with action star Jean-Claude Van Damme – part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

Essentially the first of two remakes of The Most Dangerous Game / The Hounds Of Zaroff (Ernest B. Schoedsack, Irving Pichel, 1932, shot using the same cast, crew and jungle sets as King Kong, (Merian C. Cooper, Ernest B. Schoedsack, 1933) – the second being Surviving The Game (Ernest R. Dickinson, 1994) – this updates the original’s remote island to the urban jungle of and countryside surrounding New Orleans, making its mad game hunter (Lance Henriksen taking on the role originally played by Leslie Banks) prey not on lost seafarers but unemployed down and outs on dry land.

In true New Right nineties spirit, the hunter of humans has now graduated from being merely a gratifying personal sport for deranged psychopaths to a lucrative business attracting high rolling, thrill-seeking clients who get to pull the trigger themselves.… Read the rest

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Alienoid
Return to the Future
(Oegye+in 2bu,
외계+인 2부)

Director – Choi Dong-hoon – 2024 – South Korea – LKFF Cert.12 – 122m

*****

In Part Two of the double feature, aliens once again incarcerate prisoners in human brains and travel through time between present day and fourteenth century Korea; mayhem ensues – from LKFF, the London Korean Film Festival 2024 which runs in cinemas from Friday, November 1st to Wednesday, November 13th

Second part of Alienoid, director Choi’s to-die-for mash-up of fourteenth century historical mayhem and twenty-first century alien invasion action delivers more of the same, opening with a brief summation of the previous movie. In Korean, the movies are helpfully called Part One and Part Two, and the second is the last one, so rather than finishing on an unexpected, irritating “to be continued” note, the second one does bring the whole thing to a conclusion, and a satisfying conclusion at that.

The whole thing is effectively a five-hour movie split into two parts, although like The Lord of the Rings Trilogy (Peter Jackson, 2001-3), each movie is paced so that it works as an experience in itself. That said, no-one I know wants to sit down and watch the second of three movies on its own, and what Alienoid really needs is for both parts to be shown close together or in a double bill, as happens all the time with all-nighter reruns of the three-part LOTR and as the BFI’s Art of Action Season recently did with the two-part historical war epic Red Cliff (John Woo, 2008-9).… Read the rest

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Point Break
(1991)

Director – Kathryn Bigelow – 1991 – US – Cert. 15 – 122m

*****

A rookie FBI man goes undercover with a group of surfers, believing them to be a gang of bank robbers who disguise themselves as former US Presidents – milestone action movie is out in a 4K Restoration in UK cinemas on Friday, November 8th as part of Art of Action, a major UK-wide season celebrating the artistry of real action choreography at cinemas across the UK October-November 2024

At a cursory glance, there’s nothing particularly remarkable about Point Break, a crime movie about bank robbers, surfers and undercover cops, except perhaps the juxtaposition of surfers on the one hand with cops and robbers on the other except as a route into making a film about cops undercover. Certainly, that juxtaposition pervades the film, with fresh out of training school, undercover FBI man Johnny Utah (Keanu Reeves) coming up against accomplished surfer Bodhi (Patrick Swayze) and his new age-y philosophy of life, which is all about living in the moment and experiencing the biggest rush. Those two concepts happen to embody elements that could potentially make a great action film. Point Break does exactly that. Even though it’s a 35-year-old film, it feels as fresh today as it did on initial release.… Read the rest