Categories
Animation Movies Shorts

Snow Kid
(Xue Hai Zi,
雪孩子)

a.k.a. The Snow Child

Director – Lin Wenxiao – 1980 – China – Cert. N/C – 20m

***

A mother and her daughter build a snow child which comes to life and later saves the girl’s life – available to rent online in the UK & Ireland as part of the Shanghai Animation Film Studio Retro in the Chinese Cinema Season 2021 from Friday, February 12th to Wednesday, May 12th

Made a couple of years ahead of the perennial British Christmas TV animated favourite The Snowman (Jimmy T. Murakami, Dianne Jackson, 1982), this similarly has a story of a child making a snowman which then comes to life. A mother rabbit and her daughter live in a small house near the woods. The mother prepares food while her daughter plays with a rocking toy then suggests she and the child make a snowman, so they go outside and do exactly that.

After the mother has coaxed the child into using for the snowman’s eyes two precious longan seeds the child plans to plant next Spring, the girl tries to add a nose, but when her back is turned, the snow child pulls the carrot off and throws it on the ground.… Read the rest

Categories
Animation Movies Shorts

If Anything Happens
I Love You

Directors – Will McCormack, Michael Govier – 2020 – US – 12m

*****

A couple and their spirit selves are haunted by a tragic loss from their family’s past in this beautifully economic, drawn animated short about grief and loss – on Netflix and winner of Best Animated Short at the 2020 / 2021 (93rd) Oscars

Drawn animation. A couple eat at home. Meatballs and spaghetti. Silently. Drawn in stark, gloomy black and white lines. Behind them, in sharply outlined areas of black smudge, the shadows of their spirit selves or perhaps their memories argue. This relationship is in trouble.

They go about the business of everyday living, in empty black and white, trying to snatch moments of individual joy where they can. He wanders round the outside of the house, noticing once again that bit of plasterwork he really should get fixed. She tends the potted plants and takes the laundry out of the machine, picking up the child-sized blue t-shirt. He sits watching the TV with a can of drink. She wanders into the bedroom with the empty bed and somehow the record player and a pop song gets turned on.

Happier times, playing football with their daughter (10) in the garden, the ball taking off a chuck of the wall cladding.… Read the rest

Categories
Animation Features Live Action Movies

Zu Warriors
From The
Magic Mountain
(Shu Shan
– Xin Shu Shan Jian Ke,
新蜀山劍俠)

Director – Tsui Hark – 1983 – Hong Kong – Cert. 12 – 98m

*****

One of the greatest special effects action movies ever made, this groundbreaking epic delivers non-stop, near unbelievable, visually entrancing vistas of Chinese mythology – online in the UK as part of Focus Hong Kong 2021 from Tuesday, February 9th to Monday, February 15th and available on Blu-ray

There are films which seem almost single-handedly to define cultures. There are plenty of elements in Zu Warriors From The Magic Mountain that can be found elsewhere in Hong Kong cinema – martial arts stunts, flying wire work, period costumes, stock figures, airborne drapery – and yet the precise way this mixes these elements up then adds in others and adds in lots of 2D effects animation makes it a unique work, even by Tsui’s extraordinary standards.

With the ancient world in which he lives in a state of chaos due to constantly warring human factions, a man gets swiftly out of his depth when he sidesteps all that to follow a hero in the hope of becoming his disciple as the hero battles the forces of evil. If this sounds very highbrow… well, perhaps it is. Or perhaps it’s just an excuse to put together a series of truly extraordinary special effects action set-pieces that transport the viewer to mythological otherworlds the exact like of which have never been seen onscreen before or since.… Read the rest

Categories
Animation Features Movies

WolfWalkers

Subdue the forest

Wolfwalkers
Directed by Tomm Moore and Ross Stewart
Certificate PG, 100 minutes
Previews from 26 October, released 30 October, then on Apple TV from 13 December

The tree cutters attempting to clear the forest around the walled town of Kilkenny, Ireland, live in fear of wolves. They also believe in WolfWalkers – human by day, wolf by night – who appear in daylight to call off wolf attacks on humans. Ireland is under English rule, administered by the God-fearing Lord Protector (Simon McBurney) through his northern English officer Bill Goodfellowe (Sean Bean), charged with clearing the forest of wolves. Bill’s young daughter Robyn (Honor Kneafsey) dreams of slaying wolves with her crossbow. However, children are barred from leaving the city.

This prohibition doesn’t prevent Robyn from sneaking out to the forest, however, where her wolf hunting goes disastrously wrong… Read the rest

Review for Reform magazine.

See also my BFI London Film Festival 2020 review.

Previews from 26 October, released 30 October, then on Apple TV from 13 December.

Categories
Animation Documentary Features Live Action Movies Music

White Riot

Director – Rubika Shah – 2019 – UK – Cert. 15 – 80m

***1/2

Documentary charts the rise of the UK’s Rock Against Racism movement of the late 1970s and features among others The Clash, Steel Pulse and Tom Robinson – in cinemas and on BFI Player and Curzon Home Cinema from Friday, September 18th

Curiously prescient for our own time, the late nineteen seventies saw the rise of the far right movement in Britain characterised by the National Front and its desire to send all non-white British residents “back where they came from”. One of the other things that happened at that time in the UK was in the seemingly unrelated area of music: punk rock. Something clicked for photographer Red Saunders when the NME dispatched him to shoot Punk Night at London’s ICA venue. He saw an immediacy and an energy to what was going on, with bands the The Clash singing about social issues such as unemployment.

Fuelled by some ill-advised, vaguely Teutonic sentiments from David Bowie and, more specifically, a gig where guitarist Eric Clapton encouraged people to go and vote for racist MP Enoch Powell and everything he represented, Saunders set up the Rock Against Racism (RAR) movement to bring together youth from the UK’s various different ethnic backgrounds.… Read the rest

Categories
Animation Features Live Action Movies

The Lord
of the Rings:
The Fellowship
of the Ring
(Extended Edition)

The Lord Of The Rings: The Fellowship Of The Ring (Extended Edition)

Director – Peter Jackson – 2002 (2001) – New Zealand – Cert. PG – 229m

*****

(NB Extended Edition, in cinemas from Monday, July 24th 2020, 227m in cinemas due to extended frame rate = 218m version released on DVD 2004. Original theatrical cut: 178m)

It’s a very different thing writing about a new movie which you’re watching for the first time and an old movie with which you’re familiar. Even stranger when the movie concerned is an adaptation of a book with which you’re equally familiar. Odder still when the property exists in its original form (which was actually a side project of something else, Professor J.R.R.Tolkien’s Middle-earth project) but also in a highly regarded 13 x 1 hour BBC radio adaptation skilfully adapted by Brian Sibley.

Although it’s Tolkien’s material, for me it’s as if The Lord Of The Rings existed somewhere out there and Tolkien wrote it down in book form (Where does artistic creativity come from? Discuss) after which Sibley successfully wrote it down in radio drama form and Jackson and his two screenwriting collaborators Fran Walsh and Philippa Boyens turned it into a movie trilogy.… Read the rest

Categories
Animation Features Movies

SCOOB!

Director – Tony Cervone – 2020 – US – Cert. PG – 93m

****

Available on VoD from Friday, July 10th and BD/DVD Monday, September 28th

I grew up watching Hanna-Barbera cartoons which would play in, if I recall, the 5.20 slot on the BBC. Some were better than others. Scooby-Doo, Where Are You! (1969-70) was one of the better ones. It had five memorable characters who each week would investigate some mystery suggesting monsters or the paranormal for which there would always turn out to be a rational explanation as the perpetrator was unmasked at the end, usually with the words “and I would have gotten away with it too if it hadn’t have been for you kids.”

The original cartoon TV series (1969-70) has spawned numerous spin-offs over the years including a so-so live action / special effects theatrical feature Scooby-Doo (2002) and a sequel. Which brings us to SCOOB!, an animated theatrical movie once again bringing the franchise to the big screen.

It starts off with a couple of tried and tested big screen adaptation tropes. One, taking one of the characters and having them somehow meet up with the others for their first adventure. Two, an origin story.… Read the rest

Categories
Animation Documentary Features Live Action Movies

My Favorite War
(Mans mīļākais karš)

Director – Ilze Burkovska Jacobsen – 2020 – Latvia, Norway – Cert. N/C 12+ – 77m

****

Autobiographical documentary employs cut-out animation to describe a childhood in Latvia when it was part of the Soviet UnionGlasgow Film Festival Thursday, February 25th to Sunday, February 28th

In World War Two. Latvia was caught between the Nazis and the Russians. After the Nazis capitulated, the country was absorbed into the Soviet Union. Ilze’s grandfather, a small farmer, was declared an Enemy of the State and sent to Siberia because he owned a small piece of land. Her Communist Party member father became a City Manager but he was killed in a car crash leaving her mother to bring up her and her brother alone.

At age three, Ilze’s parents risk everything by taking her to a forbidden beach a few miles from their home just so their young daughter can see the sea. This is the self-proclaimed “happiest country in the world” where party officials can queue jump and take the last pack of butter, where peace is paramount but shooting lessons are mandatory at school. As Ilze grows, she must keep quiet about all sorts of things or her mother will lose her job.… Read the rest

Categories
Animation Features Movies

The Red Turtle
(La Tortue Rouge)

Director – Michaël Dudok De Wit – 2016 – France / Belgium / Japan – Cert. PG – 82m

*****

A man shipwrecked on an island encounters a red turtle.

From the get-go, this is not your usual 2D animated film. The Red Turtle is slow-paced, has no dialogue and is certainly not aimed at children. Yet there’s nothing here you wouldn’t want kids to see, as its PG certificate testifies. Whether young minds would be spellbound or bored I wouldn’t like to say. Nor is it Studio Ghibli’s usual home-grown, Japanese fare being a French-Belgian production by a Dutch director based in London. Nor does it start off where you might expect.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone.

A man adrift in a powerful, stormy grey sea is separated by some distance from his overturned, small boat. There is no indication of how he got there, and no flashbacks explain later on. Rather, the character reaches dry land and must survive there alone, save for crabs and seagulls.… Read the rest

Categories
Animation Features Live Action Movies

The Lord
of the Rings:
The Return
of the King

Director – Peter Jackson – 2003 – New Zealand – Cert. 12a – 201m (263m)

*****

(NB Extended Edition, in cinemas from Monday, August 10th 2020, 263m in cinemas due to extended frame rate = 252m version released on DVD 2004.)

This review of the 201m theatrical version was originally published in Third Way.

A much shorter review appeared in What’s On In London.

A pre-screening article on The Lord Of The Rings appeared in Sussed in 2001.

Tolkien’s The Lord Of The Rings is a labour of love by a brilliant academic obsessed by myth and language better at creating an alternate world than at story construction. Nowhere in the trilogy is this more evident than in The Return Of The King. Frodo’s trip to Mount Doom to unmake Sauron’s One Ring builds up incredibly to a climactic pivotal event running little more than a paragraph. This is followed by another hundred pages or so tying up loose ends, including a sequence in which evil wizard Saruman turns the Shire into a post-industrial dictatorship that’s trivial compared with the geographic enormity of what has gone before.

Jackson and co-writers wisely omit that sequence; indeed, in its last weeks of post-production his The Lord Of The Rings: The Return Of The King has chopped its scenes of Saruman (Christopher Lee) at Isengard – on the grounds that it slowed down the start.… Read the rest