Tag: storytelling

Categories
Features Live Action Movies

Disney’s Snow White
(2025)

(Live action remake of animated feature, so filed under animation, among other categories.)

Director – Marc Webb – 2025 – US – Cert. PG – 119m

***1/2

Disney’s new Snow White redoes the first animated feature, with its eponymous heroine, wicked queen and dwarfs, as live action – out in UK cinemas on Friday, March 21st

There are a very small number of watershed films after which cinema is never been quite the same again. One of them is Snow White and the Seven Dwarfs (David Hand, 1937), the first ever animated feature film, widely considered a folly until it became a huge success and helped fuel the rise of the Hollywood Studio that still bears its founder Walt Disney’s name today. Before that film, no-one made animated features. After that film, Disney regularly made animated features of a consistently high standard, and his name became synonymous with animation for the three decades until his death in 1966.

Yet, the film isn’t good simply because it was the first animated feature – it’s good for a whole host of other reasons, namely excellence in storytelling, character, visuals, and songs, elements which would similarly underscore his Studio’s output during the remainder of Disney’s lifetime.… Read the rest

Categories
Animation Features Movies

Watership Down
(new 4K restoration)

Director – Martin Rosen – 1978 – UK – Cert. PG – 92m

*****

When a young rabbit visionary foresees doom for those who remain, some of the rabbits leave their warren in search of a safer home, encountering many life-threatening perils along the way – new 4K restoration of animated feature is out in UK cinemas on Friday, October 25th, following its World Premiere in the London Film Festival on Saturday, October 12th

LFF: Sat 12 Oct 12:20 World Premiere, Tues 15 Oct 12:15,
both BFI Southbank NFT1.

This opens with a mythological segment involving a powerful God, represented as the sun, and rabbitkind, specifically the archetypal rabbit El-ahrairah. It’s drawn and painted in an arresting, non-naturalistic style involving coloured lines animated against a white background to create the impression of moving, primitive drawings, due in large part to uncredited director John Hubley, whose vision for the film was at odds with that of producer Martin Rosen. The latter ended up firing the former as he wanted something grittier and less lightweight.

It’s arguable this has worked to the film’s advantage: the fable sequence works as otherworldly rabbit mythology, suggesting a race of intelligent creatures capable of constructing creation myths about their species much as human beings do.… Read the rest

Categories
Features Live Action Movies

Emily

Director – Frances O’Connor – 2022 – UK – Cert. 15 – 130m

varies between ** and ****

An imagined account of how Emily Brontë wrote Wuthering Heights – out in UK cinemas on Friday, October 14th

The three Brontë sisters Charlotte (Alexandra Dowling), Emily (Emma Mackey), and Anne (Amelia Gething) live with their brother Branwell (Fionn Whitehead) and their chapel minister father Patrick (Adrian Dunbar) in the large parsonage in the West Riding of Yorkshire’s village of Haworth. The three girls have a lively, literary imagination, make up numerous stories for their own amusement, and spend much time outside in the landscape of the moors. A young curate Weightman (Oliver Jackson-Cohen) arrives in the village, piquing the girls’ interest, and Charlotte soon departs for a distant teaching post. Emily likes her own company and spends much time alone on the moors.

Branwell is accepted by the Royal Academy to study painting, but drops out and returns to the village, where he and Emily get into mischief together, chiefly by spying on one of the neighbours at night through their window and getting chased off the premises several times by dogs before Branwell eventually gets caught and has to endure punishment from father.… Read the rest

Categories
Art Documentary Features Live Action Movies Series Shorts Television

Greenaway
By Numbers

How Peter Greenaway’s obsession with various numeric and other cataloguing systems has led to the creation of highly complex, multi-layered film pieces that joyfully play with audiences

If ever anyone were to make a film about the Dewey Decimal System, it would be Peter Greenaway. He is obsessed with ways and means to classify the world in which he finds himself, systems to organise and make sense of that peculiar world, people’s relationship networks with one another and their movement and actions within that world and those networks.

I first came across him on the theatrical release in Hammersmith of his three hours plus epic The Falls (1980), made in between his early, self-financed short films of the 1960s and 1970s and his first, more conventional in length feature The Draughtsman’s Contract (1982). The Falls takes its name from entries in the section of a directory beginning with the letters F A L L e.g. Orchard Falla, Constance Ortuist Fallaburr, Melorder Fallaburr. The directory chronicles survivors of a Violent Unknown Event, VUE for short… [read more]

Full article at DMovies.org in association with Doesn’t Exist Magazine – purchase your copy now.