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Animation Documentary Features Live Action Movies

My Extinction

Director – Josh Appignanesi – 2022 – UK – Cert. 15 – 80m

***

In which director Appignanesi chronicles both his unease at the climate crisis and what happens when he joins Extinction Rebellion to do something about it – world premiere on Thursday, June 29th at the Curzon Mayfair, out in UK cinemas on Friday, June 30th

As well as making small British narrative features (Female Human Animal, 2018; The Infidel, 2010), Aappignasi makes little diary films about his life. The previous two, in which his wife, the author and academic Devorah Baum, is credited as co-director, chart impending parenthood (The New Man, 2016) and their relationship (Husband, 2022). This third entry sees Josh hit a professional lull after a planned feature film falls apart and he wonders if his career as a film maker is over. Actually, he reiterates variants of this question at various points throughout the film.

At the same time, environmental activists Extinction Rebellion (XR) are on the TV news for bringing parts of London to a standstill. Cue a title sequence montage of collapsing ice shelf, burning tar sands, gridlocked London traffic, industrial pollution, a bewildered kangaroo with outback ablaze behind it, a flooded street with parked cars, a polar bear stranded on an ice floe, the UK government declaring a climate emergency in response to XR and Greta Thunberg’s “I want you to… act as if your house was on fire” speech.… Read the rest

Categories
Documentary Features Live Action Movies

South

Director – Frank Hurley – 1919, Restoration 2022 – UK – Cert. U – 81m

*****

One of the earliest documentaries ever made charts British explorer Sir Ernest Shackleton’s disastrous expedition to the South Pole – out in cinemas on Friday, January 28th

Made over one hundred years ago, and one of the first feature documentaries, this record of Sir Ernest Shackleton’s ill-fated 1914 expedition to the South Pole on his ship The Endeavour proves fascinating on a number of levels. It comes from a time when the cinema was in its infancy: film stock was monochrome, sound film was still a decade away. A time when large parts of the world remained unexplored, when the new cinema audiences could be attracted by real life tales of faraway, unknown lands. A time when Britain still considered itself one of the great world powers, largely on account of its Empire and maritime achievements.

Taking a camera on an expedition to the South Pole perfectly fits these last two ideas. And because shooting film was at this point in history unencumbered by the additional equipment required to record sound, it could be as simple as one person such as Frank Hurley joining an expedition as a photographer or cinematographer.… Read the rest