Tag: Annecy

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Animation Art Movies Shorts

The Physics
Of Sorrow
(Physique
De La Tristesse)

Director – Theodore Ushev – 2019 – Canada – 27m

*****

From the Annecy 2020 Online Animation Festival.

Available to watch on Amazon here.

Voice-over narration by Rossif Sutherland with the occasional line echoed by Donald Sutherland (or Xavier Dolan with Manuel Tadros in the French language version) accompanies extraordinary serial images. The verbals are adapted from the novel by Bulgarian writer Georgi Gospodinov and with echoes of reincarnation describe universal human and occasional other animal form experience of life. The opening minute or so (see the trailer) describes a person born in 1944 sheltering from English planes and bombing raids, a person born in the Bulgaria of 1968 who remembers the Prague Spring, a fruit fly who lives and dies in a day and the end of the dinosaurs.

This would probably be mesmerising were it just a radio broadcast or a sound file with the actors’ voices and sound effects, but Ushev accompanies his soundtrack with the most incredible images. Partly it’s the arresting content of the visuals he creates here and partly the technique used to realise them. A teenage boy falling in love with a circus acrobat girl who works days at a fairground shooting gallery.… Read the rest

Categories
Animation Features Movies

Mosley

Director – Kirby Atkins – 2019 – China, New Zealand – 97m

*****

From the Annecy 2020 Online Animation Festival

Mosley (voiced by writer-director Kirby Atkins) is a thoriphant who lives on the small holdings farm of his owner Simon (Curt Cloniger) where he and Bera (Lucy Lawless) have a small boy Rue (voiced by director’s daughter Leah Atkins when little and Scarlett Sills in additional dialogue). The backbreaking work Mosley does for Simon is that of a plough horse. Simon is not a particularly bad man, but sees nothing wrong with pushing Mosley as far as he can with the result that Mosley is often completely exhausted by the end of the day.

He then has to contend with the hyperactive Rue leaping on him and demanding he come out and play. One evening, Rue wants dad to come and see his new hiding place and Bera insists it’s important. Rue talks about what he would do if he had hands, which takes Mosley back somewhat since thoriphants have hooved feet like horses or cows. A trip to Rue’s hideout reveals vast, underground cave paintings of thoriphants walking upright. And they have hands. There’s a long tunnel there too.

Mosley patiently explains that the uprights “are not real.… Read the rest

Categories
Animation Features Movies

Nahuel And
The Magic Book
(Nahuel Y
El Libro Mágico)

Director – Germán Acuña – 2019 – Chile, Brazil – 99m

****1/2

Opening Spotlight in the New York Intl Children’s FF 2021 on Saturday, March 6th at 7pm ET followed by a Q&A with the director. Previously in the Annecy 2020 Online Animation Festival

Nahuel is afraid of the water. This is a problem since he lives in a coastal town and his single parent father – his mum died before he knew her – is a fisherman who’d like him to help him on the boat. Whatever his dad asks him to do, he can’t seem to get right. For example, he never gets to the boat in time. If sent to the market to buy eggs, they get broken on the way home. To make matters worse, a couple of local bullies pick on him too.

One day he’s exploring an abandoned house an discovers an old book of spells. The old, blind man who lives there and who possesses strange powers – including a walking stick that sports an eye – appears to be some sort of guardian for the tome. That doesn’t stop Nahuel sneaking out of the house with it. Soon, he’s being followed by crows in the service of a sorcerer who wants the book for his own evil purposes.… Read the rest

Categories
Animation Movies Shorts

The Fox
And The Pigeon

Director – Michelle Chua – 2019 – Canada – 6m

*****

From the Annecy 2020 Online Animation Festival

This starts off opening a children’s book cover for a tale about, you’ve guessed it, a fox and a pigeon. In the time honoured tradition of such books, there are illustrations and words (in rhyming couplets) on the page. And like so many animated films, the characters move and come to life while the author acts as a narrator and reads the words.

What’s different about The Fox And The Pigeon is that while the characters want to live their own story – screenwriters often say that as they write they feel their characters talking to them and dictating the direction things should go – the narrator has other ideas and tries to impose his own narrative upon them. The fox finds a coin and buys an ice cream cone. Sitting on a park bench, he’s aware of the pigeon, who clearly wants to share the ice cream. But, intones the author reading his words, “why would a fox want to share with a pigeon?”

As the tale plays out, the author becomes increasingly vindictive, wanting the two characters to conflict with one another, to the point of one killing the other.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Zero Impunity

Directors – Nicolas Blies, Stéphane Hueber-Blies – 2019 – France, Luxembourg – 95m

*****

From the Annecy 2020 Online Animation Festival

Framed by live action sequences of serial expert, journalist and activist talking heads projected on the sides of urban buildings or rural landmarks, this skilfully uses minimal 2D animation to tell the stories of victims of sexual violence in contemporary war zones. It’s intended as part of a wider, ongoing media project designed to bring accountability to the perpetrators of such acts who at the present time face zero impunity.

Stories include, from Syria, the 11 year old daughter of an alleged terrorist who was imprisoned for 45 days towards the end of which she was unexpectedly injected with hormones before being raped by (at least) one man before passing out.

A Ukranian woman is held captive in a house and coerced into sleeping with her captor. In bed, she feels something cold and metal in her crotch. It’s a bullet. Much is made of her captor’s pistol. He puts it on a table in front of her, knowing she won’t take it because, if she were to shot him, where would she go?

The US doesn’t come off well. Dick Cheney and the Bush administration know the difference between right and wrong but facilitated sexual humiliation techniques on male prisoners held in prisons such as Abu Ghraib in Iraq and Guantanamo Bay at home.… Read the rest

Categories
Animation Movies Shorts

The End

Director – Wiebe Bonnema – 2019 – Netherlands – 4m 36s

*****

From the Annecy 2020 Online Animation Festival

I had to blink while I was watching this. Its opening two minutes play out like the animated title sequence of a spaghetti Western, and if you’ve seen a few of those you’ll know that a number sport superb 2D animation titles which this little short so brilliantly pastiches. This goes further in a way, simultaneously playing with genre clichés while depicting a gunfighter saving a town from despots. As he passes through, white squares standing for people’s windows wipe onto the screen.

This opening cleverly gets around one of the inherent problems with the short animated (or for that matter non-animated) film, the necessity for credits. Usually, these are boringly placed at the end as white titles creeping up the screen over a black background. But having got all that out of the way in his opening, which incidentally functions as the perfect calling card for selling himself as a maker of amazing titles sequences, Wiebe has space to explore what happens after the generic story is over. What happens after the hero rides off into the sunset?

The graphic genius already exhibited continues in what follows: a long, slow, single shot horse ride away from camera into the distance.… Read the rest

Categories
Animation Movies Shorts

Hot Flash

Director – Thea Hollatz – 2019 – Canada – 10m

*****

From the Annecy 2020 Online Animation Festival

Suffering from a hot flash just before she’s due to go on air, weatherwoman Ace Naismith (voice: Christine Horne) desperately employs the cooling fan in her dressing room to blow cool air on her face, under her boobs and up her dress in a desperate attempt to cool down. A moment of embarrassment ensues as she’s interrupted by P.A. Natalie Van Damme (Grace Glowicki) who tells her, Don wants you to talk about paragliders.

In the studio, under the lights against greenscreen, Ace is visibly suffering. Don (Tony Nappo) enters, but she can’t talk to him about the paraglider thing because he’s jugging three conversations on three different devices, one of which could be with his wife. So she delivers the report to camera on the incoming ice storm and then, paragliders, a reminder of warmer weather which she, in her current hot state, could well do without.

Her quest to cool down continues – sitting in the car park with the car door open while a male colleague walks past, warmly wrapped against the freezing cold. She drives home, rushes upstairs, rips of her clothes opens the window, cools down.… Read the rest

Categories
Animation Features Movies

True North

Director – Eiji Han Shimizu – 2020 – Japan, Indonesia – 93m

****

From the Annecy 2020 Online Animation Festival

The life of an ordinary family living in Pyongyang is interrupted when their father disappears and their mother is unable to tell their infant son Yo-han and his younger sister Mi-hee exactly what has happened to him, although she reassures them that everything will be fine. A few days later, in the middle of the night, there’s a knock at the door of their apartment. Officials come in and search the place, make the family pack a few belongings then put them into a truck.

On the ensuing journey, there are no stops for the lavatory. The truck takes them to a political camp where they will be imprisoned although it’s never quite clear what offence they have committed. Father is apparently an enemy of the state, even though he appears to have an exemplary record. Despite promises that the family will see him soon, he’s not in the camp to which they’ve been taken. They are going to have to fend for themselves there.

Mother does her best to keep her kids’ spirits up – no mean task when you’re living on meagre rations and forced to do backbreaking work shifts harvesting crops in the fields (woman and girls) or working in the mines (men and boys).… Read the rest

Categories
Animation Features Movies

Kill It And Leave This Town

Director – Mariusz Wilczynski– 2020 – Poland – 88m

****1/2

From the Annecy 2020 Online Animation Festival

From its opening of a man smoking in the dark to its closing image of giants tied down on a beach like felled Gullivers in Lilliput, this is awash with the sort of gloomy imagery readily associated with East European art pictures. That’s not to say it isn’t highly effective though. Set partly in a grey, heavily industrialised town where chimneys constantly belch out smoke and partly in a seaside resort, it has a narrative through line but constantly weaves around that with a series of episodes, dreams and memories. Nevertheless it possesses its own, coherent inner logic.

An old woman (Krystyna Janda) wishes her husband (Andrzej Chyra) goodbye as he takes their son Janek (Maja Ostaszewska) out. Later she visits the shops where, although she makes a point of explaining that she has the correct change, no one seems to be interested in actually serving her. Indeed, these are strange shops. Sometimes the fishmonger’s assistant (Malgorzata Kozuchowska) guts fish and sometimes she guts little humans who are around the same size.

At one point a man (Daniel Olbrychski) whose hat conceals that he has the head of a cat delivers an unsettling line about his purposes in the world to do with power, evil and good.… Read the rest

Categories
Animation Features Movies

The Shaman Sorceress
(무녀도)

Director – Ahn Jae-huun – 2020 – South Korea – 85m

***1/2

From the Annecy 2020 Online Animation Festival

Rural woman Mohwa has had two children, first a boy Wook-yi then a girl Nang-yi, by two different fathers. She is a woman of contradictions: free spirited in love, more traditional in her everyday beliefs. She is revered locally as a healer, the person to whom people go when they have a sick relative. Mohwa is a shamaness who practises exorcisms on the sick to rid them of whatever evil spirits plague them. And she has an impressive track record. She’s also an alcoholic.

Since she is a long way down the economic food chain, she fears for Wook-yi’s future and packs him off to a Buddhist temple. His hitherto healthy younger sister falls ill and when she recovers three years later she has lost her hearing. Nang-yi also possesses considerable skill as a painter.

Wook-yi, meanwhile, hates the temple and leaves it to go to the more forward looking Seoul where he wanders into a Christian church and is converted. When he returns home, he talks to the largely silent Nang-yi about “who made human?” and “The One And Only God”, even getting her to say the words “One And Only God”.… Read the rest