Category: Features

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Animation Features Live Action Movies

The Mad Fox
aka
Love, Thy Name
Be Sorrow
(Koiya Koi
Nasuna Koi,
恋や恋なすな恋)

Director – Tomu Uchida – 1962 – Japan – Cert. PG – 109m

*****

On MUBI from Tuesday, April 4th; also Amazon Prime (rental) and Arrow Channel

The second Tomu Uchida film to receive a Blu-ray release after the black and white Bloody Spear At Mount Fuji (1955) is the colour The Mad Fox a.k.a. Love, Thy Name Be Sorrow (1962). This extraordinary and arresting Heian period (794-1185) fantasy drama involves an astrologer, his adopted daughter, her wicked stepmother, the two women’s lovers, the daughter’s identical twin sister and a family of shape-shifting fox spirits. Contrasting heavily with the earlier samurai road movie using Mount Fuji as an excuse to block a road for a picnic, The Mad Fox again invokes the iconic volcano in a far more active role as it threatens to erupt, presaging a time of great chaos. The film, meanwhile, makes judicious use of Toei’s animation wing, lending out staff to provide integrated effects.

The opening five minutes set the tone, via a lengthy voice-over detailing the plot’s setup to a calm, tranquil music score, while a scroll is unrolled and the camera pans steadily along its portrayed landscape.

I review The Mad Fox for All The Anime.… Read the rest

Categories
Animation Features Live Action Movies

Avatar:
The Way Of Water

Director – James Cameron – 2022 – US – Cert. 12a – 192m

Immersive Cinema *****

Screenplay *

Now raising their own family on the planet Pandora, a couple flee the attacking Sky People to live among a tribe of sea people – first Avatar sequel is out on digital on Tuesday, March 11th

Having gone native on the planet Pandora following the events in Avatar (James Cameron, 2009), in which paraplegic human soldier Jake Sully (performance capture including voice or Pcap: Sam Worthington) was transformed into an avatar of a non-disabled, native Pandoran, in the first third of the film, Jake is raising a family with Na’vi partner Neytiri (Pcap: Zoe Saldaña): two boys, two girls. They play in the jungle forest with their friend Spider (Jack Champion), a human child who was too young to be evacuated when the other Sky People left. Spider has been raised by human scientists who remained behind, and he must constantly wear a breathing mask to survive in Pandora’s atmosphere; he is to all intents and purposes feral.

When the Sky People return to Pandora with a new remit – to prep the planet for human habitation since the Earth is becoming uninhabitable – Jake’s old commander Quaritch (Pcap: Stephen Lang), who died in the first film but is now reconstituted as an an avatar embedded with the character’s DNA and memories, is determined to hunt down and kill the Sully who, as he sees it, betrayed him.… Read the rest

Categories
Features Live Action Movies

EO
(IO)

Director – Jerzy Skolimowski – 2022 – Poland – Cert. 15 – 88m

*****

Forced to leave his home in the circus, a donkey undergoes a series of adventures – on BFI Player as a Subscription Exclusive along with three other Skolimowski titles on Monday, April 3rd, following its release in UK cinemas on Friday, February 3rd

After an absence of some seven years from the cinema, Skolimowski has chosen to make a movie with an animal as its central character rather than a human being. EO is a donkey (played by some six donkeys over different parts of the film) who undergoes a series of adventures as things happen around him. He starts out as a performer in a circus with a girl called Kasandra (Sandra Drzymalska), who takes good care of him and treats him with genuine affection.

Life is good. But then he finds himself co-opted by (and Kasandra arguing with) another circus person Wasyl (Maciej Stepniak) who uses a whip on him to get him to drive a cart of rubbish to the local tip. These two episodes set the tone for what is to follow: while all the humans here use the animal for their own ends, some treat him with kindness while others don’t, rather using him as a means to an end without any sense of his being a conscious creature.… Read the rest

Categories
Features Live Action Movies

Babylon

Director – Damien Chazelle – 2022 – US – Cert. 18 – 188m

***1/2

The rise and fall of stars and other talents navigating the excessive lifestyle and work ethic of the silent era US movie business – out on Digital on Tuesday, March 21st and on 4K Ultra HD™, Blu-ray™ & DVD on Monday, April 3rd, following its release in UK cinemas on Friday, January 20th 2023

Having established himself as a top A-list Hollywood director with the likes of Whiplash (2014) and La La Land (2016), Chazelle delivers a cast of thousands epic about Hollywood in the silent era and beyond, a project that’s apparently been gestating in his head for some 15 years. With its name referencing a city that grew to great heights and considerable excess before crumbling into dust, Babylon starts with Manny Torres (Mexican actor Diego Calva in his first US role) and compatriots attempting to deliver an elephant to a Hollywood party at a desert mansion in the middle of nowhere. The tone for the whole is set – or perhaps set free from audience preconception about what is to follow – when one of Calva’s compadres, walking behind the trailer containing the creature pushing it up a hill, is unexpectedly covered in elephant excrement.… Read the rest

Categories
Features Live Action Movies

Three Colours: Blue
(Trois Couleurs: Bleu)

Director – Krzysztof Kieślowski – 1993 – France – Cert. 15 – 94m

*****

A woman who survives the car crash which kills both her composer husband and their young daughter finds herself financially secure and free to do…nothing – 4K restoration is out in UK cinemas on Friday, March 31st

This represents the first part of a trilogy based on the three colours of the French national flag, with each film representing one of that nation’s three values of liberté, égalité, fraternité (liberty, equality, brotherhood). I first saw the film on its UK release back in 1993, for which I interviewed Kieślowski. It’s possible I’ve seen it again in the interim. These days, the trilogy is elevated to the status of a cinematic masterwork. As a young thirtysomething, I remember feeling quite mixed about it. But your perception of these things can change with time, and watching the film again in 2023, in full, restored 4k glory prior to reissue on Blu-ray, I was far more impressed with it than when I first saw it.

For one thing, on this occasion I’m not seeing it for the first time, so the brief appearance (in the courtroom sequence) of Karol Karol (Zbigniew Zamachowski) and Dominique (Julie Delpy) immediately conjures the second film Three Colours: White (1994) in which those characters are the two main protagonists, which wasn’t the case on first viewing when no-one knew what was coming in the second and third films, the third being Three Colours: Red (1994).… Read the rest

Categories
Features Live Action Movies

Krzysztof Kieślowski
talks about
Three Colours: Blue

Transcript of interview from 1993 when Kieślowski was promoting Three Colours: Blue. At the time, the other two films in the trilogy had yet to be screened to press.

How far do you consider Three Colours: Blue a separate entity in its own right, and how far the first part of a planned trilogy? “I think it’s a film in its own right.”

Did the initial inspiration come as this film, or rather as the three films? “Well, we started from ideas, from scripts – and since the original idea was such as it was, that included three films. So then we had to answer three questions because there were obviously three problems. We decided fairly early on in our working to make the three separate films, which of course have certain common elements to them. But these are quite carefully camouflaged links, representing my playing around with games for the viewer who also indulges in such games. If the viewer doesn’t like such games, then he’ll just see three entirely different stories. If the viewer likes these, then the films become something more.”

These’ll be something to look forward to later on. “Yes, a few of those feature in Blue, but there aren’t all that many of them.… Read the rest

Categories
Documentary Features Live Action Movies

King:
A Filmed Record…
Montgomery
To Memphis

Directors – Sidney Lumet, Joseph L. Mankiewicz – 1969 – US – 181m

*****

Not-for profit documentary charts the career of non-violent, civil rights activist Dr. Martin Luther King and the role he played in that movement – plays at a free screening 6 for 6.30 start at Union Chapel, Islington on Wednesday, March 29th

An attempt to document the life and work of Dr. Martin Luther King from 1955 to 1968. If you had any doubt as to the subject matter, it goes straight in with a pro-Black Power activist (not Dr. King) making a speech to an enthusiastic black audience. Then it cuts to Dr. King, talking about power – but not the power of the Molotov Cocktail. “But,” he says, “we DO have a power. As old as the insights of Jesus of Nazareth and as modern as the techniques of… Gandhi.”

Dr. King was a great orator, and removing his words, cutting them down (in an attempt to distil their essence) and posting them in this verbal review loses much of the qualities seen in footage of the great man speaking, his presence, his phrasing, the way he uses pauses and so on. He must have been incredible to watch in the flesh as an orator, and while it’s true that seeing his oration captured on film is, inevitably, not the same as the experience of watching him live, the footage of him speaking is both astonishing and compelling.… Read the rest

Categories
Animation Features Movies

Your Name
(Kimi No Na Wa,
君の名は)

Director – Makoto Shinkai – 2016 – Japan – Cert. 12 – 106m

*****

Do you know what it feels like for a girl? Urban teenage boy and countryside girl repeatedly swap bodies overnight, as fate draws them together through a meteor strike – Makoto Shinkai’s breakout animation returns to cinemas for one day only on Wednesday, March 29th, ahead of the release of Shinkai’s new film Suzume on April 14th

In a spectacular and bravura single take, vertical panning shot, a meteor descends from the heavens through the clouds towards the small lakeside town of Itomori. Then, another time, another place: on a train in Tokyo a teenage girl spots a boy and their eyes meet but there’s no time to exchange names. She knows him but he has no idea who she is. As she gets off the train, he asks her… “Your Name?”

Thereafter, Tokyo boy Taki wakes up some days Mitsuha’s body, and the other way round… [Read the rest at DMovies.org]

Your Name returns to cinemas for one day only on Wednesday, March 29th, ahead of Shinkai’s Suzume on April 14th.

Originally reviewed for UK 2017 IMAX release.

Trailer (Blu-ray release):

Categories
Documentary Features Live Action Movies

Getting Away
With Murder(s)

Director – David Nicholas Wilkinson – 2021 – UK – Cert. 15 – 175m

*****

Most of the perpetrators of the Holocaust were never prosecuted: this documentary attempts to understand why not – on BD/DVD combo from Monday, March 27th following its debut on various streaming platforms UK, USA, Canada and Australia on Friday, January 27th 2023 (Holocaust Memorial Day)… Full details below review:

There’s something about the enormity of the issues involved here that makes this a very tough watch. (If it wasn’t, there would be something wrong. The Holocaust is not an easy issue to deal with. Films about it can consequently be tough to watch. And so they should be.) That combined with the near three-hour running time (this is not a complaint, honest) means it sat on my pending review pile for quite a while before I finally sat down and watched it.

I suspect Wilkinson is aware of this problem. As the film starts, he takes you (as it were) gently by the hand as he walks into Auschwitz and matter-of-factly discusses its horrors, helped by a man who works in the museum there and has probably helped numerous people before and since to come to terms with the implications of the place as they go round it.… Read the rest

Categories
Features Live Action Movies

No Bears
(Khers Nist,
خرس نیست)

No Bears #freejafarpanahi

Director – Jafar Panahi – 2022 – Iran – Cert. 12a – 106m

*****

An Iranian film director banned from leaving his country rents a house close to the border with Turkey, in which country he is remotely directing a film – available on the following rental streaming services from Monday, March 27th: Amazon Prime, Google Play Movies, YouTube (all £3.49), Apple TV (£4.49), BFI Player (£4.50), and Curzon (£4.99)

In a busy, metropolitian street somewhere in Iran, woman restaurateur Zara (Mina Kavani) is greeted by her partner Bakhtiar (Bakhtiar Panjei), who has secured a fake passport for her. She has only three days to use it before the passport, stolen from a tourist, is stopped. But she doesn’t want to travel outside the country without him: he is the only thing that makes her life bearable.

Then we realise we are watching a movie shoot not in Iran but in neighbouring Turkey. The director is Jafar Panahi (playing himself) and he is not allowed out of Iran, so he is renting a room in an Iranian village not far from the Turkish border and watching the shoot remotely via his computer. He’s been assured that the local internet reception is good, but it isn’t and keeps cutting out, making his job all but impossible, although his first assistant director, cast and crew are doing a good job of getting the shots in the can even when they don’t hear from him.… Read the rest