Tag: rural

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Features Live Action Movies

The Painted Bird
(Nabarvené ptáče)

Director – Václav Marhoul – 2019 – Czech Republic – Cert. 18 – 169m

****1/2

An orphan boy meets a series of adults, a few kind but most cruel, travelling around Eastern Europe during World War Two – in cinemas and online at Amazon, BFI Player, Curzon Home Cinema, IFI@HOME, Rio Cinema Online and Vimeo On Demand in the UK from Friday, September 11th

You’re really not quite sure where you are for the first hour of this mammoth Czech production stuffed with Hollywood stars speaking not a word in English. A boy (Petr Kotlár) whose name we won’t discover until the film’s final minutes flees through a wood before being caught by bullies who burn and kill his pet ferret.

That proves prophetic because soon afterwards at night, he discovers that his aunt, with whom he lives, has died upright in her chair. He is so startled that he knocks over an oil lamp and burns the house down. Now he’s an orphan at the mercy of the world, which is not a pleasant one being Eastern Europe at the time of the second world war. The rural people are primitive. Christianity is largely a matter of ritual and superstition; belief in vampires is so widespread that a local witch can claim the boy is a vampire and be believed.… Read the rest

Categories
Animation Art Documentary Features Live Action Movies

Buñuel
In The Labyrinth
Of The Turtles

Director – Salvador Simo – 2018 – Netherlands – 80m

***1/2

Streaming on BFI Player (extended free trial offer here) from Thursday, July 16th – with more Buñuel movies here.

Following the success of his surrealist film L’Age D’Or / The Age Of Gold (1930), film director Luis Buñuel finds his main source of funding cut off when the strongly Catholic mother of his primary investor puts pressure in the latter. At the same time, a stranger named Eli Lotar strikes up a post-premiere conversation with the director saying he saw no influence of Dali in the film and presses a book Las Hurdes into Buñuel’s hands.

Frustrated at the lack of funding for his films, Luis decides to film the book which details the appalling living conditions of poor people in a remote village in rural Spain.

As part of my Annecy 2019 coverage, I review Buñuel In The Labyrinth Of The Turtles for DMovies.org.

Categories
Features Live Action Movies

Wrath Of Silence
(Bao Lie Wu Sheng,
暴裂无声)

Director – Xin Yukun – 2017 – China – 120m

***

Fist of parental fury: mute villager fights hard to find his missing son in rural China, in a film teeming with extraordinary social commentary and… fighting!!! From the BFI London Film Festival 2017

The young boy Zhang Liu tends sheep on a hillside in Northern China not far from a mine where lorries come and go. One day he doesn’t come home. His mother, already in debt for various medical treatments for her swollen legs, is at her wits’ end. The boy’s mute father, the miner Zhang Baomin (Song Yang), has a way of solving problems. Fisticuffs. He beats up people in the local mine. In the village restaurant he plunges a broken meat bone into the eye of the local organiser of signatures to sign away the village mining rights for which he’s holding out but everyone else in the village has signed. He goes around showing a picture of the missing Liu in the hope that someone has seen the boy.

This takes him to a local mining site where he’s inside eating with the foreman when thugs turn up in vans and jeeps to tell the miners a new company has bought out the mine and their service are no longer required.… Read the rest

Categories
Features Live Action Movies

Witness

UK PAL laserdisc review.

Originally published on London Calling Internet.

Distributor Pioneer LDCE

£19.99

BBFC Certificate 15

Director Peter Weir (1985)

Starring Harrison Ford, Kelly McGillis, Lukas Haas, Danny Glover

Running Time 108 min

Dolby Surround

Widescreen: 1.85:1

Chaptered? Yes

CLV

2 Sides

First American movie by Australian director Weir was also Ford’s first attempt at serious acting (for all those who think the star didn’t have his work cut out on the Indiana Jones or Star Wars films which previously made his name). The piece shifts constantly between a generally unremarkable gun-laden, American cop thriller on the one hand and an utterly unique portrait of Amish life on the other – so unique, in fact, that most people who have heard of the Amish have done so through this film.

The simple respect afforded the Amish – an extreme post-Anabaptist, post-Mennonite Christian tradition that abhors post-industrial material in favour of a pre-industrial community lifestyle – is quite extraordinary given Hollywood’s usual smack-in-the-face / pat-on-the-head attitude towards Christianity. Here, Weir just notes and observes, making no judgements one way or the other, leaving us rather to make up our own minds.

What Weir does do, though – and to remarkable effect – is juxtapose this clean and idealistic world with a foul-mouthed, urban universe of corrupt cops.… Read the rest