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Paris, Texas

Director – Wim Wenders – 1984 – US – Cert. 15 – 145m

*****

A constantly inventive movie in which a man returns after four years’ absence to bond with his seven-year-old son and seek out his disappeared wife – back out in cinemas on Friday, July 29th

Travis (Harry Dean Stanton) stumbles out of the desert in Southern Texas having disappeared to Mexico for four years following the collapse of his marriage. During this time, the estranged couple’s seven-year-old son Hunter (Hunter Carson) has been living with Travis’ brother Walt (Dean Stockwell) and wife Anne (Aurore Clement) who he understandably thinks of as his parents. Walt coaxes Travis into re-establishing his paternal relationship with the boy. When Travis decides to track down disappeared wife Jane (Nastassja Kinski), who has been sending Walt and Anne money for the child from a bank in Houston, the child talks him into letting him tag along.

Although it starts with Travis walking, and much of the early part of the film takes place in and around Walt and Anne’s home, it’s very much a road movie with a great deal of the narrative taking place in cars and pickup trucks.

The film caused a sensation when it came out in the UK over 35 years ago.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Kurt Vonnegut:
Unstuck In Time

Transformed by an atrocity

Kurt Vonnegut: Unstuck In Time
Directed by Robert B. Weide, Dan Argott
Certificate 15
Released 22 July (cinemas and digital platforms)

Full review published in Reform magazine.

The late Kurt Vonnegut claims that after touching a tree trunk he saw the bombing of Dresden before it actually happened, and it’s easy to believe him. His whole life, he says, has been unstuck in time. Born in Indianapolis in 1922, he fought in the Battle of the Bulge in 1944 and was shipped off as a POW to Dresden, a bustling metropolis unlike anything he’d previously seen. He survived the Allied bombing of that city inside an underground meat locker and emerged to see it razed to the ground. The Germans had him and fellow prisoners search for bodies amongst the ruins.

Back in the States… [Read the rest at Reform magazine]

Kurt Vonnegut: Unstuck In Time is out in cinemas and on Altitude Film digital platform in the UK from Friday, July 22nd.

Read my longer review.

Adaptation of Vonnegut’s Mother Night (writer-producer Robert B. Weide, 1996) – review.

Never Look Away (Florian Henckel von Donnersmarck, 2018) also covers the bombing of Dresden – review.… Read the rest

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Features Live Action Movies Music

Elvis

Director – Baz Luhrmann – 2022 – US, Australia – Cert. 12a – 159m

***

Elvis Presley’s career from the mid-1950s through to his death in 1977, and his complex business relationship with his manager Colonel Tom Parker – out in cinemas on Friday, June 24th

Colonel Tom Parker (Tom Hanks), having a heart attack, reminisces to himself about his career. Many considered him the abuser and exploiter of the singer Elvis Presley, but that wasn’t the way it was. In the early 1950s, when Parker was managing the touring show of country singer Hank Snow (David Wenham), he heard Presley’s first recording on Sun Records though Hank’s son Jimmie Rodgers Snow (Kodi Smit-Mcphee), a singer in his own right who Parker didn’t think was anything like as good as his father.

Parker, an old time carnival showman, is always on the lookout for that one act that’s a little bit different, affects audiences and might well clean up at the box office. When he first sees Elvis (Austin Butler) perform, and notices young girls and older women going wild at the singer’s dance moves, he is convinced there’s money to be made and determines to sign him before someone else does.… Read the rest

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Features Live Action Movies

Benediction

Director – Terence Davies – 2021 – UK – Cert. 12a – 137m

****

The life of First World War poet Siegfried Sassoon, his homosexual lifestyle and his heterosexual marriage – out in cinemas on Friday, May 20th

It’s been five years since Davies’ previous film A Quiet Passion (2016) and the curious thing is, both these films have been about poets and poetry. The earlier film was about Emily Dickinson, with its discussion about religion and Christianity very much to the fore; the new film is about Siegfried Sassoon and while the Catholicism he embraced in later years is in the mix, alongside that element Davies’ research revealed others of far greater interest to the writer-director, notably that Sassoon was gay. As you might expect, the first half hour or so concentrates on the First World War, but more time is spent in the middle of the film exploring some of Sassoon’s gay relationships with a small section towards the end skimming over his later years and heterosexual married life.

Siegfried Sassoon (Jack Lowden) saw action in the First World War and had the utmost respect for the men under his command – and they for him. He was appalled by the conditions under which they found themselves serving.… Read the rest

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Features Live Action Movies

Benediction

Glum heroes

Benediction
Directed by Terence Davies
Certificate 12a, 137 minutes
Released 20 May

Films about poets are few; however, the director Terence Davies has now made two in a row as different as their historical subjects. The earlier A Quiet Passion (Reform, April 2017) concerns the introverted, isolated, American spinster Emily Dickinson while the current Benediction is about First World War poet Siegfried Sassoon (Jack Lowden) – a homosexual man when this sexual preference was illegal, before the word ‘gay’ was used to describe such things.

His Military Cross earned for bravery as a First World War officer drops into a stream then sinks, an image expressing Sassoon’s dissatisfaction with the way the war is being run, and the hardships endured by the troops. He writes in protest to the top brass, but instead of the court-martial and platform to speak he expects, he is diagnosed with ‘shell shock’, partly thanks to literary mentor Robbie Ross (Simon Russell-Beale). Sent to Craiglockhart War Hospital near Edinburgh… [Read more…]

Full review published in Reform magazine.

See also my alternative review.

Trailer:

Categories
Animation Documentary Features Live Action Movies

Flee
(Flugt)

Director – Jonas Poher Rasmussen – 2021 – Denmark, France, Norway, Sweden – Cert. 15 – 83m

****

In a series of interviews, a gay man now living in Denmark tries to explain his experience of fleeing Afghanistan – in cinemas from Friday, February 11th

Like The Breadwinner (Nora Twomey, 2017) and The Swallows Of Kabul (Zabou Breitman, Eléa Gobbé-Mévellec, 2019) before it, this is an animated film about life in Afghanistan under the Taliban. At the same time, it’s very different from those films for three reasons.

One, it details not so much the experience of life under the Taliban but the refugee experience of getting out of the country and its psychological aftermath on those who manage to get out.

Two, its central character is not fictional but real, the film being to all intents and purposes a documentary.

Three, although the film incorporates live action archive footage at various points, it’s essentially structured around an interview, visually represented in animation, in which the refugee subject recounts his experiences which are brought to life in a highly effective 2D animation as he speaks.

The style of the animation is almost perfunctory, a far cry from The Breadwinner’s colourful, detailed and rounded rendering which enable meshing with mythological storytelling and an equal distance from The Swallows Of Kabul’s pastel shades which so brilliantly convey a romance doomed by the circumstance of the regime.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Flee
(Flugt)

On being a refugee

Flee
Directed by Jonas Poher Rasmussen
Certificate 15, 83 minutes
Released 11 February

Review for Reform magazine, February 2022.

There have been animated films about life under the Taliban in Afghanistan before, including The Breadwinner (reviewed in Reform, June 2018), but Flee is different. It covers not only the experience of fleeing your home country, but also the psychological aftermath once you successfully settle in another country. And although animated, it’s a documentary based on a real person. Amin (not his real name), a gay Danish citizen due shortly to marry his long-time partner Kasper, is persuaded by a radio journalist to give a series of interviews about his history as a refugee. His experiences have taken their toll and now threaten to undermine his relationship with Kasper.

Amin’s fond memories of childhood are very different from the way we now think of Afghanistan. As a young boy… [Read more…]

Full review in Reform magazine, February 2022.

Read my alternative review here.

Trailer:

Categories
Features Live Action Movies

House Of Gucci

Director – Ridley Scott – 2021 – US – Cert. 15 – 157m

*****

A woman marries into the wealthy Gucci family and inadvertently brings about its downfall – out in cinemas on Friday, November 26th

First impressions.

A beautiful day. A well-dressed man (Adam Driver) relaxes at the café, pays his bill, cycles through the streets. Life is good. He reaches his destination. As he approaches the door, a voice asks, “Mr. Gucci?”

Milan, 1978. Another beautiful day. A woman dressed and moving like a goddess (Lady Gaga) walks past trucks and workers to her father’s transportation business office where she works as his assistant. Later, a friend asks her to a costume party. She dances. She looks incredible. She goes for a drink. The barman (Driver) turns out not to be not the barman. He makes her a drink anyway. He’s Maurizio. Gucci. He knows the host. She’s Patrizia Reggiani. She doesn’t. He tells her he can’t dance. She drags him onto the dance floor and makes him look good even though he does nothing. He leaves at midnight, worried he’ll turn into a frog. It’s a pumpkin, she calls after him.

She stalks him, ‘accidentally’ bumping into him at a bookshop where he’s buying armfuls of legal books (he’s studying to be a lawyer).… Read the rest

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Features Live Action Movies

Microhabitat
(So-gong-nyeo,
소공녀)

Director – Jeon Go-woon – 2017 – South Korea – 106m

****1/2

The price has gone up. Yet again! A woman who wants nothing more from life than to be able to enjoy whisky and smoking enacts a radical plan to combat everyday inflation – on MUBI from Thursday, November 25th as part of their New South Korean Cinema season.

Miso (Lee Som aka Esom), whose name in Korean means both ‘smile’ and ‘micro’, lives in a small, one room, unheated apartment in Seoul. So cold in fact that when she and her boyfriend Hansol (Ahn Jae-hong) start peeling off multiple layers of clothing in the middle of winter that she’s given up by the time she’s down to her slip. It’ll have to wait ’til the Spring.

Having enough money is a constant struggle, but she’s shrewd and always puts aside enough for basic outgoings like food and rent as well as pleasures like smoking and whisky every month. When her landlord tells her the rent is going up, because his landlord is putting his rent up and he needs to pass some of the increase on to his tenants, she realises she’s going to have to cut something.… Read the rest

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Features Live Action Movies

A Good Lawyer’s Wife
(Baramnan Gajok,
바람난 가족)

Director – Im Sang-soo – 2003 – South Korea – Cert. – 105m

***

Unsatisfactory family life in which fathers and mothers cheat on their wives and partners in search of a more fulfilling existence – screened with a director Q&A as part of a strand of films celebrating actress Youn Yuh-jung at LKFF, the London Korean Film Festival which runs in cinemas from Thursday, November 4th to Friday, November 19th

Joo Ho-jeong (Moon So-ri) bemoans the fact that once you’re married, you get less sex than you did as a single woman. Judging by the opening sex scene, in which her husband comes prematurely leaving her to satisfy herself, she would probably be better off single. Still, she has a small son Soo-in (Jang Joon-yeong) to mother and a local dance classes to teach.

The relationship is not working for her husband Yeong-jak (Hwang Jung-min) either, given his full workload and the fact that he’s sleeping with his P.A. Kim Yeon (Baek Jong-rim). His mother Byung-han (Youn Yoh-jung), meanwhile, is watching her alcoholic husband die and enjoying a new lease of life with a new lover following a decade and a half with no sex.… Read the rest