cramped Archives - Jeremy C. Processing

Director – Yoon Eun-Kyung – 2023 – South Korea – LKFF Cert. 12 – 90m

*****

In a black & white, futuristic Seoul, a tenant who sublets his rental apartment to prevent his eviction finds out that this approach has its drawbacks – from LKFF, the London Korean Film Festival 2024 which runsin cinemas from Friday, November 1st to Wednesday, November 13th

An alluring image turns out to be merely an image on a wall, an artifice rather than the paradise we at first assume it to be. This is an image many filmmakers have used to open their movies and, depending on what they’ve seen over the years, it will conjure different films for different viewers. For this viewer, it conjures what I consider one of the funniest films of recent decades, Quick Change (Howard Franklin, Bill Murray, 1990) where the image is revealed as a tawdry New York subway train ad above a clown who will shortly proceed to rob a bank.

The Tenants may not be a comedy, but it shares with that film a sense of urban malaise, a feeling of being trapped in a grim metropolis where everything about the place conspires to prevent the protagonists leaving.… Read the rest

My Prince Edward
(Gam Dou,
金都)

Director – Norris Wong Yee-Lam – 2019 – Hong Kong – Cert. N/C 15+ – 91m

****1/2

A Prince Edward resident starts to question whether marrying her boyfriend as the couple have long planned is really such a good idea – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Whatever your nationality, one of the great thrills of world cinema is when a film informs you about all sorts of aspects of a culture other than your own. That’s the case here. To call this a romantic drama is misleading because what it’s actually about is a woman on a culturally approved trajectory starting to question whether it really is something for her or whether she’d be better off finding a different life journey entirely by another route. That approved trajectory is: girl meets boy, girl moves in with boy, girl marries boy.

Perhaps there’s a second trajectory here too, suggesting that Hong Kong is a sealed, navel-gazing world caught up with looking at itself and that perhaps Hong Kongers need to get out of their homeland more, be that to mainland China to which the heroine travels for reasons of her complicated personal situation and later visits of her own volition, or be it to America, described by the film’s mainland Chinese lead as a place of freedom.… Read the rest