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Spider-Man:
No Way Home

Director – Jon Watts – 2021 – US – Cert. 12a – 150m

***1/2

With Spider-man’s identity revealed as Peter Parker, he enlists Dr. Strange’s magic to restore the world to its state before that revelation – out in cinemas on Wednesday, December 15th

Hard to remember now but there was a time before the millennium when a big screen Spider-Man adaptation was something no-one thought would ever get made. Following the hugely successful Spider-Man (Sam Raimi, 2002) there have effectively been three series of movies, with reboots The Amazing Spider-Man (Marc Webb, 2012) and the Marvel Cinematic Universe (MCU)-compliant Spider-Man: Homecoming (Jon Watts, 2107) plus three further appearances of the character in the MCU since 2016 (Captain America: Civil War, 2016; Avengers: Infinity War, 2018; Avengers: Endgame, 2019; all Joe and Anthony Russo). In the 2002-initiated cycle, the character was played by Tobey Maguire, in the 2012, Andrew Garfield and in the MCU / 2017, Tom Holland. The latter in Jon Watts’ films is particularly good at portraying Peter / Spider-Man as a gawky, insecure teenager.

There’s even a (hugely inventive) animated film Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, 2018) which sadly isn’t referenced in the current film.… Read the rest

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Raging Fire
(Nou Fo,
怒火)

Director – Benny Chan – 2021 – Hong Kong – Cert.15 – 126m

***1/2

A cop comes up against his former disillusioned protégé who is now the mastermind behind a criminal gang – in cinemas from Friday, November 12th

A big deal is about to go down. Uber-honest cop Cheung Sung-bong (Donnie Yen) heads a unit constantly in trouble with his superiors owing to his refusal to take pay offs and play their corruption game. They consequently repeatedly block him from accessing supplies and equipment he and his men need to properly do their job. This has gone on for years, with officers cracking under the inevitable strain from time to time. One such is his protégé Yau Kong-ngo (Nicholas Tse), booted off the force for beating a suspect to death. Cheung has kept in touch with him in the interim.

The night of the big deal, Cheung is denied his team’s required equipment and consequently arrives late to the scene of the incident. The absence of Cheung’s expertise on site causes a fellow police colleague to be killed along with various gang members. Unbeknownst to Cheung, the second gang involved in the deal – which double-crosses the first – is headed up by the disillusioned Yau.… Read the rest

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Features Live Action Movies

Ròm

Director – Tran Thanh Huy – 2019 – Vietnam – Cert. 12a – 79m

*****

An urban street kid works as a lottery runner to survive while a slightly older boy attempts to steal his turf – from the London East Asia Film Festival (LEAFF), on now

Spending his nights alone in his slum rooftop shack under the stars shooting tin cans with a catapult, young teenager Ròm (Tran Ahn Khoa) must live by his wits. The tenants of his block, like all the city’s residents, are obsessed with the lottery, the only chance any of them have of getting out of poverty. He spends his days going around collecting bets, racing to place them with the bookies on time then racing back equally fast to deliver the results as soon as they’re announced.

If the numbers win, people collect their money and he’s a local hero. If they don’t his customers may beat him up. It’s a challenging and desperate lifestyle, right down at the bottom of the social pile, yet a part of him seems to thrive on it, almost like some indescribable, youthful affirmation of life.

In the course of trying to impress the local, pool playing gangster, older homeless teeenager Phúc (Nguyen Phuc Anh Tu) – who took his name from a Westerner he worked for some time back who used a simiar sounding word a lot – attempts to muscle in on Ròm’s customers and turf.… Read the rest

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Features Live Action Movies

Occupation: Rainfall

Director – Luke Sparke – 2020 – Australia – Cert. 15 – 128m

*

Australian alien invasion epic with lots of seasoned actors and heaps of special effects. What could possibly go wrong? out in cinemas on Friday, July 9th

A sequel to Australian alien invasion outing Occupation (2018) by the same director, this big effects movie spends much time and effort on spectacular alien spaceships and dogfights, prosthetics alien costumes and the occasional creature that couldn’t possibly be portrayed by a human actor in a suit. These visual effects do the job but aren’t particularly engaging. The piece overall lacks original ideas and panache. 

The sketchy plot has the world (i.e. Australia) invaded by aliens called ‘Greys’ because of their skin colour while a military force under Wing Commander Hayes (Daniel Gillies from Spider Man 2, Sam Raimi, 2004) is fighting back. Hayes believes force is the only way to deal with the invaders and has consequently sidelined peace negotiator Amelia The Human (Jet Trantor from Thor: Ragnorok, Taika Waititi, 2017) who has made the effort to learn to speak the alien language. Greys unsympathetic to the invasion live amongst the humans. 

A wise elder named Abe (David Roberts from The Matrix Reloaded and The Matrix Revolutions, Lana & Lilly Wachowski, 2003) despatches a two-man recon mission to find and discover the exact nature of the eponymous Project Rainfall.… Read the rest

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Black Widow

Director – Cate Shortland – 2021 – US, UK – Cert. 12a – 133m

****

Marvel’s latest is less about mysterious former spy Black Widow than the relationship between her and her younger sister – out in cinemas on Wednesday, July 7th

The nuclear family of a father, mother and two young daughters growing up in Ohio in the mid-1990s turns out not to be a nuclear family at all but a man, a woman and two unsuspecting children planted there to look like one by mysterious Russian organisation the Red Room. Natasha (Ever Anderson) is both highly competitive with and protective of her little sister Yelena (Violet McGraw). When someone gets hurt, their mother Melina (Rachel Weisz) is always there for comfort and support.

“You remember how we said one day we’d have an adventure?” says dad Alexei (David Harbour). “Well, that day has come.” He has the only remaining copy of computer files on a disc. There’s an hour to pack before first police cars then S.H.I.E.L.D. SUVs turn up looking for them. By the time the SUVs find them, the family are busy taking off in a private plane from a hidden airfield. When they reach Cuba, the mother is dying from a bullet wound while the father is revealed as a mercenary, happy to see the two children who aren’t actually their daughters at all sedated and taken away after the older Natasha has pulled a gun on her ‘dad’.… Read the rest

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Fast & Furious 9

Director – Justin Lin – 2021 – US – Cert. 12a – 145m

***

The hero’s embittered younger brother must be prevented from assembling a device with which he can conquer the world – in cinemas from Thursday, June 24th

Latest instalment of the long running franchise features stalwart characters Dom Toretto (Vin Diesel) and Letty (Michelle Rodriguez) who at the start are living off-grid as Dom is attempting to be a good father to his small son Brian. Cue a surprisingly gripping scene where their isolated residence receives visitors and it becomes apparent that Brian has been trained to hide himself in a specially constructed trunk on such occasions while the two adults, guns at the ready, prepare for what might be coming. (Strangely, this scene has an emotional resonance rare in the rest of the film; it’s one of the best things in it.)

The visit is friendly – it’s Roman (Tyrese Gibson), Tej (Chris ‘Ludacris’ Bridges), Ramsey (Nathalie Emmanuel, exploiting her English accent to the full) and Dom’s sister Mia (Jordana Brewster), members of the crew with whom the adults have shared adventures in previous The Fast And The Furious instalments, and they lay out what’s to follow which involves further characters from previous instalments: the shady intelligence operative Mr.… Read the rest

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Shock Wave
(Chai Dan
Zhuan Jia,
拆彈專家)

Director – Herman Yau – 2017 – Hong Kong – Cert. 15 – 118m

****

A bomb disposal expert must prevent a bomber from destroying the Cross Harbour Hong Kong Tunnel and taking numerous innocent lives in the process – now available to rent online in the new Chinese Cinema Season 2021 in the UK & Ireland as part of the Hong Kong, Reimagined strand until Wednesday, May 12th

Undercover police bomb disposal expert JS Cheung (Andy LauInfernal Affairs, Andrew Lau, Alan Mak, 2002, Days Of Being Wild, Wong Kar-wai, 1990, As Tears Go By, Wong Kar-wai, 1988) of the Hong Kong Police’s Explosive Ordnance Disposal Bureau (EOD) blows his cover during a daring operation by a gang of criminals to kill as many cops as possible using car bombs. The car chase mayhem ends with the arrest of Biao Hong (Leo Wang Zi-yi) the explosives nerd and little brother of gang leader Peng Hong (Jiang Wu – Wrath Of Silence, Xin Yukun, 2017; Monster Hunt, Raman Hui, 2015). Some time later, Peng Hong Blocks traffic in the busy Cross Harbour Hong Kong Tunnel running from Kowloon to Hong Kong, trapping motorists and passengers as hostages and threatening to blow up the tunnel unless his brother is released.… Read the rest

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The Empty Hands
(Hung Sau Dou,
空手道)


Director – Chapman To – 2017 – Hong Kong – Cert. N/C 15+ – 97m

Film *****

Subtitle legibility *

A Hong Kong Chinese-Japanese must come to peace with her late, estranged karate-obsessed father – online in the UK as part of Hong Kong Focus 2021 from Tuesday, February 9th to Monday, February 15th

To get the subtitle issue out of the way first, the subs here are what subs often used to be forty years ago – white with no black edge around the lettering. So as soon as the lettering appears over a white area of the image, it’s rendered invisible and illegible. These days, that system is rarely used so it’s rarely a problem. But there are several scenes here when it’s an issue. Nothing that will fundamentally spoil the film, but it’s a pity that someone cut a corner and didn’t get this quite right. If it ever turns up on home video, I hope someone redoes the subs properly to make them legible. The translation seems fine, which makes the poor legibility far more irritating. Now then, the film…

This follows the time-worn, martial arts movie template of a hero with something to prove so they train for a big competition fight in which they somehow find themselves.… Read the rest

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Live Action Movies Shorts

Jellyfish

Director – Che Chun Hei – 2018 – Hong Kong – Cert. N/C 12+ – 30m

****1/2

A gangland sniper’s shooting of his designated target leads to a friendship with a dog and further unauthorised killings – online and Free To View in the UK in the Fresh Wave short films strand of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th

Gangland boss Shing (Lau Kong) sets up a sniper (Bowie Chan Wai Wing) in an apartment in a block overlooking a patch of waste ground. Every day, a man walks his dog over this patch. The man is the sniper’s designated target. So the sniper sets up his gun, passes the time, tries to get a decent signal on the TV, smokes, relaxes on the sofa, anything but look through his viewfinder and watch the man and dog pass.

Finally, the order “today” comes though his pager from Shing. One shot and the guy is dead. The dog just sits there, remaining where his master fell. A black van rolls up. Two guys. One has a revolver and thinks of shooting the dog, but doesn’t do it.

The sniper feels for the dog. He takes it food.… Read the rest

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Animation Features Live Action Movies

Zu Warriors
From The
Magic Mountain
(Shu Shan
– Xin Shu Shan Jian Ke,
新蜀山劍俠)

Director – Tsui Hark – 1983 – Hong Kong – Cert. 12 – 98m

*****

One of the greatest special effects action movies ever made, this groundbreaking epic delivers non-stop, near unbelievable, visually entrancing vistas of Chinese mythology – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th and available on Blu-ray

There are films which seem almost single-handedly to define cultures. There are plenty of elements in Zu Warriors From The Magic Mountain that can be found elsewhere in Hong Kong cinema – martial arts stunts, flying wire work, period costumes, stock figures, airborne drapery – and yet the precise way this mixes these elements up then adds in others and adds in lots of 2D effects animation makes it a unique work, even by Tsui’s extraordinary standards.

With the ancient world in which he lives in a state of chaos due to constantly warring human factions, a man gets swiftly out of his depth when he sidesteps all that to follow a hero in the hope of becoming his disciple as the hero battles the forces of evil. If this sounds very highbrow… well, perhaps it is. Or perhaps it’s just an excuse to put together a series of truly extraordinary special effects action set-pieces that transport the viewer to mythological otherworlds the exact like of which have never been seen onscreen before or since.… Read the rest