Category: Features

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Features Live Action Movies

Mad World
(Yat Nim
Mou Ming,
一念无名)

Director – Wong Chun – 2016 – Hong Kong – 101m

*****

Mental health is no child’s play: all the odds seem to be stacked against a father’s struggles to care for his bipolar adult son, in a film that’s a sharp comment on Hong Kong’s failure to care for the most vulnerable – played in Creative Visions: Hong Kong Cinema 1997 – 2017, which took place in London between November 17th and 19th 2017

Lorry driver Wong (Eric Tsang) lives in a cramped apartment block in Hong Kong. He collects his estranged adult son Tung (Shawn Yue) from the hospital. Tung is bipolar and the doctors say there is nothing more they can do in order to help him. He must return home.

But “home” is less simple than it sounds. His mum (Elaine Jin) was bipolar, too. Dad walked out on the family years earlier. Tung resents him for it just as he resents his brother, his mother’s favorite, who impressed her by doing well in school and getting himself a lucrative job in the US where he now lives.

As he pointed out to his mother while she was still alive, it was Tung – and not his idolised brother – who stayed behind to look after her.… Read the rest

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Features Live Action Movies

The Fortress
(Nam Han
San Seong,
남한산성)

Director – Hwang Dong-hyuk – 2017 – South Korea – 140m

**** 1/2

Korean period, winter war movie in which a besieged King, his court and his army decide whether to negotiate or fight as the enemy approaches – the opening film in the London East Asia Film Festival 2017

From its title you might assume that this big budget Korean offering was primarily a period war action epic more interested in spectacle and entertainment than anything else. In fact it’s an adaptation of contemporary writer Kim Hoon’s latest bestseller which explores a specific episode of history. The Fortress takes place in 1636, when King Injo of the Joseon Dynasty (Park Hae-il from The Host, Bong Joon-ho, 2006) was trapped in the mountain fortress of Namhan along with his ministers and court. It was winter and his army was suffering from exposure. To the South was the expansionist enemy Qing army advancing into territory hitherto under the protection of the Ming Empire.

At the start Kim Sang-hun (Kim Yun-seok), later revealed as Injo’s Minister of Rites, has a ferryman take him safely across the frozen river which is the route to Namhan. The old man bemoans his lack of payment for guiding others along the same route and wonders if the Qing will pay any better.… Read the rest

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Features Live Action Movies

Memoir
Of A Murderer
(Salinjaui
Gieokbeob,
살인자의 기억법)

Director – Won Shin-yeon – 2017 – South Korea – 118m

***

A K-thriller with a memorable premise: serial killer with Alzheimer’s suspects man dating his daughter is also a mass murderer – at the London Film Festival 2017 and London Korean Film Festival 2018

At the start of Memoir Of A Murderer, Kim Byung-su (Sul Kyoung-gu) walks dazedly out of a dark tunnel into a white, wintry landscape. Like so much in this convoluted South Korean thriller, that might be highly significant or symbolic, a metaphor, a journey, a state of mind. Or it might not. It’s undeniably a visually striking and arresting starting point. In the manner of frame stories or flashbacks in so many films, we return to this sequence towards the end. But it’s not clear at the start that this is a flashback, and it’s no clearer at the end when this scene recurs.

That’s indicative of some of the games screenwriter Hwang Jo-yoon (co-screenwriter of Park Chan-wook’s Oldboy, 2003) and director Won Shin-yun want to play with their audience. They’re plugging into a long cinematic tradition of films dealing with impossible memory and that peculiar subset thereof most notably represented by Memento (Christopher Nolan, 2000) in which a main character suffers from amnesia or memory loss.… Read the rest

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Features Live Action Movies

Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest

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Features Live Action Movies

Bluebeard
(Haebing,
해빙)

Director – Lee Soo-youn – 2017 – South Korea – 115m

****

A Korean Twin Peaks clone. A doctor becomes increasingly suspicious of his downstairs butchers’ shop neighbours: are they chopping people up and dumping their remains in the Han River? – London Korean Film Festival (LKFF) 2017 teaser screening

Dr. Byun Seung-hoon (Cho Jin-woong) is working at a colonoscopy clinic where the owner puts in the occasional appearance. The drugs they use have the unfortunate side effect of making their patients talk freely just like people do in their sleep. One day he’s treating the demented father (Goo Shin) of his landlord Sung-geun ( Kim Dae-myung) who runs a butcher shop on the ground floor below his cramped apartment when the old man starts talking about where to put body parts such as the legs and the torso. When the TV news reports on a woman’s body found in pieces in the Han River, Byun puts two and two together.

When Dr. Byun is accosted by Sung-geun the same evening, the two go to the former’s flat and consume drink and food. Medical textbooks are stacked in piles. That’s all he reads. Oh, and mystery novels. He likes the latter because, he says, they provide him with answers… Another evening, his ex-wife comes over and tries to mend their relationship but it doesn’t work and she storms out after a furious row.… Read the rest

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Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

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Documentary Features Live Action Movies

The Lovers
And The Despot

Directors – Ross Adam, Robert Cannan – 2016 – UK – Cert. PG – 98m

Jeremy Clarke on a story too crazy to be anything but true…

This documentary concerns a South Korean film director and his leading actress, kidnapped by North Korean leader Kim Jong-Il for the purpose of beefing up that country’s film industry – an incredible story that may be familiar from the earlier book on the subject, A Kim Jong-Il Production.

Actress Choi Eun-hee met director Shin Sang-ok on his 1955 film Dream. They became a celebrity couple working together on numerous films and raising a family until she discovered he had fathered two more children with a younger actress. The couple’s seeming fairytale romance disintegrated into divorce. Shin’s production company was in financial trouble and his wife began looking elsewhere for film projects.

In 1978, Choi took a trip from South Korea to Hong Kong to meet a producer and discuss a possible production. She never returned. A few months later, ex-husband Shin followed her trail. He too disappeared…

Read more over at All The Anime.

See also: Camp 14: Total Control Zone.

Trailer:

Categories
Features Live Action Movies

Prometheus

Director – Ridley Scott – 2012 – US – Cert.15 – 124m

*****

UK release date 02/06/2012.

Western social attitudes to women have come a long way since Ripley (Sigourney Weaver) gratuitously stripped down to her underwear prior to fending off the malevolent creature in the finale of Ridley Scott’s seminal sci-fi shocker Alien (1979), but would appear still to have a long way to go.

You might think the glass ceiling has been abolished with the expedition on spaceship Prometheus being run by ice-cool blonde Meredith Vickers (Charlize Theron), but subsequent plot twists (which we won’t reveal) suggest otherwise. Scientist Elizabeth Shaw (Noomi Rapace), impossibly pregnant with a mysterious and rapidly growing embryo, is unexpectedly forced to improvise when the automated medical operations facility with which she had hoped to perform her own Caesarian turns out programmed for male surgery only. If sisters are now doing it for themselves, plenty of male-designed hurdles are still making sure they don’t do it it that easily.

Elsewhere, as Prometheus pre-empts the Alien franchise’s “which one of the crew is an android?” gambit by introducing us to the non-human David (Michael Fassbender) walking around the ship before he awakens first Vickers then her subordinate crew members from hyper-sleep, the android male still appears to possess more final authority than anyone else on board.… Read the rest

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Features Live Action Movies

Bright Star

Director – Jane Campion – 2009 – UK – Cert. PG – 119m

*****

The early nineteenth century romance between prospectless young poet John Keats and the younger Fanny Brawne – in cinemas from Friday, November 6th 2009

Bright Star‘s title comes from an 1819 love poem written by 23-year-old John Keats for 18-year-old Fanny Brawne, his next door neighbour. The poet (historical spoiler coming) contracted tuberculosis and died at the tender age of 25, before the couple could be married. Brawne subsequently mourned him for several years.

As you might expect from a filmography including both The Piano and In The Cut, Jane Campion is never one to match standard expectations and often overturns them to advantage.

There is scarce little (verbal) poetry here either spoken by the actors onscreen or in voice-over. The source materials are Andrew Motion’s biography Keats and the poems themselves. Reading Motion’s book, Campion was very taken with his material on the love relationship between the poet and Brawne and thought there could be a film there. Without any real idea as to how such a film would work at the time. She eventually opted for telling the couple’s story through the eyes of the girl.… Read the rest

Categories
Features Live Action Movies

Pan’s Labyrinth
(El Laberinto
Del Fauno)

Director – Guillermo del Toro – 2006 – Mexico – Cert. 15 – 119m

*****

In the aftermath of the Spanish Civil War, a young girl must complete three tasks for a mysterious faun in an underground kingdom – in UK cinemas from Friday, November 11th 2006.

Mexican director del Toro is best known as a director of big budget Hollywood horror-ish effects fests like Mimic (1998), Blade II (2004) and Hellboy (2004). More impressive however – and less easily generically defined – are the two movies he’s made in Spain set in the immediate aftermath of the Spanish Civil War. The Devil’s Backbone (2001) is a ghost story with an alien ambience reminiscent of visionary SF writer J.G.Ballard. Pan’s Labyrinth (2006) is arguably even more ambitious: at once a no holds barred fantasy / horror outing and a brutal and violent war drama. And much, much more besides.

Following a fairytale prologue concerning a subterranean princess’ departure from her underground kingdom for the surface world where her former identity is unknown, young girl Ofelia (Ivana Baquero) travels cross-country with her mother Carmen (Ariadna Gil) to live with Carmen’s new husband Vidal (Sergi López), a ruthless Captain in Franco’s army obsessed with stamping out the remaining rebel forces.… Read the rest