Tag: debt

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Features Live Action Movies

Odyssey
(2025)

Director – Gerard Johnson – 2025 – UK – Cert. 18 – 110m

****

A ruthless London estate agent with mounting debts finds herself at the mercy of criminal backers – out in UK cinemas on Friday, November 7th

This starts off no holds barred with protagonist Natasha (Polly Maberly from Muscle, Gerard Johnson, 2019) having a tooth removed at the dentist’s, then having her card declined as she attempts to pay the £950 bill, going out of the front door after the third failed payment attempt. Throughout what follows, she will consistently receive phone messages about the outstanding amount and ignore them, although you suspect they are slowly eating away at her soul along with most of the other influences in her life. Somehow the incident seems to define her character: a driven, self-made woman – or, more accurately, a self-making one who never quite got there and lives beyond her means to maintain the illusion.

Natasha runs a tight office with right-hand woman Safi (Kellie Shirley), tech guy Spike (Charley Palmer Rothwell) developing a game-changing app for her, and promising new girl learning the ropes Dylan (Jasmine Blackborow). But Natasha is the person in charge of everything, the place where the buck stops, and despite their undoubted talents the other three seem scarcely to matter: it’s all about Natasha as she struggles to see through a hostile takeover, or, as she frames it, merger.… Read the rest

Categories
Animation Features Live Action Movies

Karate Kid
Legends

Director – Jonathan Entwhistle – 2025 – US – Cert. 12a – 94m

*****

Latest franchise entry plays by all the rules that you would expect, yet somehow manages to completely break the mould and come up with something fresh and original – out in UK cinemas on Wednesday, May 28th

All a Karate Kid movie has to do is put a boy in peril from a bully or similar, then have him schooled in martial arts by a trainer to discover his inner strength and ultimately overcome the bully in combat. This is facilitated by a fight competition at the end, in which the two come face to face with one another. While the original The Karate Kid (John G. Avildsen, 1984) clearly struck enough of a chord to spawn more films, some entries, such as The Karate Kid Part III (John G. Avildsen, 1989), have felt worn, tired and clichéd.

That changed with the genuinely brilliant idea of introducing Hong Kong’s clown prince of kung fu Jackie Chan as the trainer in the two decades later remake The Karate Kid (Harold Zwart, 2010), which breathed new life into the big screen franchise (there have also been live action and animated spin-offs made for television).… Read the rest

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Features Live Action Movies

Mickey 17

Director – Bong Joon Ho – 2024 – US – Cert. 15 – 134m

*****

Contracted to have his fleshly body reprinted, and his memory restored every time he dies, the expendable Mickey is assigned to a ship run by a right-wing power couple who plan to colonise a distant planet – science fiction adaptation is out in UK cinemas on Friday, March 7th

The snow has given way beneath his feet. Mickey Barnes (Robert Pattinson) has plummeted through several layers of ice and now lies helpless on a subterranean ice shelf. His best friend Timo (Stephen Yuen) comes to rescue him. Sorry. To retrieve mickey’s his gun, but leave Mickey himself there to die. Because, after all, it’s easier to reboot Mickey and upload his memories. His friend can’t but help to ask, “Mickey, what’s it like? To die?”

Left alone in the planet’s underground ice caves, where he’s already seen a fellow crew member attacked by cow-sized, insect-mammals for which will later be named “creepers”, Mickey 17 expects to be digested alive by the alien life forms. Of course he does – that’s what happens in movies about alien life on other planets. However, the script has some surprises in store, and the creepers, who are set to play a much bigger role in the story, don’t so much play the role of unfriendly monster as that of the misunderstood race of indigenous outsiders in relation to invading, would-be colonisers.… Read the rest

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Features Live Action Movies

Bring Them Down

Director – Chris Andrews – 2024 – Ireland – Cert. 15 – 105m

**

A feud between two neighbouring, Irish sheep farmers is made worse by toxic masculinity on both sides– out in UK and Ireland cinemas on Friday, February 7th

Two women in a car are being driven down an isolated country road. The older one, Peggy (Susan Lynch), is in the passenger seat talking to the unseen driver about why she’s finally leaving his father. The younger one Catherine (Nora-Jane Noone) sits horrified in the back seat as the driver reacts to the conversation by going faster and faster. The older one repeatedly and with increasing urgency shouts at the driver, “Mikey, slow down.” Eventually, there is a crash. Catherine’s face is disfigured. Peggy doesn’t survive.

The car crash opening is hardly new to the movies, gracing films as diverse as thrillers Dead Calm (Philip Noyce, 1989) and The Descent (Neil Marshall, 2005), and children’s drama Fly Away Home (Carroll Ballard, 1996). The scene is used differently here, with the crash caused by wilfully bad driving, in turn caused by the driver’s emotional immaturity, which signals the intention of the piece, most of the narrative of which takes place some years later.… Read the rest

Categories
Features Live Action Movies

Moor
(Mavr)

Director – Adilkhan Yerzhanov – 2024 – Kazakhstan, France – 83m

***

A mercenary known by the codename ‘Moor’ returns from the war to the big city to rescue his younger brother’s wife and son from her husband’s debts – premieres in the Critics’ Picks Competition of the 28th Tallinn Black Nights Film Festival

Found by the authorities, who apprehend him by a perimeter fence and remove his bag of home-made weaponry which includes a wooden bow and arrows and a knife carved from bone, which he will get back and make use of later in the plot, Moor is processed alongside wounded and traumatised veterans. He speaks few words and is in complete control of his faculties. The chief of police, who talks in a confident, jokey manner and insists on addressing him as Bro, feels more like a gangster than a cop, wearing a snakeskin jacket not unlike the hero of Wild at Heart (David Lynch, 1990) and often accompanied by a small entourage who read as gangsters rather than cops, even though the group occasionally expands to contain officers with the word POLICE on the back of their jackets.

He explains that Moor’s younger brother Houdini has disappeared, leaving behind him not only a mountain of debt but also a wife and small son.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Wilding

Isabella Tree, as played by Rhiannon Neads

Director – David Allen – 2023 – UK – Cert. PG – 75m

*****

How Isabella Tree and Charlie Burrell closed down their failing farm and instead let nature run wild to regenerate the land’s depleted biodiversity – inspiring documentary is out in UK cinemas on Friday, June 14th

Charlie Burrell and Isabella Tree (Lady Burrell) inherited the Knepp farm in West Sussex from his parents in the early 1980s. They kept it going for some 17 years. However, by the late 1990s, they were in debt to the tune of one and a half million pounds. Realising that agro-chemical pesticides and contemporary industrial farming practices were destroying the topsoil necessary for biodiversity and a healthy ecosystem, the couple then took the bold decision to stop farming and, with a little initial, minor tinkering, set about rewilding the land (i.e. letting nature take its course) and, hopefully, repair the damage done. They faced considerable opposition from the local farming community for the first five years or so. Then things began to happen which brought public opinion onto their side. In 2018, Isabella Tree wrote a book about the whole experience: Wilding: the return of nature to a British farm.

This documentary feature adaptation of Isabella’s eponymous 2018 book about their experience was shot during the pandemic and uses actors to portray the couple’s younger selves, so seamlessly cast that you actually don’t notice.… Read the rest

Categories
Animation Documentary Features Live Action Movies

Wilding

Good Stewardship

Wilding

Directed by David Allen

Certificate PG, 75 minutes

Released 14 June

After they inherited the Knepp farm in West Sussex from his parents in the early 1980s, Charlie Burrell and Isabella Tree (Lady Burrell) kept it going for some 17 years until the late 1990s, when they were one and a half million pounds in debt. The agro-chemical pesticides and industrial farming practices that they and other UK farmers use were destroying the land. The pair decided to stop running the estate as a farm and to see if there was a way of repairing or regenerating the depleted land. [Read the rest at Reform magazine.]

[Read my longer, alternative review for this site.]

Trailer:

Categories
Features Live Action Movies

Open The Door
(Opeun Deo Do-eo,
오픈 더 도어)

Director – Chang Hang-jun – 2022 – US, South Korea – Cert. 15 – 72m

*****

Serial bad decisions in five reverse chronology episodes of a New Jersey, Korean migrant family’s life suggest terrible consequences – from LKFF, the London Korean Film Festival 2023 which runs in cinemas from Thursday, November 2nd to Thursday, November 16th

Chi-hoon (Seo Young-joo from The Age Of Shadows, Kim Ji-Woon, 2016; Moebius, Kim Ki-duk, 2013) drives over to the house of his sister and brother-in-law Moon-suk (Lee Soon-won). Moon-suk is alone, and invites him in, digging out a bottle of whiskey and the best food that can be eaten with it, kimchi. In the ensuing conversation, as the pair get more and more inebriated, various unpleasant family truths emerge. Their mother has severe health issues, the couple are in financial trouble, and Moon-suk casts doubt on his wife’s character, suggesting that she’s not the good person her brother believes her to be and accusing her of wanting to murder their mum.

However, Chi-hoon has a different agenda: he wants to know why Moon-suk has been regularly hitting his sister. At one point, Moon-suk goes into the bedroom, retrieves a revolver and hides it on his person.… Read the rest

Categories
Features Live Action Movies

Mob Land

Director – Nicholas Maggio – 2022 – US – Cert. 15 – 110m

****

Needing money to pay off debts, a family man, mechanic and racer gets sucked into a robbery by his uncle, then finds himself working alongside a mob killer hired to clean up the loose ends of the crime – out in UK cinemas on Friday, August 25th

A small. rural town in the Southern States. Shelby Conners (Shiloh Fernandez) completely in love with wife Caroline (Ashley Benson) and devoted to young daughter Mia (Tina DeMartino), pops pills to get through the day and hasn’t yet told his wife about the mounting household bills. His uncle Trey (Kevin Dillon), the proud owner of an expensive, lurid lime green, Japanese car, offers him a way out in the form of a sure fire robbery about which Shelby is less than sure.

There’s this pills / meds store called the Happiness Pain Centre which, Trey explains, is turning over a huge amount of money a day and is only guarded by a couple of hicks, so it would be a pushover. And all Shelby needs to do is drive the car, something both men know he’s really good at, especially as Trey can provide the car to Shelby’s specification.… Read the rest

Categories
Documentary Features Live Action Movies

Hello, Bookstore

Director – A.B. Zax – 2022 – US – Cert. PG – 86m

*****

A small town US bookstore and its enthusiastic, bookworm owner are seen in good times and bad, bad being the global pandemic when it’s just getting by, profits plunge and the business is threatened with closure – out in UK cinemas and on demand on Friday, June 30th

Shot in a mixture of colour and black and white, this documentary about a bookstore (or bookshop, as we call them in the UK) in Lenox, Massachusetts – called, quite literally, The Bookstore – and its owner of 40 years Matt Tannenbaum opens with a short sequence in black and white showing the premises under pandemic lockdown, making this film an addition to that small but welcome group of movies that don’t pretend the pandemic never happened.

The genial Tannenbaum has to explain to callers that he’s not letting anyone in, “not for browsing, just for kerbside” and has lengthy conversations on the phone. He admits a masked delivery man with the latest shipment of books, but that’s all. “It’s so hard, it’s so boring, it’s so different,” he says. Clearly he prefers non-pandemic times, when people come into the store, and he can talk to them, find out what they like, and supply books suitable for their tastes.… Read the rest