humanity Archives - Jeremy C. Processing

Director – Carey Born – 2023 – Germany, Spain, UK – Cert. 12a – 87m

***1/2

Cyborg artist Neil Harbisson, unable to see in colour, has had an antenna implanted in his head to hear colours instead – out in UK cinemas on Friday, September 20th

This opens with a title sequence of weird, psychedelic images of what appears to be moving coloured liquids forming strange, never to be repeated natural patterns. If that implies a striking visual sensibility, that’s deceptive, since this documentary follows a fairly straightforward structure of following people around with cameras and talking to them as it introduces us to cyber artist Neil Harbisson and his artist partner Moon Ribas.

Neil stands out from other people because he has an antenna protruding from the back of his head to dangle in front of his forehead. He was born with the unusual condition of achromatism, which means that he sees not in colour but in monochrome. (Less severe, more common forms of colour blindness include the inability to differentiate between green and red.) This came to light in his childhood when the family got a new colour TV, and he and his sister would watch cartoons. At this point, the film throws in a clip of the children’s sci-fi cartoon series Robotrix (John Gibbs, Terry Lennon, 1985).… Read the rest

Krzysztof Kieślowski
talks about
Three Colours: Red

Transcript of interview from 1994 when Kieślowski was promoting Three Colours: Red. At the time, the other two films in the trilogy had by then been screened to press.

You intend to make no more films after Red. So what do you plan to do now?

“I want to live.”

What about artistic – or other – work of any sort?

“No, I can’t say.”

When we spoke about Blue, you told me how in many ways you found literature more interesting than film making. We discussed Blind Chance in terms of the conditional imperfect tense. Red seems similar out of the whole body of his work – closer to Blind Chance than anything else.

“Yes, maybe, in a certain general way of thinking, in construction.”

Not in the sense of three parallel “what if?”s, but more – if one comes at Red from a literary perspective – as a conditional tense.

“No, I don’t think it’s conditional. In fact I think it would be quite difficult to find a literary explanation there. That sort of thing I think has been tried out and discovered by the cinema rather than literature. Of course, it has been used in literature, but it’s a very much more suited to film than it is to fiction.… Read the rest