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Features Live Action Movies

I Am Greta

The Greta good

I am Greta
Directed by Nathan Grossman
Certificate 12a, 98 minutes
Released on 16 October

Greta Thunberg is, without doubt, a remarkable young woman. And this is a remarkable film, although not perhaps for the reasons you might expect.

What’s remarkable is that when the 15-year-old schoolgirl with Asperger’s started her strike for the climate outside the Swedish parliament, the documentary film-maker Nathan Grossman possessed the foresight to start filming her. He kept filming as she was invited to address organisations such as the European Parliament in Strasbourg, meet with world leaders such as France’s President Macron and speak to climate activist meetings and rallies around the globe.

You can’t get that close to a person without finding out something about them. Greta is driven by a focus on one issue. As it happens, that issue is the single most important one facing the survival of the human race and the planet. Read the rest…

I review I Am Greta for Reform.

Categories
Features Live Action Movies

Rocks

Director – Sarah Gavron – 2019 – UK – Cert. 12 – 93m

****

A 15-year-old, East End London schoolgirl must look after her seven-year-old brother when their mother abandons themin cinemas from Friday, September 18th

From its opening, in which a bunch of ethnically diverse, 15-year-old girls from Hackney in London’s East End clown around together, lean on a balcony and film each other on a mobile phone, it’s clear that this is something very different. It’s been made with a young, mostly female cast many of whom have little or no acting experience via intensive workshopping and improvisation. Thrown into this mix somewhere along the process a highly personal script outline has emerged from Theresa Ikoko, one of two writers involved in the lengthy development process, which seems a perfect fit for the young cast.

Although the story source was Ikoko, I’m guessing that the input of co-writer Claire Wilson is just as significant. And while I believe you can never underestimate the importance of a good script which lays the foundations of a production, in this particular instance many other collaborators both behind and in front of the cameras have also contributed a great deal, with director Gavron and her producers holding it all together.… Read the rest

Categories
Animation Features Movies

True North

Director – Eiji Han Shimizu – 2020 – Japan, Indonesia – 93m

****

From the Annecy 2020 Online Animation Festival

The life of an ordinary family living in Pyongyang is interrupted when their father disappears and their mother is unable to tell their infant son Yo-han and his younger sister Mi-hee exactly what has happened to him, although she reassures them that everything will be fine. A few days later, in the middle of the night, there’s a knock at the door of their apartment. Officials come in and search the place, make the family pack a few belongings then put them into a truck.

On the ensuing journey, there are no stops for the lavatory. The truck takes them to a political camp where they will be imprisoned although it’s never quite clear what offence they have committed. Father is apparently an enemy of the state, even though he appears to have an exemplary record. Despite promises that the family will see him soon, he’s not in the camp to which they’ve been taken. They are going to have to fend for themselves there.

Mother does her best to keep her kids’ spirits up – no mean task when you’re living on meagre rations and forced to do backbreaking work shifts harvesting crops in the fields (woman and girls) or working in the mines (men and boys).… Read the rest

Categories
Animation Documentary Features Live Action Movies

Camp 14:
Total Control Zone

Director – Marc Weise – Cert. 12 – 2012 – Germany, South Korea – 106m

*****

Utterly devastating documentary built around interviews with (mainly) a man who was born into and as an adult escaped from a North Korean Death Camp and (with less material) a former guard at one such camp. It being impossible to film inside such camps, the film makers brilliantly deploy bleak, grey toned animation to put images of camp life (classrooms, public executions) on the screen. Be horrified as humans grow and develop in an environment devoid of moral goodness. One of the most unsettling films you’ll ever see.

Here’s the trailer:

This review originally appeared in Film Review Annual.