Categories
Features Live Action Movies

Top Gun:
Maverick

Director – Joseph Kosinski – 2022 – US – Cert. 12a – 131m

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The eponymous Maverick (Tom Cruise) returns to the Navy pilot Top Gun school to train a dozen new recruits to fly an impossible bombing mission and come back alive– out in cinemas on Wednesday, May 25th

Welcome back to the world of US Navy aviation where pilots all have their own self-given flying nicknames. While his contemporaries such as Tom ‘Iceman’ Kazansky (Val Kilmer), now an admiral in charge of the Pacific fleet, have advanced in ranks, Pete ‘Maverick’ Mitchell (Tom Cruise) has remained a captain in order to stay on active service in the field. He’s now a test pilot and loves his job.

However, Maverick has got into trouble one too many times, most recently by disobeying orders when he went ahead with a Mojave Desert test flight on a programme which a rear admiral (Ed Harris) wanted shut down. In doing this, and proving that the plane in question can fly not just at the untried Mach 9 but also at Mach 10…10.1… 10.2… Maverick sees himself safeguarding the jobs of all those working on the programme. The Navy, however, sees it as insubordination and want him grounded.… Read the rest

Categories
Dance Features Live Action Movies

In The Heights

Director – Jon M. Chu – 2021 – US – Cert. – 143m

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Boy meets girl even as they yearn to fulfil their dreams outside the confines of New York’s immigrant-populated, urban Washington Heights district – in cinemas from Friday, June 18th

Musicals in the movies present a potentially strange world where people sing rather than talk and dance rather than walk. Set the movie in an urban setting and you have the possibility of crowds of people singing and dancing in unison. All this is a cliché, though, and in order for a movie to profoundly move us, it have to find ways of transcending such material, otherwise it’ll just feel like, we’ve seen it all before.

In The Heights ticks these boxes but sadly, most of the time, fails to transcend the clichés. It has other problems too: elements in the script which aren’t fully thought out and come across as merely confusing. The basic Boy Meets Girl plots are fine as far as they go but they don’t really go very far. The parallel countdown to a blackout looks highly significant, as though it’s going to presage some incredible change in the local community – a successful fight against greedy property developers or uncaring town planning bureaucrats perhaps – but after an incredible build up… the power goes out, people have to manage without electricity and… that’s pretty much it.… Read the rest