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Flag Day

Director – Sean Penn – 2021 – US – Cert. 15 – 109m

****

A woman struggles to come to terms with her father who is a criminal and a pathological liar – out in cinemas on Friday, January 28th

This at once follows a linear narrative trajectory and doesn’t. On the one level, Jennifer grows into a woman, argues with her parents (with good reason) and attempts to find herself and make her way in the world. On the other level, images and sequences move effortlessly between Jennifer aged six (Addison Tymec), Jennifer as a young teenager (Jadyn Rylee) and the adult Jennifer (Dylan Penn). Sometimes it feels like the adult Jennifer having a flashback, sometimes it seems like we’re one of her younger selves, all very vivid and real. Sometimes it’s memory, sometimes it’s experience.

It’s based on the real life memoir of Jennifer Vogel, who apparently wrote the book trying to sort out her feelings about her unorthodox upbringing.

It starts and (more or less) ends with a line of cop cars pursuing suspect John Vogel (Sean Penn) wanted for counterfeiting. As the images roll over us, there’s a lot of adult Jennifer voice over in the first ten or so minutes (and elsewhere at odd moments in the film).… Read the rest

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Raging Fire
(Nou Fo,
怒火)

Director – Benny Chan – 2021 – Hong Kong – Cert.15 – 126m

***1/2

A cop comes up against his former disillusioned protégé who is now the mastermind behind a criminal gang – in cinemas from Friday, November 12th

A big deal is about to go down. Uber-honest cop Cheung Sung-bong (Donnie Yen) heads a unit constantly in trouble with his superiors owing to his refusal to take pay offs and play their corruption game. They consequently repeatedly block him from accessing supplies and equipment he and his men need to properly do their job. This has gone on for years, with officers cracking under the inevitable strain from time to time. One such is his protégé Yau Kong-ngo (Nicholas Tse), booted off the force for beating a suspect to death. Cheung has kept in touch with him in the interim.

The night of the big deal, Cheung is denied his team’s required equipment and consequently arrives late to the scene of the incident. The absence of Cheung’s expertise on site causes a fellow police colleague to be killed along with various gang members. Unbeknownst to Cheung, the second gang involved in the deal – which double-crosses the first – is headed up by the disillusioned Yau.… Read the rest

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The Gangster,
The Cop,
The Devil
(Akinjeon,
악인전)

Director – Lee Won-Tae – 2019 – South Korea – Cert. 15 – 109m

****

Better the devil you know. A no-nonsense cop and a ruthless gangland boss join forces to catch a serial killer in this South Korean thrilleron BBC Four Sunday, March 7th 22.00 and for one year after

Violent motorist Kang Kyung-ho (Kim Sungkyu) tailgates cars then after he and they have both pulled over stabs their unsuspecting drivers to death. One night, he picks mob boss Jang Dong-su (Ma Dong-seok) who fights back and gets away, inflicting wounds on the killer despite being first stabbed in the back. Meanwhile, his nemesis, cop Jung Tae-suk (Kim Mu-Yeol), is pursuing the same serial killer. Cop and gangster enter into an uneasy alliance to catch the murderer.

As South Korean gangster and crime movies have developed in recent decades, they’ve generally become slicker and, on one level, technically more proficient. Yet on another level, earlier South Korean gangster movies, while rougher around the edges, often have a lot more going on underneath the surface. This one however, while covering everything with the contemporary, superficially fast-paced and slick veneer with lots of impressive car chases and extremely violent one-on-one or group fights, achieves much more interesting dynamics beneath the slick, mass produced veneer.… Read the rest

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A Witness
Out Of The Blue
(Fan Zui Xian Chang,
犯罪現場)

Director – Fung Chi-Keung – 2019 – Hong Kong – Cert. N/C 15+ – 104m

****

When a member of a gang of jewel thieves is found dead, the murder suspect may not be the obvious person – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Following a jewellery store heist, a gang of robbers are to meet to split the loot. But someone gets to gang member Homer Tsui first, slits his throat and makes off with the bag of jewellery. There are no witnesses unless you count the pet macaw which saw the whole thing. When gang leader Sean Wong (Louis Koo) arrives, Tsui is already dead.

Senior Inspector Yip (Philip KeungTracey, Li Jun, 2018) is convinced Wong is guilty. “He’s harsh”, says pretty young officer Charmaine (Cherry Ngan), “but he takes care of you.” However, Officer Larry Lam (Louis Cheung Kai-Chung) seems to get on the wrong side of Yip all the time. Lam is passionate about caring for animals and runs a cat sanctuary in his spare time, but he’s got himself into debt with a loan shark setting it up and following an early morning run in with the moneylender arrives late to the crime scene of Tsui’s murder, not to mention slipping on some blood and falling flat on a corpse.… Read the rest

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The Cheaters

Director – Paulette McDonagh – 1930 – Australia – 95m
***1/2

A criminal gang leader’s lifelong vow for revenge threatens the future happiness of his daughter in this beautifully restored and presented Australian silent -– free to watch on BFI Player as part of the BFI London Film Festival 2020 from 13.00 hrs Sunday, October 11th to 13.00 hrs Wednesday, October 14th

The first thing to say about this film is that it looks in remarkably good nick by any standards. Judging by the restoration trailer, this is an amazing testimony to today’s technology. Much of the footage before had deteriorated to near unwatchable. After the process, it looks fantastic.

As for the silent side of things, the current presentation on BFI Player shows the film windowboxed as you’d expect but then also the keyboard accompanist in locked off shot, keyboards and hands only, also windowboxed in a comparatively tiny image at the bottom left. This proves extremely effective and provides an excellent model for both future online screenings of silents and presentation on home video media such as Blu-ray or DVD.

The film medium has come a long way since 1929, so this film begs the question, is it any good?… Read the rest