electronica Archives - Jeremy C. Processing

Interstella 5555
The 5tory
of the
5ecret 5tar 5ystem

Director – Leiji Matsumoto – 2003 – Japan – Cert. PG – 68m

Back in UK cinemas from Thursday, December 12th 2024

Review from What’s On in London, December 2003.

Admirers of legendary anime series Capitaine Albator / Captain Harlock, 1978), electronic band Daft Punk sought out designer and source manga artist Leiji Matsumoto (anime series Space Cruiser Yamato 1974-5, 1978-9, 1980-81, dubbed into English as Starblazers, 1979-84; The Cockpit, 1993-4) to put together images to accompany their latest project. Their resultant collaboration is the unwieldily titled Interstella 5555: The 5tory Of The 5ecret 5tar 5ystem. Perfectly acceptable as a DVD release (it originally came out as such in December 2003), it doesn’t really cut it on the big screen.

5555 is basically an overlong pop promo: images put to music with no sound effects. A narrative of sorts has an evil rock manager kidnap musicians from another planet, wipe their minds clean and develop them into a huge commercial success in Earth’s music industry.

However, the script (such as it is) is very loosely constructed. Instead, what drives its 68 minutes is Daft Punk’s music upon which, almost as an afterthought, are hung Matsumoto’s images.… Read the rest

vs Amp

Colin Webster: baritone saxophone, Fender Twin Reverb and Bassman Amps.

All tracks recorded live. No overdubs, effects or edits.

Raw Tonk Records RT050 / 2021

LP + DL

*****

Remarkable. With no overdubs or other studio trickery, Webster manages to make his sax sound variously like a weird electronic effect, a duck, a didgeridoo, a fog horn, the engine of a prop aircraft, a lawn mower and, in the final moments of the last track, the sound of water disappearing down a plug hole. And that’s just side one!!!

The opening of side two sounds like a double bass (but it’s Colin’s sax). At another point, I could swear I was listening to the mating call of a walrus or the much lighter in tone song of some species of bird.

I realise what I’m writing here is probably open to misinterpretation, so just to clarify, this album is really, really impressive. To my ears, at least.

Buy on Bandcamp.

Note: This review started life as a review on my Bandcamp page after I bought the album. Their allowed word count was too small. I didn’t want to cut it as what I’d written would have lost something.