Tag: thriller

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Infernal Affairs
(Mou Gaan Dou,
無間道)

Directors – Andrew Lau, Alan Mak – 2002 – Hong Kong – Cert. 15 – 98m

*****

Two moles: a cop undercover in the triads and a triad undercover in the cops – reviewed for What’s On In London to coincide with UK cinema release, Friday, February 27th 2004

Hong Kong thrillers are known less for clarity of plot than for bravura action sequences popularised by The Matrix (Larry and Andy Wachowski, 1999). But this latest cops and triads entry manages an interesting twist on the theme of the undercover operative. Or rather, in this case, two undercover operatives.

Ming (Fulltime Killer’s Andy Lau) is a triad member commanded at age 18 by Triad boss Sam (Eric Tsang) to become a mole on the police force. The latter’s tip-offs about rival gangs have over a decade taken Ming’s career through Criminal Intelligence Bureau sergeant to possible head of Internal Affairs investigating… informational leaks to the Triads. Himself!

Yan (Tony Leung Chiu-Wai from every other Hong Kong movie you’ve ever seen) is Ming’s nemesis: Sam’s enforcer and a Triad member since his teenage years. But Yan is actually an undercover cop, a fact known only to his recruiter Superintendent Wong (Hard Boiled’s Anthony Wong).… Read the rest

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How to
Blow Up
a Pipeline

Collaborators – Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber – 2022 – US – Cert. 15 – 103m

****

An eco-terrorism thriller based on the manifesto by Andreas Malm – out in cinemas in the UK on Friday, April 21st.

Credited as a film by its four main collaborators (its three writer-producers and its editor) rather than (as is the usual industry practice) merely its director Goldhaber (Cam, 2018), this is based on climate change activism apologist Andreas Malm’s non-fiction treatise which argues for the destruction of property e.g. fossil fuel industry infrastructure as part of the fight against the fossil fuel industry which is causing climate change. What the book doesn’t do is tell the reader the techniques and specifics that would enable them to actually blow up a pipeline.

Likewise, this movie doesn’t provide the viewer with the knowledge and technical wherewithal that would enable them to blow up pipelines after watching it. Like Malm, it offers moral justification(s) for the act. It shows a committed group of young people who have between them carried out extensive research into everything necessary for their planned act and reached a point of moral choice where they feel they have no other option than to carry out such an action.… Read the rest

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How To
Blow Up
A Pipeline

Combatting spiritual wickedness

How to Blow Up a Pipeline
Film by
Daniel Goldhaber, Ariela Barer, Jordan Sjol, Daniel Garber
Certificate 15, 103 minutes
Released 21 April

A radical film whose four makers eschew the widespread film industry notion of the film director as sole author, film production being a collaborative process. It follows a group of young eco-terrorists pursuing their eponymous goal. That title is taken from Andreas Malm’s book, which argues that the fossil fuel industry’s ‘business as usual’ approach to global warming dictates that the only effective way to fight climate change is via property destruction and sabotage.

If this sounds a long way from any concept of non-violent Christian protest, bear in mind the biblical mandate of good stewardship over God’s creation. Here lies a challenging tension. At the present time, these ideas appear to be in conflict and different believers may come to very different conclusions. The apostle Paul tells us, ‘If it is possible … live at peace with everyone.’ But has the fossil fuel industry made it impossible?… [Read the rest at Reform magazine]

This review originally appeared in Reform magazine.

Read my longer, alternative review on this site.

Trailer:

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Cairo Conspiracy,
(original title:
Boy From Heaven,
Walad Min Al Janna,
صبي من الجنة)

Director – Tarik Saleh – 2022 – Sweden, France, Finland – Cert. 12a – 126m

***

A naive, young, Egyptian student at a top Islamic university is recruited as a spy for the secret police – out in UK cinemas on Friday, April 14th

Adam (Tawfeek Barhom), a bookworm born and raised in rural Egypt where he works as a fisherman like his father before him, visits the local mosque where his trusted Imam gives him a letter informing him he’s been accepted into Cairo’s prestigious Al-Azhar University, the top seat of Sunni Muslim learning and thought. He’s worried his widowed father won’t let him go, but his father fatally accepts it as the Will of Allah. In his university dorm, Adam finds his bed taken by fellow student Raed (Ahmed Laissaoui) and winds up in the bunk below. (The university is for men only: no women. At least, we see none here.)

Unexpectedly, the Grand Imam, the head of the university, dies and a successor must be chosen. At the security forces building, the General (Mohammad Bakri) listens to the analysis by Colonel Ibrahim (Fares Fares) of the possible candidates, throwing all files on the floor except one – the one with whom the President’s views align, the candidate who must win.… Read the rest

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Broker
(Beurokeo,
브로커)

Director – Hirokazu Kore-eda – 2022 – South Korea – Cert. 12 – 129m

***

Kore-eda’s second feature outside his native Japan is a curious tale of two traffickers of abandoned babies to childless couples whose business is disrupted by their latest charge’s mother– out in UK cinemas on Friday, February 24th

It’s an intriguing pitch. Kore-eda. the great humanist Japanese director of such extraordinary films as (among others) films After Life (1998), I Wish (2011), Like Father, Like Son (2013), The Third Murder (2017) and the Best Foreign Film Oscar nominee Shoplifters (2018), directs a movie in South Korea. And yet, Broker, like his previous The Truth (2019), similarly made in a country other than his native Japan – in this instance France – is strangely unmoving compared to his home-shot, Japanese work. Although he hasn’t lost his touch as can be seen from some of his work for Japanese TV (A Day-Off Of Kusumi Arimura, 2020).

Whatever the problems are with his working abroad, the the calibre of the cast the director attracts is not one of them. The Truth had Catherine Deneuve, Juliette Binoche and Ethan Hawke, two of the finest living French actresses and arguably one of the best American actors; for Broker, the cast includes top South Korean talent Song Kang Ho and Doona Bae.… Read the rest

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Piggy
(Cerdita)

Director – Carlota Pereda – 2022 – Spain – Cert. 18 – 99m

*****

Director – Carlota Pereda – 2018 – Spain – 13m

*****

Fat-shaming, bullying, overbearing mothers, growing up as the local butcher’s daughter, and more – feature based on short is out in UK cinemas on Friday, January 6th

Sara (Laura Galán) is attempting to navigate the difficult waters of adolescence. It isn’t much fun if you’re different and cliques of your contemporaries gang up on you. In Sara’s case, she isn’t just fat, she’s also introverted and shuns people, which compounds the amount she gets teased. She often works in her father’s butchers shop, so bullies can easily put together insults based on fat and flesh and pork and meat. A clique of three, thinner girls – Roci (Camille Aguilar) and Maca (Claudia Salas) and their unwilling hanger-on Claudia aka Clau (Irene Ferreiro) – call her Piggy.

It’s Summer, and everyone is going down to the Madrigal (Waterfall) festivities at the pool on the river, where a mysterious out-of-towner is lounging about, but Sara sneaks down there later for a swim when she hopes nobody is around. She’s just getting into the water when the stranger (Richard Holmes) surfaces innocently, startling her.… Read the rest

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Hunt
(Heon-teu,
헌트)

Director – Lee Jung-jae – 2022 – South Korea – Cert. – 121m

****1/2

Two top KCIA operatives, each heading up his own department, both come to believe that the North Korean mole they are hunting is the other – out in cinemas Friday, November 4th; opened the London East Asia Film Festival (LEAFF) as part of a strand of films celebrating actor Lee Jung-jae (Squid Game) which ran in cinemas from Wednesday, October 19th to Sunday, October 30th

Two Korean intelligence men are sitting in a car. One asks the other riddles.

What’s a war in space? Star Wars.

What’s a war in winter? Cold War.

What’s a neverending war? Korean War.

A little background history will add to your enjoyment of this fictional thriller set against the backdrop of actual historical events.

In 1979, a South Korean coup d’état established the country’s fourth dictatorship since WW2. In 1980, with martial law declared, the Gwangju Uprising saw a battle between the military and ordinary citizens in the town of Gwangju in which at least 200 civilians were killed. In 1987, student protests lead to the overthrow of the Fifth Republic Of South Korea (1981-87) and free elections.… Read the rest

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Bullet Train

Director – David Leitch – 2022 – US – Cert. 15 – 126m

***

A man boards a bullet train in Tokyo to steal a suitcase only to be prevented from leaving the train every time he tries to get off it – lightweight action thriller is out in UK cinemas on Wednesday, August 3rd

This adaptation of mystery writer Kotoro Isaka’s 2010 novel, for which the Japanese title literally translates as Maria Beetle, concerns five assassins, each with their separate agenda, who board a bullet train. The film casts Westerners in many of these roles, repopulating the film with an international cast of Americans, Brits and Japanese. Brad Pitt as the lead obviously has box office clout, and is as watchable as ever in this film, however the film has inevitably been accused of whitewashing (even though ‘white’ here would seem to include Puerto Rican and African-American).

The producers here seem to think Japanese high speed rail journeys will draw international audiences but entirely Japanese characters will not. Whether or not they’re correct, casting the film the way they have reinforces this notion. Who else could have done it, you ask? Off the top of my head, I can think of three Hong Kong Chinese, any of whom would work: Chow Yun-fat, Jackie Chan or Tony Leung Chiu-wai.… Read the rest

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Wake Wood

Director – David Keating – 2009 – UK, Ireland – Cert. 18 – 90m

*****

Things are not what they seem, supernatural power is abroad and terrible prices have to be paid in a mysterious, close-knit village community – out in UK cinemas from Friday, March 25th, 2011

This review originally appeared in Third Way.

This presages the recent relaunching of Hammer Films, a huge cultural force back in the 1950s and 60s reworking such horror staples as Dracula and Frankenstein. So far UK cinemas have hosted (1) Let Me In‘s arguably pointless US remake of terrific Swedish vampire effort Let The Right One In and (2) predictable, New York tenant in peril outing The Resident. Wake Wood is not only far and away the best of the three, but also fits in with the Hammer ethos – here represented by a mysterious, close-knit village community where things are not what they seem, supernatural power is abroad, and terrible prices have to be paid for misjudged actions. A fair bit of blood and gore is added for good measure.

After their only daughter Alice (Ella Connolly) is fatally savaged by a dog, Irish city dwellers vets Patrick and Louise Daly (Aidan Gillen from The Wire and Eva Birthistle) move to the isolated village of Wake Wood to start over.… Read the rest

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Dead Calm

Director – Phillip Noyce – 1989 – Australia – Cert. 15 – 96m

*****

A bereaved couple taking time off on their yacht answer a distress call from another boat and become embroiled in a game of cat and mouse – out in UK cinemas 1989

Royal Australian Naval Officer John Ingram (Sam Neill) arrives home in Oz to discover his beautiful wife Rae (Nicole Kidman) has been involved in a car accident which was fatal for their young child. She’s in the hospital in critical condition; the camera descends into her eye. She remembers with horror her child fatefully undoing his seat belt before being thrown through a windscreen.

Having thus traumatised the audience, this then jumps to the couple on their yacht, the Saracen, where they are getting away from it all for several weeks. The weather is as flat as the title suggests. Rae bathes in the sea like an initiate in some baptismal rite awaiting a fresh start – until another vessel turns up – the Orpheus, with its one survivor Hughie Warriner (Billy Zane) claiming the rest – including several nubile, “open-minded” young women on a “photographic assignment” – have died of botulism from tuna that Hughie didn’t eat because he hates the stuff.… Read the rest