Tag: 2D animation

Categories
Animation Features Movies

Hello World
(ハロー・ワールド)

Director – Tomohiko Ito – 2019 – Japan – 97m

****

A social misfit schoolboy must rescue a girl classmate from the rogue software underpinning a virtual, future version of Kyoto with the help of his time travelling, ten years older self who is in love with her – plays online in the Japan Foundation Touring Film Programme 2021 in the UK, 48 hour rental window from 6pm, Monday, March 1st

Kyoto, 2027. Bookwormish Naomi Katagaki (voice: Takumi Kitamura) doesn’t really fit in at his Kyoto school. When he walks there in the morning, the fact of his head being buried in a self-improvement book seems the perfect metaphor for his complete lack of social skills. Asked by a bright, pretty classmate if he’d like to join her and a bunch of others for karaoke after school, he doesn’t really know how to respond and before we know it, she and the group have gone.

He doesn’t really pay attention to those around him, so he gets ignored. While he’s working out what food to select in the canteen lunch queue, everyone has dived in and taken everything but the one option no-one wants. Only when the subject of who is to volunteer for the library duty comes up do his fellow students take any interest in him – by recommending him for the post to which he agrees more out of an inability to say no than from any real desire to take it on.… Read the rest

Categories
Animation Features Movies Series Television

Black Cat Detective
(Heimao Jingzhang,
黑猫警长)

Director – Dai Tielang – 2010 – China – Cert. N/C U – 76m

Parental Warning: Although this drawn animation has a (completely legitimate) recommended UK U certificate, it contains a lot of gun and knife violence and, in the subtitles, one swear word.

****

Black Cat Detective and his fellow police protect everyday citizens from nefarious criminal animals including a mouse mastermind – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

A purple mole proudly shows the children sacks of supplies stocked in his granary for the coming Winter. Unfortunately, an evil criminal mastermind mouse (backed by music with a stinger cue ripped off the opening of Bernard Herrmann’s score for Psycho, Alfred Hitchcock, 1960) has his eye on these stocks and breaks in with his gang who get drunk on red wine and oil before passing the sacks out of the granary window, which action alerts the mother mole whose attempt at stopping them is thwarted by their throwing enough sax onto her to pin her down.

The cops led by Black Cat Detective turn up to shoot at the mice, one of whom they hit, and arrest the mole children on the premises, quickly realising their mistake and releasing the latter.… Read the rest

Categories
Animation Features Movies

The Monkey King:
Havoc in Heaven
3D
(Da Nao Tian Gong,
大闹天宫)

Directors – Wan Laiming, Cheng Tang – 3D Restoration, 2012 (originally Part One, 1961; Part Two, 1964) – China – Cert. N/C PG – 92m

****

The Jade Emperor assigns the Monkey King to a series of lowly Heavenly positions to keep him out of trouble and mayhem ensues – available to rent online from Friday, February 12th to Wednesday, May 12th in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021

In a blink and you’ll miss it moment, the Monkey King Sun Wokong breaks out of the rock in which he’s been imprisoned to realise he needs a decent personal weapon and talk the Dragon King out of his prized, giant Golden Ringed Wishing Staff, shrinking it to manageable size. The latter complains to the Jade Emperor, so to keep him out of further trouble Monkey is named Great Sage, Equal Of Heaven and assigned to a series of lowly Heavenly positions in charge of first the stables then the Queen’s peach orchard.

Upon learning that the Queen and her companions are unaware of his title and have failed to invite him to their upcoming banquet, Monkey turns himself invisible, causes the guests to fall asleep and takes the food back to his Fruit And Flower Mountain home on Earth to distribute it among his boy monkey subjects.… Read the rest

Categories
Animation Features Movies

WolfWalkers

Director – Tomm Moore, Ross Stewart – 2020 – Ireland, Luxembourg, France – Cert. PG – 100m

*****

An adventurous English girl from Kilkenny encounters a wild Irish girl in the woods who can change into a wolf in groundbreaking 2D animation – on BFI Player as part of the BFI London Film Festival 2020 on Saturday, October 10th, 18.30-19.00 start, in cinemas from Monday, October 26th, then on Apple TV from Sunday, 13 December

This is co-director Moore’s third production based on Irish mythology for Irish animation house Cartoon Saloon following The Secret of Kells (2009, about the making of the Book Of Kells) and Song of the Sea (2014, about selkies / mermaids).

Irish WolfWalkers mythology concerns humans who can transform into wolves and back again, while mankind’s relationship with the wolf down the ages has to do with destroying its natural habitat and a fear of the animal derived largely from its attacks on small animals such as pets and, very occasionally, children. These two ideas are combined in the film WolfWalkers along with Oliver Cromwell’s conquest of Ireland as Lord Protector, although historical accuracy clearly isn’t the intention as not only is his name left out abut also what happens to the Lord Protector here is very different from what happened to him in real life.… Read the rest

Categories
Animation Features Movies

WolfWalkers

Subdue the forest

Wolfwalkers
Directed by Tomm Moore and Ross Stewart
Certificate PG, 100 minutes
Previews from 26 October, released 30 October, then on Apple TV from 13 December

The tree cutters attempting to clear the forest around the walled town of Kilkenny, Ireland, live in fear of wolves. They also believe in WolfWalkers – human by day, wolf by night – who appear in daylight to call off wolf attacks on humans. Ireland is under English rule, administered by the God-fearing Lord Protector (Simon McBurney) through his northern English officer Bill Goodfellowe (Sean Bean), charged with clearing the forest of wolves. Bill’s young daughter Robyn (Honor Kneafsey) dreams of slaying wolves with her crossbow. However, children are barred from leaving the city.

This prohibition doesn’t prevent Robyn from sneaking out to the forest, however, where her wolf hunting goes disastrously wrong… Read the rest

Review for Reform magazine.

See also my BFI London Film Festival 2020 review.

Previews from 26 October, released 30 October, then on Apple TV from 13 December.

Categories
Animation Features Movies

Underdog
(언더독)
aka
A Dog’s Courage

Directors – Lee Choon-baek, Oh Sung-yoon – 2018 – South Korea – Cert. U – 102m

****

An abandoned dog falls in with a pack of wild dogs with whom he learns to survive – animated feature plays online from 2pm Friday, November 6th to 2pm Monday, November 9th, book here, from the Animation strand of the London Korean Film Festival (LKFF)

In a genuinely heartbreaking opening, a man drives out to nowhere, tells his dog he’s totally free and leaves him a big bag of dog biscuits. The man throws a tennis ball and while the dog runs to fetch it, he drives away. We pull out to vast landscapes, emphasising the dog is alone.

Before long, the dog Moong-Chi (voice: Do Kyung-soo) runs in to a pack of similarly abandoned dogs who are living in a derelict building which they share with the newcomer. That isn’t going to last though: a digger moves in to demolish it. Moong-chi must be rescued by pack member and small scots terrier Jjang-a (voice: Park Cheol-min) from the hunter, a cruel biker who catches and imprisons dogs for the sole purpose of breeding them for profit. As bitch Ba-mi (voice: Park So-dam, from Parasite, Bong Joon Ho, 2109) puts it, it’s a dog factory.… Read the rest

Categories
Animation Features Live Action Movies

First Love
(Hatsukoi,
初恋)

Director – Takashi Miike – 2019 – Japan – Cert. 15 – 108m

*****

A boxer with no fear of death. Japanese yakuza, Chinese triads. A bag of drugs. A girl sold into prostitution. Miike orchestrates his potent cocktail with pace, panache and energy – cinemas Friday, February 14th, home video Monday, February 24th

And yet, as its release date implies, First Love is also a Valentine’s Day-friendly date movie. Not, admittedly, your average date, but Miike has never been your average director. High-profile titles released in the West like Dead or Alive, Ichi the Killer and Yakuza Apocalypse give an certain idea of what he’s about – life, death and gangsters. This is only one facet of a career which also boasts samurai epics and a musical. If you count his made-for-video features of the early 1990s, Miike has now made over a hundred films. Many are highly entertaining and one or two, such as Audition, the sweet romantic film that turns into a terrifying horror thriller, might justifiably be termed great. First Love may not quite be Audition, but it’s arguably his best film for years… [Read more]

Full review at All The Anime.

Categories
Animation Features Movies

I Lost My Body
(J’ai Perdu
Mon Corps)

Director – Jérémy Clapin – 2019 – France – Cert. 12a – 81m

****1/2
A severed hand searches for its body while a boy searches for the girl who he only knows from the sound of her voice in this French animated feature – from the BFI London Film Festival then in cinemas on Friday, November 22nd and on Netflix from Friday, November 29th

This unique 2D animation opens with a discussion about how to catch a fly before splitting into two parallel narratives. In one, a severed hand goes on a quest in search of the body from which it has become detached. In the other, boy meets girl. This is the boy who at a later point in the film will lose his hand in an accident. The opening fly discussion turns out to be a flashback of the boy.

The hand shows great ingenuity as it escapes rats in a subway, climbs medical skeletons in a storage room and duels with an aggressive pigeon in a roof gutter. It has a pretty hard time of it physically. And when it eventually finds its body, reuniting with it proves far from simple.

The boy, Naoufel (voiced by Hakim Faris in the seen French version and Dev Patel in the upcoming English dub), is working as a pizza delivery boy, a job to which he isn’t particularly suited.… Read the rest

Categories
Animation Features Movies

The Relative Worlds
(Ashita Sekai
Ga Owaru
To Shitemo,
あした世界
が終わる
としても)

Director – Yuhei Sakuragi – 2019 – Japan – 93m

***

Teenage romance, parallel worlds and dysfunctional families are the main ingredients of The Relative Worlds, Yuhei Sakuragi’s uneasy cross between a mawkish boy meets girl tale and a sci-fi action picture in the James Cameron mould. The romantic, emotional parts are gentle and almost hesitant. The science fiction, fantasy and action parts are fast, full on and frantic – and indeed in places quite hard to keep up with. The dysfunctional families are more a background plot device than anything else. That said, if you’re prepared to get on its wavelength (or wavelengths, plural) it’s an enjoyable enough romp, with action that looks great on a big screen… [read more]

Full review at All The Anime.

Trailer:

Festivals

2019

Scotland Loves Anime

Annecy International Animation Festival

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

The story functions as an effective fable about adulthood and life. Michaël Dudok De Wit and his team brilliantly develop the character of the man through the various challenges he must face… [Read the rest]

Review originally published in DMovies.org, May 2017, to coincide with the film’s UK theatrical release.