Tag: horror

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Features Live Action Movies

The Banishing

Director – Christopher Smith – 2020 – UK – Cert. 15 – 97m

***1/2

A vicar, his wife and their daughter move into a haunted rectory which seems to be out to get them – on digital platforms from Friday, March 26th and Shudder from Thursday, April 15th

The Rev Stanley Hall (Matthew Clarke) is found hanged from the top of four-poster bed in his bedroom in the old rectory near the village. This follows a session with his hefty bible, annotated in placed with scrawled pentagrams and pages burned through with holes, his reading out loud Pauline admonitions against ‘sexual immorality’ and a bizarre vision of himself either having sex with or inflicting extreme bloody violence upon his wife (or possibly both at once – it’s not entirely clear). Bishop Malachi (John Lynch) is summoned to the house.

Three years later, Malachi installs a new vicar Linus (John Heffernan) in the property which has remained vacant in the interim. Linus is joined by wife Marianne (Jessica Brown Findlay) and her illegitimate daughter Adelaide (Anya Mckenna-Bruce) as well as the house’s incumbent deaf maid Betsy (Jean St. Clair). Like his predecessor, Linus is obsessed with abstaining from sexual immorality, despite his wife’s pointing out to him that they are married.… Read the rest

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Features Live Action Movies

The Ice Cream Truck

Director – Megan Freels Johnston – 2018 – US – Cert. 15 – 96m

**1/2

A housewife newly moved in to a suburb is unnerved by the creepy, local ice cream man and van… with good reason, as it turns out – on VoD and DVD from Monday, March 1st

Having just moved back into the neighbourhood where she grew up, Mary (Deanna Russo) should probably be worried that it looks a lot like the location of classic shocker Halloween (John Carpenter, 1979) with its pavements bordering lawns and hedges around residential houses. (There’s now prowling, gliding camera here though – the shots are mostly static.)

The locality also now boasts the traditional American ice cream truck, a simple, slow moving van which still serves exactly the same traditional ice cream that it has for generations. The ice cream man himself (Emil Johnsen) seems almost a parody of his profession, addressing both children and adults alike with archaic lines like, “hello there, young fellow.”

She takes an immediate dislike to nosy next-door neighbour Jessica (Hilary Barraford) but nevertheless accepts an invitation to a barbecue where it’s promised drink will flow celebrating the recent graduation of local couple’s son Max (John Redlinger – who feels a lot older than 18) who she meets on her way to the party as he hangs out with his girlfriend Tracy (Bailey Anne Borders) to smoke pot.… Read the rest

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Animation Features Movies

Nahuel And
The Magic Book
(Nahuel Y
El Libro Mágico)

Director – Germán Acuña – 2019 – Chile, Brazil – 99m

****1/2

Opening Spotlight in the New York Intl Children’s FF 2021 on Saturday, March 6th at 7pm ET followed by a Q&A with the director. Previously in the Annecy 2020 Online Animation Festival

Nahuel is afraid of the water. This is a problem since he lives in a coastal town and his single parent father – his mum died before he knew her – is a fisherman who’d like him to help him on the boat. Whatever his dad asks him to do, he can’t seem to get right. For example, he never gets to the boat in time. If sent to the market to buy eggs, they get broken on the way home. To make matters worse, a couple of local bullies pick on him too.

One day he’s exploring an abandoned house an discovers an old book of spells. The old, blind man who lives there and who possesses strange powers – including a walking stick that sports an eye – appears to be some sort of guardian for the tome. That doesn’t stop Nahuel sneaking out of the house with it. Soon, he’s being followed by crows in the service of a sorcerer who wants the book for his own evil purposes.… Read the rest

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Features Live Action Movies

Possessor

The irredeemable flesh

Possessor
Directed by Brandon Cronenberg
Certificate 18, 103 minutes
Released 27 November

The controversial director David Cronenberg has long been an exponent of something he calls ‘the new flesh’, ways that humanity might transcend its bodies. His son Brandon is the same, his new film Possessor concerning the world of cybernetic industrial espionage. Tasya Vos (Andrea Riseborough) is an assassin working for a company run by Girder (Jennifer Jason Leigh), which injects her consciousness into other people as host personalities so that, wearing the clothing of their minds and bodies, she can kill designated targets before being extracted…

His father’s notorious Crash (1996) was restored for reissue in November… [Read more]

Read the full review in Reform.

Read my alternative review here.

Trailer:

Categories
Features Live Action Movies

Creepy
(Kuripi:
Itsuwari No Rinjin,
クリーピー 偽りの隣人)

Director – Kiyoshi Kurosawa – 2016 – Japan – Cert. 15 – 130m

****

Currently on BFI Player as part of 21st Century Japan, MUBI as part of The Uncanny Universe of Kiyoshi Kurosawa and Eureka Video Dual Format BluRay/DVD.

The following review originally appeared in Funimation UK.

Kiyoshi Kurosawa’s new crime thriller Creepy draws on Vertigo, Psycho and Audition.

The latest film by Kiyoshi Kurosawa to receive a UK cinema release is an extraordinary and highly original crime thriller with more than a passing nod to two better known Alfred Hitchcock films. Its opening reworks that of Vertigo (1958) while certain later narrative elements owe much to Psycho (1960) although not the parts of that film which are usually aped or recycled in other movies. It also recalls Takashi Miike’s notorious Audition (1999) in its overall structure. Yet despite these clear influences, Creepy is very much its own film.

Vertigo‘s first scene opens with the rung of a ladder grasped moments afterwards by a human hand. This develops into a chase sequence in which the vertigo of Detective ‘Scottie’ Ferguson (James Stewart) causes a cop to fall to his death. Creepy‘s first scene opens with bars over a window.… Read the rest

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Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest

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Features Live Action Movies

Parasite
(Gisaengchung,
기생충)
(Black & White Edition)

Director – Bong Joon Ho – 2019 – South Korea – Cert. 15 – 132m

*****

Opens in UK Cinemas (hooray!) exclusively for a week at Curzon Mayfair from Friday, July 24th. Also available on Curzon Home Cinema.

Read my reviews of the colour version of Parasite in All The Anime and Reform too.

It’s a safe bet that as anyone going to see the black & white edition of Parasite has already seen the colour version. Possibly several times, as it seems to be a movie in which you see new things with each viewing. In my case, I’ve already reviewed it twice (for two different publications). This review assumes you’ve already seen the colour version. If you haven’t, start with one of those reviews then see the colour version first.

So the big question is, is the black & white edition a waste of space where you’re watching the film drained of its colour and wondering why you bothered? Or does it add something to viewing the film?

The answer happily is the latter. 

I must admit I struggled with the opening scenes in the Kims’ basement flat. The street seen through the window seemed to emphasise length and distance more, but somehow watching black & white takes you back to an earlier period, say film noir in the fifties, and to see the son Kim Ki-woo hunting around for a hackable wi-fi signal with his mobile held aloft jarred with that.… Read the rest

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Books Features Live Action Movies

The Birds
(BFI Film Classics)

Author – Camille Paglia – 2020, 1998 – BFI / Bloomsbury – £11.99

****

I immediately warmed to Camille Paglia in her 2020 introduction to the new edition of her book about Alfred Hitchcock’s avian shocker The Birds (1963), originally written in 1998, when she lambasted academic film criticism as “egregiously unhelpful, failing in the crucial humanistic mission of interpretation and enlightenment”. She talks about a shift in audiences from wanting to see film in a cinema as essential experiences in the sixties and seventies to films as one of a range of possible technological entertainments in our own time.

She then goes on to talk about her issues with #metoo and the problem of expecting great artists to live exemplary lives as a premise of Victorian moralism. And discusses in passing the one minor change she would make to the book were she to write it today. (Really? Only one?) Which is to do with interpreting one character in the film as gay.

In addition to watching the film multiple times, it’s clear that Paglia has read many of the books and articles written about the film itself of Hitchcock’s wider body of work. Robin Wood keeps coming up and there are honourable mentions for, among others, Francois Truffaut and Elizabeth Weiss.… Read the rest

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Features Live Action Movies

Crash

Director – David Cronenberg – 1996 – Canada – Cert. 18 – 100m

*****

This review was originally published in the Arts Centre Group‘s member’s newsletter. See also my review for What DVD.

All stills from Crash apart from the one from Videodrome.

Canadian film director David Cronenberg has a reputation for filming the unfilmable. Formerly dubbed The King Of Venereal Horror (“a small kingdom but I’m happy with it”), his debut (commercial) feature Shivers / The Parasite Murders / They Came From Within (1977) is a low budget horror outing in which high rise tenants are invaded/possessed by little slug-like creatures resembling a bloody cross between phallus and faeces.

For renowned British producer Jeremy Thomas (Bad Timing, The Last Emperor, First Love) he has adapted and directed books considered impossible to turn into movies, notably William Burroughs’ Naked Lunch (in 1991) and J.G.Ballard’s Crash.

I was first drawn to Cronenberg’s work from the special effects angle, specifically an article on prosthetics expert Rick Baker which contained some amazing production stills (the shape of a hand-held gun pushing through the unbroken membrane of a television screen) from Videodrome (1983). An image suggesting television can kill?… Read the rest

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Features Live Action Movies

Sputnik

Director – Egor Abramenko – 2020 – Russia – Cert. 15 – 113m

***** some of the underlying concepts and all of the special effects

** everything else

Available on VoD from Friday, August 14th. Now on Netflix

In the early 1980s a two-man Russian spacecraft undergoes a mysterious incident during its return to Earth leaving one of the crew dead. He has had half his helmet and half his head ripped off.

Survivor Konstantin Veshnyakov (Pyotr Fyodorov) is confined to a research base in the middle of nowhere for observation. Supervisor Kirill Averchenko (Aleksey Demidov) recruits psychiatrist Tatyana Klimova (Oksana Akinshina) who is in trouble for taking ethically questionable decisions concerning the life of a patient, believing that she did the right thing and saved a life. Averchenko needs someone who will do whatever it takes and damn the consequences and he would appear to have judged her correctly. Once there, however, she finds herself in conflict with chief scientist Yan Rigel (Anton Vasilev).

She quickly learns that the surviving, isolated cosmonaut is the host to an alien parasite which leaves his body at specific times of night then returns. And Konstantin, who suffered memory blackout during the return to Earth, doesn’t seem to know about the parasite.… Read the rest