Imelda Staunton Archives - Jeremy C. Processing

Producer-Directors: Nick Park, Peter Lord – Producer – David Sproxton – 2000 – UK – Cert. PG – 84m

*****

Which came first – the chicken or the egg? Plasticene stop-frame animation house Aardman Animations’ debut feature film reconceives The Great Escape with chickens – review originally published in year 2000

Aardman Animations’ A Close Shave (1995), the third half-hour outing for Nick Park’s popular Wallace & Gromit duo, exhibited several danger signs – specifically its close resemblance to brilliant, immediate precursor The Wrong Trousers (1993). Clearly aware of such pitfalls, Park and founding Aards Sproxton and Lord shrewdly signed a five-picture deal with Dreamworks but refused to rush into a first feature. Their caution has paid dividends: this first full length Aardmovie proves an unexpectedly wondrous odyssey.

It’s The Great Escape reconceived with chickens: familiar WW2 prison camp is reconfigured as North of England chicken coop with impenetrable fencing, rows of huts and a motley assortment of portly hen inmates. Ginger (voice: Julia Sawalha) wants to escape, but several disastrous attempts lead to solitary confinement (where she bounces a ball off the wall Steve McQueen style). Other chickens can’t see a problem – Bunty (voice: Imelda Staunton) simply keeps on laying eggs, while Babs (Horrocks) busies herself with constant knitting.… Read the rest

Amulet

Director – Romola Garai – 2020 – UK – Cert. 15 – 99m

*****

A border checkpoint soldier moves into a suburban, London house with a dark secret in the attic – out on VoD on Monday, February 28th

Somewhere in Russia or Eastern Europe – it’s not clear exactly where – a soldier (Alec Secareanu) is billeted in an austere wooden hut within walking distance of the border checkpoint he mans between certain hours of the day. The rest of the time, he wanders in the local woodlands. In one location, he gets the urge to dig in the peaty earth and finds a small figure – the eponymous amulet – of a female deity.

One day, a woman (Angeliki Papoulia) runs down the road towards the checkpoint, despite his warnings that he’ll shoot her, then trips. He takes her in, introduces himself as Tomaz and lets her use the shelter of his hut. Eventually it comes out that Miriam wants to cross the border, over which her estranged husband took their daughter, with whom she wishes to be reunited.

Is this in his past? It it a dream? It’s not entirely clear. In another reality or time period, Tomaz (now with a beard) is an immigrant in London, living in a squat and struggling to hold things together with piecemeal building work.… Read the rest