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Animation Documentary Features Live Action Movies Music

It’s Never Over,
Jeff Buckley

Director – Amy Berg – 2025 – US – Cert. 15 – 106m

***1/2

A look at the life of the hugely talented singer / songwriter whose career in the 1990s was cut short by his untimely death – out in UK cinemas on Friday, February 13th

It’s tempting to place Jeff Buckley among the all too long list of rock and roll music casualties who killed themselves via a mixture of excessive lifestyle and drug abuse, a list which includes Jeff’s absent, singer / songwriter father Tim, who died of a morphine and heroin overdose at age 28.

This documentary charts its subject’s life chronologically and thus doesn’t get to the issue of Jeff’s death until late on. Following his early years as a young hopeful living in New York City, Jeff Buckley relocated to Memphis where one day, aged 30, he swam out into the Wolf River (a tributary of the Mississippi) and was never seen alive again. The autopsy, which was pretty much open and shut, recorded that he had one beer in his system. Nothing else. The river at this location had a powerful undertow, so Buckley’s untimely death can be put down to a tragic combination of ignorance and misjudgement.… Read the rest

Categories
Documentary Features Live Action Movies Music

Hallelujah:
Leonard Cohen,
A Journey, A Song

Directors – Daniel Geller, Dayna Goldfine – 2021 – UK – Cert. 12 – 118m

***

The career of writer-turned-singer/songwriter Leonard Cohen, with particular emphasis on his best known song Hallelujah – out in UK cinemas on Friday, September 16th

There have been films about Leonard Cohen before, hardly surprising given his status as one of the major singer / songwriters of the twentieth century. This one falls between two stools.

Leonard Cohen

On the one hand, it’s an attempt to document his career, and as such comes across as another Leonard Cohen movie which is fine as an introduction if you don’t know his career and music and I suspect fine for Leonard completists. As someone in the middle, this aspect seemed to be all talking heads treading mostly predictable ground.

On the other, it explores Cohen’s best known song Hallelujah, his struggles in writing it and how the piece ultimately took on a life of its own. This second aspect hasn’t been explored that widely to the best of my knowledge and proves a far richer seam into the mind, workings, practices and artistry of Cohen, making you wish the filmmakers had dumped much of the other material and explored this area at greater length.… Read the rest