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Documentary Features Live Action Movies

Daughter
Of Shanghai

Directors – Michelle Chen Miao, Hilla Medalia – 2019 – China – Cert. N/C 15+ – 90m

****1/2

A chronicle of the life and on-off career of Chinese-born, RADA-trained actress and screen legend Tsai Chin – available to rent online until Wednesday, May 12th in the UK & Ireland in the Chinese Cinema Season 2021 as part of the Approaching Reality documentary strand

“I was born in a trunk when my parents were on tour in Tianjin.” The daughter of legendary Peking Opera star Zhou Xinfang, Tsai Chin came to London towards the end of her  seventeenth year when she was the first Chinese person to be accepted at RADA where she found herself alongside the likes of high-born, Welsh socialite Elizabeth Rees-Williams who in footage alongside her now husband Jonathan Aitken is one of the main interview subjects here. As well as a recent interview with Tsai Chin herself, the other main interviewee is the late lawyer Carlo Colombotti, a personal friend and a wealthy lawyer who moved in the same London circles in the sixties.

Her story, although it contains specific international and cross-cultural reference points, is, basically, an actor’s life: early success on stage and screen through the fifties and sixties, followed by a period in the seventies and eighties in relative obscurity and a later period when her rediscovery by Hollywood in the nineties restarted her career.… Read the rest

Categories
Features Live Action Movies

The Intruder
(El Prófugo)

Director – Natalia Meta – 2020 – Argentina, Mexico – Cert. – 95m

***1/2

A woman moves between dreams and reality as she starts to fear that a foreign entity may be taking her over – on BFI Player as part of the BFI London Film Festival 2020 from 20.30 Monday, October 12th to 20.30 Thursday, October 15th

This opens with a close up of a woman’s body bound in bondage gear. She speaks in Japanese and then somewhat disorientatingly (as if this disturbing imagery hadn’t already thrown you enough) in a different voice in Spanish. Voice actress Inés (Erica Rivas) is working in a dubbing theatre. “More powerful, Inés”, says the man in the booth. After a take or two more, he’s got what he needed and they move on to the next clip.

The film’s a bit like that. The opening is representative of what is to follow: a series of bravura and often disturbing sequences that suck you in and make you wonder exactly where the film will end up. As the sequences build, one on another, I was fully expecting this to be a five star review. Alas, the film didn’t seem to know how to end and the final scene, which needed to somehow pull everything together and make sense of the larger whole, quite simply didn’t.… Read the rest