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The Banishing

Director – Christopher Smith – 2020 – UK – Cert. 15 – 97m

***1/2

A vicar, his wife and their daughter move into a haunted rectory which seems to be out to get them – on digital platforms from Friday, March 26th and Shudder from Thursday, April 15th

The Rev Stanley Hall (Matthew Clarke) is found hanged from the top of four-poster bed in his bedroom in the old rectory near the village. This follows a session with his hefty bible, annotated in placed with scrawled pentagrams and pages burned through with holes, his reading out loud Pauline admonitions against ‘sexual immorality’ and a bizarre vision of himself either having sex with or inflicting extreme bloody violence upon his wife (or possibly both at once – it’s not entirely clear). Bishop Malachi (John Lynch) is summoned to the house.

Three years later, Malachi installs a new vicar Linus (John Heffernan) in the property which has remained vacant in the interim. Linus is joined by wife Marianne (Jessica Brown Findlay) and her illegitimate daughter Adelaide (Anya Mckenna-Bruce) as well as the house’s incumbent deaf maid Betsy (Jean St. Clair). Like his predecessor, Linus is obsessed with abstaining from sexual immorality, despite his wife’s pointing out to him that they are married.… Read the rest

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Tracey
(翠絲)

Director – Li Jun – 2018 – Hong Kong – Cert. N/C 15+ – 119m

*****

It’s complicated. Upon hearing of the death of his oldest and dearest friend, a fiftysomething questions the edifice of family life he has constructed around himself over the decades – screened online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Tung Tai-hung (Philip KeungA Witness Out Of The Blue, Fung Chi-Keung, 2019) is wakened from a dream by a phone call. In the dream, he’s a teenager hanging out with his friends Ching (Wong Yat-ho) and Jun (Sham Ka-ki) by a local waterfall. The phone caller informs him of Ching’s death. For years Tai-hung has been using the loo at work to change into the ladies undergarments he never wears at home where it’s unlikely he’d be able to hide their wearing from his misophobic wife Anne (Kara Wai) who recently shocked their son Vincent (Ng Siu Hin – A Witness Out Of The Blue, Fung Chi-Keung, 2019, Mad World, Wong Chun, 2016) by badmouthing the maid Parti (Candy Knutzen Darwati) after going through the latter’s things and finding a packet of condoms.… Read the rest

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Synchronic

Directors – Justin Benson, Aaron Moorhead – 2019 – US – Cert. 15 – 102m

*****

Two New Orleans paramedics stumble upon a designer drug causing weird hallucinations and inexplicable deaths in this mind-bending science fiction yarn – – on Blu-ray and DVD from Monday, April 5th

The prior films of creative partners Benson & Moorhead (The Endless, 2017; Spring, 2014; Resolution, 2012) inevitably set the bar high since they’ve consistently astonished audiences with their mind-bending narratives. Normally I watch films once then review them, but on this occasion I’ve had the privilege of wilfully watching Synchronic three times in the last year or so. This in itself tells you something about this film’s narrative pleasures. And given that Marvel recently signed the duo up to direct episodes of Moon Knight for Disney+, it would seem Hollywood is of a similar opinion.

Its extraordinary story involves two New Orleans paramedics whose characters completely engage you and pulls you in. Which is just as well because they stumble on some pretty strange stuff in the course of their work – in particular, calls involving trauma and sometimes death in the aftermath of bad drug trips.

It opens with a couple at home taking some hallucinogenic drugs and seeing / experiencing some extremely weird goings on.… Read the rest

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Old Man
And A Dog
(老人與狗)

Director – Ryan Chan Hon-yan – 2019 – Hong Kong – Cert. N/C 15+ – 30m

*****

A security guard nearing the end of his life is given an ageing, dying dog by his grandson – online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

When they’re in the hospital waiting for grandpa while he sees the doctor, Ka Chun (Karson Chan Ka Hei) asks his mum (Ivy PangTracey, Li Jun, 2018), “how come grandpa doesn’t have a dog?” There follows a huge row between Ms. Chan and the medical staff when she learns they’re not operating on her father because he’s signed ‘Do Not Resuscitate’ papers. The boy, meanwhile, stands beside his grandpa’s bedside. His grandpa (Paul Carr) is on a ventilator.

The elder Mr. Chan visits the hospital on his own. The clock that’s fallen off the wall in the doctor’s office seems to presage his own demise. His boss (Toby Cheng) at the security firm tells him not to come in, he’s too ill. The firm will compensate him, so there are no financial issues.

Ka Chun visits grandpa at home – bringing with him a dog called (somewhat hilariously to English ears) Ah-fuk.… Read the rest

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GoGo Club
(梁韻怡)

Director – Rei Leung Wan-yi – 2019 – Hong Kong – Cert. N/C 15+ –25m

*****

The progress of a former nightclub employee following his fortuitous encounter with a girl in a panda suit – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

At age six, Yin (Matt Jiu Kai Laam) was brought by his mother (Gaga Tse Ka Wai) to the Golden Rose nightclub where she worked as a live-in cleaner and odd job person as the grown up Yin describes in voiceover narration. He doesn’t mention her suavely suited manager (Tony Ho Wah Chiu – Our Time Will Come, Ann Hui, 2017; Infernal Affairs, Andrew Lau, Alan Mak, 2002; Dead Or Alive: Final, Takashi Miike, 2002) is a permanent fixture propping up the enquiries desk window counter. At age 26, Yin (Shaopin Tsui) is told by the manager that today is his last day. In fact it’s also the manager’s last day because the Golden Rose is closing down. Enquiring about his missing back pay, Yin is given the company’s very expensive car to sell for profit which turns out to be an old van covered in dust. … Read the rest

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Ali And Me
(我和阿里的故事)

Director – Lam Ting-hin – 2015 – Hong Kong – Cert. N/C 12+ – 25m

****

A cricket-obsessed Chinese-Indian, Muslim boy and a Chinese music student get to know each other after being put on neighbouring desks in class – FREE TO VIEW online in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Here’s a Hong Kong movie with a difference. It’s about two very different families with one thing in common: both have a boy at school That’s not the difference. The difference is that one of the families – the one with which the film starts – is Indian Muslim, which isn’t something you see represented in that territory’s cinema very often. Sent out by his mum to get Soy Sauce from the shop, he can’t resist taking his beloved cricket bat with him and joining his mates for a game. (I can’t remember the last time I saw cricket in a Hong Kong movie, if ever.)

Instructed by his teacher to introduce himself to his new classmates, he calls himself a Muslim who loves to play cricket. The class wag promptly pipes up, “Wow!… Read the rest

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My Prince Edward
(Gam Dou,
金都)

Director – Norris Wong Yee-Lam – 2019 – Hong Kong – Cert. N/C 15+ – 91m

****1/2

A Prince Edward resident starts to question whether marrying her boyfriend as the couple have long planned is really such a good idea – online in the UK as part of Focus Hong Kong 2021 Easter from Wednesday, March 31st to Tuesday, April 6th

Whatever your nationality, one of the great thrills of world cinema is when a film informs you about all sorts of aspects of a culture other than your own. That’s the case here. To call this a romantic drama is misleading because what it’s actually about is a woman on a culturally approved trajectory starting to question whether it really is something for her or whether she’d be better off finding a different life journey entirely by another route. That approved trajectory is: girl meets boy, girl moves in with boy, girl marries boy.

Perhaps there’s a second trajectory here too, suggesting that Hong Kong is a sealed, navel-gazing world caught up with looking at itself and that perhaps Hong Kongers need to get out of their homeland more, be that to mainland China to which the heroine travels for reasons of her complicated personal situation and later visits of her own volition, or be it to America, described by the film’s mainland Chinese lead as a place of freedom.… Read the rest

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37 Seconds

Director – Hikari – 2019 – Japan – Cert. 15 – 115m

*****

A wheelchair-bound, young woman manga artist struggles to become independent of her over-protective mother – on Netflix from Friday, January 31st, 2020

Yuma (Mei Kayama), wheelchair-bound with cerebral palsy from birth, lives with her mother Kyoko (Misuzo Kanno) who looks after her in a small Tokyo apartment. However Yuma is far from helpless with a day job as an uncredited manga artist who draws and writes the comics allegedly penned by fast rising YouTube star Sayaka (Minori Hagiwara). The uncomplaining Yuma secretly yearns for Sayaka’s celebrity, if not to actually be her at least to know what it feels like, but Sayaka bans her from attending any public events such as book signings.

Yuma starts exploring ways of going independent of Sayaka. She shows some work to Iketani (Shohei Uno) from Sayaka’s publishers who tells her that what she’s produced is good but alas too close to Sayaka’s work. Finding a bunch of porn manga magazines in a park, she phones around to see it the magazines are taking submissions and embarks on an erotic space opera series, lovingly rendered in a sequence which is not so much full animation but more like an animated peruse through pages of manga, only to be told when she goes to see a friendly editor Ms.… Read the rest

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Shape Of Red
(Red)

Director – Yukiko Mishima – 2020 – Japan – Cert. N/C 15+ – 122m

****1/2

A woman trapped in a stultifying marriage experiences freedom and laughter in both returning to work and pursuing an extramarital relationship – played online in the Japan Foundation Touring Film Programme 2021 in the UK

Married to Shin (Shotaro Mamiya) with a six-year-old girl Midori, Toko (Kaho – Our Little Sister, Hirokazu Kore-eda, 2015) is a stay-at-home mum. Shin works with a trading company and judging by the size of the house is not lacking financially. Shin’s mother is a constant fixture in their home and the first time we see Shin come in from work of an evening, he rejects the meal his wife has prepared because he’s “not hungry” only to readily accept a favourite dish his mother has prepared.

That doesn’t bode well for the marriage. In bed she dutifully performs a blow job on him which satisfies him but not her. As she wipes away the results with a tissue, you feel that she’s not so much a wife, more a sort of sexual skivvy.

As his wife, Toko accompanies Shin to various work social events where she similarly appears to be little more than an appendage.… Read the rest

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Custody
(Jusqu’à La Garde)

The Pain Of Separation

Custody

Directed by Xavier Legrand.

Certificate 15, 93 minutes

Released 13 April 2018

Husband Antoine (Denis Ménochet) and wife Miriam (Léa Drucker), whose marriage has fallen apart, attend a custody hearing regarding their son Julien (Thomas Gioria) who is 11. Their daughter Joséphine (Mathilde Auneveux) being almost 18 will soon be considered an adult under French law and is therefore legally regarded as able to take care of herself.

Antoine wants custody so he can look after and spend time with Julien at weekends. Miriam doesn’t want to grant him this. She wants as little to do with Antoine as possible. Each partner makes accusations against the other. As the judge says, it’s a question of who is telling the bigger lies. But the judge must make her decision based on this brief hearing. So Antoine will be allowed custody at weekends… [Read more]

Full review published in Reform magazine, 2018.

Trailer: