Tag: widow

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Silver Linings Playbook

Director – David O. Russell – 2012 – US – Cert. 15 – 117m

*****

Two people on the one hand meant for one another and on the other probably shouldn’t go anywhere near each other – disaster romance was released in the UK on Wednesday, November 21st 2012

Back in the outside world after eight months in a mental hospital, Pat Solitano (Bradley Cooper) is beset by anger management problems. He only has to hear a few bars of Stevie Wonder’s My Cherie Amour, and he’s trashing the waiting room of psychiatrist Dr.Patel (Anupam Kher from Bend It Like Beckham, Gurinda Chadha, 2002) whilst plunged into memories of walking in on his then wife Nikki (Brea Bee) in the shower with another man.

So now he’s living at home with his Philadelphia Eagles fan, inveterate gambler and small businessman father Pat Solitano Sr. (Robert De Niro) and his supportive mother Dolores (Jacki Weaver from Memoir of a Snail, Adam Elliot, 2024; Animal Kingdom, David Michod, 2010; Picnic at Hanging Rock, Peter Weir, 1975).

Pat wants to win his wife back, but since she has a restraining order on him, that’s unlikely to happen. Determined to remain faithful to his estranged wife, he’s introduced to and befriends widow Tiffany (Jennifer Lawrence), an obsessive amateur dancer whose sights are set on competing in an upcoming dance competition… for which she needs a partner.… Read the rest

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Bridget Jones
Mad about the Boy

Director – Michael Morris – 2025 – UK – Cert. 15 – 124m

*****

Following the death of her husband, Bridget must carry on raising her kids even as she restarts her career and attempts to find love, sex and romance once again – out in UK cinemas on Thursday, February 13th

The character of Bridget Jones first burst onto cinema screens in Bridget Jones’s Diary (Sharon Maguire, 2001) in what turned out to be a hugely successful adaptation of a hugely successful publishing phenomenon. The book spawned three more volumes, and the film spawned adaptations of them. For reasons best known to the producers, they skipped the third published book Bridget Jones: Mad about the Boy to film the fourth one, Bridget Jones’ Baby, as the third movie.

The reason may be that Mad about the Boy is set following the death of the heroine’s beloved husband, a top human rights lawyer, making her not the single woman of the first film, but a widow navigating not just life, with all its ups and downs, but grief, which doesn’t sound like a great premise for a comedy. The script, co-written like its three predecessors by author Helen Felding, doesn’t shirk this difficult subject either.… Read the rest

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The Girl
with the Needle
(Pigen med Nålen)

Director – Magnus Van Horn – 2024 – Denmark, Sweden, Poland – Cert. 15 – 123m

*****

A young Copenhagen woman’s attempts to escape poverty following the Great War lead her into a dark nightmare – Denmark’s entry for Best International Feature is out in UK and Ireland cinemas on Friday, January 10th

In the darkness, faces writhing, superimposed on other faces. Katherine (Vic Carmen Sonne from Godland, 2022; Holiday, Isabella Eklöf, 2018), behind on the rent for her room by 14 months, is evicted. She works at a rag trade factory as a seamstress, where the owner Peter (Besir Zeciri) wants to be able to help her but cannot grant her widow’s supplement without proof of death of her husband, who has gone missing in the war. She manages to find herself cheaper lodgings. Sensing something more behind Peter’s kindness and an offer of a shoulder to rest on, Katherine has sex with him in an alley in broad daylight.

One day, her husband Jørgen (Joachim Fjelstrup) returns from the war, his face heavily disfigured. She takes him in but, unable to cope with his recurring nightmares, soon throws him out. Something similar is soon visited on her; Peter agrees to marry her, but when his mother (Benedikte Hansen from Borgen, TV series, 2010) explains that her son can do as he wants, but not with her money or her estate, he changes his mind (this, incidentally, is the same plot that drives Anora, Sean Baker, 2024).… Read the rest

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The Brothers Kitaura
(Kitaurakyodai)

Director – Masaki Tsujino – 2024 – Japan – 94m

***1/2

A 40-year-old living at home accidentally kills his father, then enlists the help of his brother to dispose of the body – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Morning. 40-year-old Sato wakes up, surrounded by bagged-up piles of manga, used food packaging and drink cans. The used food packaging squelches as he stretches into it. He is a slob. Meanwhile, his better-dressed, retired and widowed art teacher father is out teaching watercolour painting to a lady of a similar age to himself. They sit on the bank overlooking a picturesque river scene and seem to be enjoying both the act of painting and each other’s company.

Sato finds the note his father left him, and orders takeaway food to feed himself accordingly. Then, to satisfy more carnal appetites, he also orders a call-girl from Bang Club Tokyo, who arrives as promised in a matter of minutes, sitting for a relaxing smoke (which we see) before servicing her client (which we don’t).

The father isn’t just enjoying his lady student’s company. He appears to be teaching her and her alone for a number of consecutive days, and would like to formalise the relationship into something more.… Read the rest

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Johatsu
(Johatsu)

Directors – Lina Lužytė, Nerijus Milerius – 2024 – Lithuania – 83m

***

A woman who checks bodies entering a morgue investigates one that she is convinced has been registered under a false name – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

The concept of Johatsu or ‘vanished people’ – which is never explained here, merely name-checked in the title – originated in Japan, where it refers to people who vanish from their everyday lives without a trace. One way to achieve that goal would be to fake your own death, which is exactly what Lina (Zygimante Elena Jakstaite) believes she has stumbled upon someone doing as this opens.

Lina works as an orderly in a morgue. When the fresh corpse of a man supposedly blown up in an explosion on a ship is identified as her husband by his widow, Lina becomes convinced that the woman is lying, and that the body is that of someone else entirely. Which begs the question, what happened to the real husband?

First off, Lina takes it upon herself to visit and question the supposed dead man’s wife. Talking to the woman, she discovers that before the body turned up, the husband had already been ‘missing’ for around three years.… Read the rest

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Widow Clicquot

Director – Thomas Napper – 2023 – UK – Cert. 15 – 90m

****

A nineteenth century French widow innovates in the male-dominated world of champagne production – out in UK cinemas on Friday, August 23rd

In the early nineteenth century, Veuve Clicquot established itself as something of an innovation in the world of champagne. You would imagine that if anyone were to make a period picture about it, it would be the French, but as may well be guessed from the English language translation title here, this is a British production using English actors speaking English.

There’s nothing whatsoever wrong with that, but given that France has a sizeable movie industry which, among other things, often makes period costume dramas, watching a film about an historical period in that country in English feels decidedly odd. Perhaps if there were more of an epic sense of scale (think: Napoleon, Ridley Scott, 2023) it might feel less so. The screenplay is based on a book by North American writer Tilar J. Mazzeo.

Perhaps it’s explained with greater clarity in the book, but the film assumes a familiarity on the part of the audience with the ins and outs of the Napoleonic Wars, which take place in the backdrop of the film and on the edge of the narrative, affecting it from a distance, as it were.… Read the rest

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Io Capitano
(Io Capitano)

Director – Matteo Garrone – 2023 – Italy – Cert. 12a – 121m

*****

Two teenage Senegalese boys set out on a journey to Europe and a better life – out in UK cinemas on Friday, April 5th

Garrone’s earlier features (Gomorrah, 2008; Tale of Tales, 2015; Dogman, 2018; Pinocchio, 2019) have a particular, muted look, making considerable use of browns and, to a lesser extent, greys or greyish colours. These were all films set in Garrone’s native Italy, featuring characters with an Italian perspective of one sort or another. This new film eschews all that and, while it’s recognisably the work of the same director, exhibits a completely different colour palette in accordance with its different location. It’s brighter and much less dingy.

The different look very much fits with the different intent. Garrone wanted to deal with migrants crossing the Mediterranean from Africa to Europe, but portray the journey from the migrants’ perspective rather than that of their destination countries. So this starts with two teenage, Senegalese boys who want to run away to Europe and is made in various African dialects, with the main one spoken by the two boys being recognisable as French.… Read the rest

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20,000 Species
Of Bees
(20.000 Especies
De Abejas)

Director – Estibaliz Urresola Solaguren – 2023 – Spain – Cert. 12a –128m

**

An eight-year-old assigned male at birth struggles with their gender identity while mum struggles with her artistic identity as a sculptress – plays the 2023 London Film Festival which runs from Wednesday, October 4th until Sunday, October 15th, and will be out in UK cinemas on Friday, October 27th

This is one of those films that’s picked up lots of prizes at various international film festivals, which means that lots of people rated some aspect of the film highly or possibly that it was the best of a bad lot (although if a film wins awards over a number of festivals, that latter scenario is less likely).

I didn’t know any of that going in, and I didn’t like the film very much coming out – I found it difficult to follow who was who, a problem scarcely helped by the fact that one of the main characters is initially called by one name, then by a nickname they don’t like very much, then finally by the name by which they wish to be known. The film credits the eight-year-old character played by Sofia Otero as Lucía, but at the start of the film, they are called by their given name Aitor, although the character uses the nickname Cocó.… Read the rest

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A Light
Never Goes Out
(Deng Huo Lan Shan,
Dang Fo Laan Saan,
燈火闌珊,
lit. Waning Light)

Director – Anastasia Tsang – 2022 – Hong Kong – Cert. 15 – 103m

****

The widow of a Hong Kong neon sign maker attempts to fulfil his last wish in constructing a specific neon sign, despite new regulations outlawing them – out in UK cinemas on Friday, May 12th #ALightNeverGoesOut

Mei-heung (Sylvia Chang) hangs around an amusement arcade coming to terms with the loss of her husband Bill (Simon Yam) who died just six weeks ago. He believed in luck and wishes coming true, and once won on a machine she thought a scam by inserting a coin whilst facing away from the machine. In their younger days, he proposed to her by fixing various neon lights on timers so that every time she’d make a wish, a switched off neon street sign would light up. Discovering her hard-nosed, go-getter daughter Prism (Cecilia Choi from Detention, John Hsu, 2019) has dumped Bill’s effects at the local communal recycle bin, she tries to retrieve them, falling foul of a cop more interested in enforcing rules than community spirit.

Bill was a much better craftsman than businessman, and packed in his business ten years ago so as to obtain a university grant for Prism.… Read the rest

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Maborosi
(Maboroshi
No Hikari,
幻の光,
lit.
Phantasmic Light,
A Trick
Of The Light)

Director – Hirokazu Kore-eda – 1995 – Japan – Cert. 12a – 110m

****

His cinema directorial debut Maborosi (1995) is the only feature Koreeda didn’t also write or edit. Seemingly contented Ikuo (a pre-stardom Asano Tadanobu) goes out one night and is run over by a train. After his young wife Yumiko (Makiko Esumi in her debut role) moves to the North coast to remarry, Ikuo’s suicide continues to trouble her…

Read the rest at All The Anime where I covered this title as part of the BFI’s Flesh And Blood Blu-ray box set which includes Maborosi (1995), After Life (1998), Nobody Knows (2004) and Still Walking (2008). Also available on BFI Player subscription and to rent on Amazon UK and Curzon Home Cinema.

Trailer (Maborosi – BFI reissue):