Sam Peckinpah Archives - Jeremy C. Processing

Director – Sam Peckinpah – 1977 – UK, Germany – Cert. 15 – 132m

Movie ***1/2
4K Blu-ray *****

A German corporal on the WW2 Russian front takes exception to an aristocratic officer’s attempts to take credit (and a medal) for a dead officer’s bravery – out in a 4K restoration on UHD Steelbook, Blu-ray & DVD from Monday, July 31st

The Taman Peninsular on the Russian Front in World War II. German army Corporal Steiner (James Coburn) leads his small reconnaissance unit in a successful attack on a German position, taking captive an underage Russian recruit rather than killing him. His war-weary senior officer Colonel Brandt (James Mason) and assistant Captain Kiesel (David Warner) are joined by enthusiastic Captain Stransky (Maximilian Schell) who was previously in France and has come to Russia determined to earn an Iron Cross to impress his aristocratic, Prussian family.

In his first encounter with Steiner, Stransky orders him to shoot the teenager captive, as they have been ordered to take no prisoners. Steiner instead hides the boy among his unit, letting him go during a Russian attack on the base, hoping the boy can return to his own forces, but alas the boy is shot by advancing soldiers on his own side.… Read the rest

Sam Peckinpah:
If They Move…
Kill ’em

David Weddle, Faber & Faber £11.99 Pbk.

*****

Published for the first time ever in Britain, Weddle’s tome is a compelling read whether one’s familiar with the movies of Sam Peckinpah (among them The Wild Bunch, Straw Dogs, The Getaway) or not. Like the man’s uncompromisingly violent movies, this lovingly penned sketch never soft soaps its subject. It’s as strong on roots and early upbringing as on final career years. The latter saw first booze and then (as the drug became increasingly available in Hollywood circles) cocaine addle Peckinpah’s ability to make coherent movies; ironically, the atrocious Convoy turned out his biggest box office hit.

Peckinpah’s numerous battles with the major Studios are documented in detail. Early efforts like Major Dundee is shown as a half-scripted mess that the director liked to cite untruthfully as ruined by the studio, but others like Noon Wine (a now destroyed ABC TV drama), his arguable masterpiece The Wild Bunch and late contender Pat Garrett and Billy The Kid are pulled from the wreckage and intelligently defended as great art. At the same time, Peckinpah’s often unfairly vicious treatment of technicians on the set and friends and family (including three wives) in life leave a nasty taste in the mouth.… Read the rest